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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB600 it is the complementary color #1349FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB600. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ECB600: #F1B600, #FFC80E, #FFDA21, #FFEC34 and #FFFE47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB600. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ECB600: #ECB600, #DBA400, #CA9200, #B98000 and #A86E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

Complementary color

CMYK 93 / 71 / 0 / 0

HEX #1349FF

RGB 19 73 255

HSL 226.27, 1%, 0.54%

LAB 41.41, 53.37, -92.7

 

CMYK 0 / 24 / 100 / 5

HEX #F1B600

RGB 241 182 0

HSL 45.31, 1%, 0.47%

LAB 77.37, 9.08, 79.84

 

CMYK 0 / 22 / 95 / 0

HEX #FFC80E

RGB 255 200 14

HSL 46.31, 1%, 0.53%

LAB 83.23, 5.85, 83.22

 

CMYK 0 / 15 / 87 / 0

HEX #FFDA21

RGB 255 218 33

HSL 50, 1%, 0.56%

LAB 87.73, -3.06, 83.68

 

CMYK 0 / 7 / 80 / 0

HEX #FFEC34

RGB 255 236 52

HSL 54.38, 1%, 0.6%

LAB 92.35, -11.55, 83.08

 

CMYK 0 / 0 / 72 / 0

HEX #FFFE47

RGB 255 254 71

HSL 59.67, 1%, 0.64%

LAB 97.06, -19.59, 81.76

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 0 / 25 / 100 / 14

HEX #DBA400

RGB 219 164 0

HSL 44.93, 1%, 0.43%

LAB 70.6, 9.03, 74.09

 

CMYK 0 / 28 / 100 / 21

HEX #CA9200

RGB 202 146 0

HSL 43.37, 1%, 0.4%

LAB 64.25, 11.22, 68.88

 

CMYK 0 / 31 / 100 / 27

HEX #B98000

RGB 185 128 0

HSL 41.51, 1%, 0.36%

LAB 57.8, 13.5, 63.6

 

CMYK 0 / 35 / 100 / 34

HEX #A86E00

RGB 168 110 0

HSL 39.29, 1%, 0.33%

LAB 51.24, 15.88, 58.23

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 0 / 7 / 100 / 8

HEX #EADA00

RGB 234 218 0

HSL 55.9, 1%, 0.46%

LAB 85.82, -12.37, 85.49

 

CMYK 10 / 0 / 100 / 8

HEX #D3EA00

RGB 211 234 0

HSL 65.9, 1%, 0.46%

LAB 88.3, -29.7, 86.5

 

CMYK 26 / 0 / 100 / 8

HEX #ACEA00

RGB 172 234 0

HSL 75.9, 1%, 0.46%

LAB 85.81, -45.05, 83.53

 

CMYK 44 / 0 / 100 / 8

HEX #84EA00

RGB 132 234 0

HSL 86.15, 1%, 0.46%

LAB 83.84, -58.98, 81.14

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 0 / 22 / 100 / 87

HEX #201900

RGB 32 25 0

HSL 46.88, 1%, 0.06%

LAB 9.01, -0.36, 13.48

 

CMYK 0 / 23 / 100 / 67

HEX #534000

RGB 83 64 0

HSL 46.27, 1%, 0.16%

LAB 28.13, 2.01, 37.37

 

CMYK 0 / 23 / 100 / 47

HEX #866700

RGB 134 103 0

HSL 46.12, 1%, 0.26%

LAB 45.32, 3.98, 52.28

 

CMYK 0 / 23 / 100 / 27

HEX #B98F00

RGB 185 143 0

HSL 46.38, 1%, 0.36%

LAB 61.62, 5.22, 66.19

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 97 / 0 / 100 / 8

HEX #07EA00

RGB 7 234 0

HSL 118.21, 1%, 0.46%

LAB 81.23, -80.53, 77.98

 

CMYK 63 / 100 / 0 / 8

HEX #5600EA

RGB 86 0 234

HSL 262.05, 1%, 0.46%

LAB 33.81, 76.04, -93.36

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 100 / 0 / 24 / 8

HEX #00EAB3

RGB 0 234 179

HSL 165.9, 1%, 0.46%

LAB 82.97, -59.67, 13.65

 

CMYK 24 / 100 / 0 / 8

HEX #B300EA

RGB 179 0 234

HSL 285.9, 1%, 0.46%

LAB 46.34, 84.26, -72.28

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 97 / 0 / 100 / 8

HEX #07EA00

RGB 7 234 0

HSL 118.21, 1%, 0.46%

LAB 81.23, -80.53, 77.98

 

CMYK 100 / 77 / 0 / 8

HEX #0036EA

RGB 0 54 234

HSL 226.15, 1%, 0.46%

LAB 35.16, 56.53, -91.24

 

CMYK 3 / 100 / 0 / 8

HEX #E200EA

RGB 226 0 234

HSL 297.95, 1%, 0.46%

LAB 54.14, 90.84, -59.29

 

CMYK 0 / 23 / 100 / 7

HEX #ECB600

RGB 236 182 0

HSL 46.27, 1%, 0.46%

LAB 76.85, 6.92, 79.24

 

CMYK 100 / 0 / 74 / 8

HEX #00EA3E

RGB 0 234 62

HSL 135.9, 1%, 0.46%

LAB 81.4, -78.28, 66.06

 

CMYK 100 / 77 / 0 / 8

HEX #0036EA

RGB 0 54 234

HSL 226.15, 1%, 0.46%

LAB 35.16, 56.53, -91.24

 

CMYK 0 / 100 / 26 / 8

HEX #EA00AC

RGB 234 0 172

HSL 315.9, 1%, 0.46%

LAB 52.37, 84.27, -26.32

 

Description

Color code: HEX #ECB600 | qconv.com Color code: HEX #ECB600 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 182 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 182 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 100 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 100% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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