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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC8F7E it is the complementary color #137081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC8F7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC8F7E shade: #F18F79, #FFA18C, #FFB39F, #FFC5B2 and #FFD7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC8F7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC8F7E shade: #EC8F7E, #DB7D6B, #CA6B58, #B95945 and #A84732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC8F7E shade: #EC8F7E and #EC7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC8F7E shade: #EC8F7E, #ECAD7E, #ECCA7E, #ECE87E and #D2EC7E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC8F7E shade matches the following richer shades: #EC8F7E and #F88772

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC8F7E shade: #EC8F7E, #E0988A, #D4A096, #C8A8A2 and #BCB0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC8F7E shade: #EC7EA8, #EC7E8B, #EC8F7E, #ECAC7E and #ECC97E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC8F7E shade: #E15137, #E6705A, #EC8F7E, #F1AEA2 and #F7CEC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC8F7E shade: #EC8F7E, #C5EC7E and #7E9AEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC8F7E shade: #EC8F7E, #7EEC8F and #8F7EEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC8F7E shade: #EC8F7E, #C5EC7E, #7EDBEC and #A57EEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC8F7E shade: #EC8F7E, #A5EC7E, #7EDBEC and #C57EEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

Complementary color

CMYK 85 / 13 / 0 / 49

HEX #137081

RGB 19 112 129

HSL 189.27, 0.74%, 0.29%

LAB 43.23, -19.06, -16.66

 

CMYK 0 / 41 / 50 / 5

HEX #F18F79

RGB 241 143 121

HSL 11, 0.81%, 0.71%

LAB 69.27, 34.85, 27.66

 

CMYK 0 / 37 / 45 / 0

HEX #FFA18C

RGB 255 161 140

HSL 10.96, 1%, 0.77%

LAB 75.23, 32.61, 25.57

 

CMYK 0 / 30 / 38 / 0

HEX #FFB39F

RGB 255 179 159

HSL 12.5, 1%, 0.81%

LAB 79.62, 25.23, 21.31

 

CMYK 0 / 23 / 30 / 0

HEX #FFC5B2

RGB 255 197 178

HSL 14.81, 1%, 0.85%

LAB 84.18, 18.1, 17.5

 

CMYK 0 / 16 / 23 / 0

HEX #FFD7C5

RGB 255 215 197

HSL 18.62, 1%, 0.89%

LAB 88.87, 11.27, 14.07

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 43 / 51 / 14

HEX #DB7D6B

RGB 219 125 107

HSL 9.64, 0.61%, 0.64%

LAB 62.33, 34.56, 25.72

 

CMYK 0 / 47 / 56 / 21

HEX #CA6B58

RGB 202 107 88

HSL 10, 0.52%, 0.57%

LAB 55.86, 35.8, 27.57

 

CMYK 0 / 52 / 63 / 27

HEX #B95945

RGB 185 89 69

HSL 10.34, 0.46%, 0.5%

LAB 49.36, 37.15, 29.69

 

CMYK 0 / 58 / 70 / 34

HEX #A84732

RGB 168 71 50

HSL 10.68, 0.54%, 0.43%

LAB 42.86, 38.55, 32.13

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 47 / 47 / 7

HEX #EC7E7E

RGB 236 126 126

HSL 0, 0.74%, 0.71%

LAB 65.17, 42.18, 19.24

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 27 / 47 / 7

HEX #ECAD7E

RGB 236 173 126

HSL 25.64, 0.74%, 0.71%

LAB 75.59, 17.53, 33.16

 

CMYK 0 / 14 / 47 / 7

HEX #ECCA7E

RGB 236 202 126

HSL 41.45, 0.74%, 0.71%

LAB 82.69, 2.29, 42.23

 

CMYK 0 / 2 / 47 / 7

HEX #ECE87E

RGB 236 232 126

HSL 57.82, 0.74%, 0.71%

LAB 90.35, -12.92, 51.69

 

CMYK 11 / 0 / 47 / 7

HEX #D2EC7E

RGB 210 236 126

HSL 74.18, 0.74%, 0.71%

LAB 89.49, -24.96, 50.2

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 46 / 54 / 3

HEX #F88772

RGB 248 135 114

HSL 9.4, 0.91%, 0.71%

LAB 68.39, 41, 30.51

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 32 / 38 / 12

HEX #E0988A

RGB 224 152 138

HSL 9.77, 0.58%, 0.71%

LAB 69.57, 25.31, 18.35

 

CMYK 0 / 25 / 29 / 17

HEX #D4A096

RGB 212 160 150

HSL 9.68, 0.42%, 0.71%

LAB 70.41, 17.88, 12.71

 

CMYK 0 / 16 / 19 / 22

HEX #C8A8A2

RGB 200 168 162

HSL 9.47, 0.26%, 0.71%

LAB 71.48, 10.71, 7.44

 

CMYK 0 / 6 / 7 / 26

HEX #BCB0AE

RGB 188 176 174

HSL 8.57, 0.09%, 0.71%

LAB 72.76, 3.93, 2.55

 

CMYK 0 / 47 / 29 / 7

HEX #EC7EA8

RGB 236 126 168

HSL 337.09, 0.74%, 0.71%

LAB 66.2, 46.94, -3.08

 

CMYK 0 / 47 / 41 / 7

HEX #EC7E8B

RGB 236 126 139

HSL 352.91, 0.74%, 0.71%

LAB 65.45, 43.5, 12.28

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 27 / 47 / 7

HEX #ECAC7E

RGB 236 172 126

HSL 25.09, 0.74%, 0.71%

LAB 75.35, 18.06, 32.85

 

CMYK 0 / 15 / 47 / 7

HEX #ECC97E

RGB 236 201 126

HSL 40.91, 0.74%, 0.71%

LAB 82.44, 2.8, 41.92

 

CMYK 0 / 64 / 76 / 12

HEX #E15137

RGB 225 81 55

HSL 9.18, 0.74%, 0.55%

LAB 54.21, 54.69, 44.66

 

CMYK 0 / 51 / 61 / 10

HEX #E6705A

RGB 230 112 90

HSL 9.43, 0.74%, 0.63%

LAB 60.91, 44.02, 33.68

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 0 / 28 / 33 / 5

HEX #F1AEA2

RGB 241 174 162

HSL 9.11, 0.74%, 0.79%

LAB 77.03, 22.94, 15.87

 

CMYK 0 / 17 / 20 / 3

HEX #F7CEC6

RGB 247 206 198

HSL 9.8, 0.75%, 0.87%

LAB 86, 13.2, 9.36

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 17 / 0 / 47 / 7

HEX #C5EC7E

RGB 197 236 126

HSL 81.27, 0.74%, 0.71%

LAB 88.62, -29.84, 48.94

 

CMYK 47 / 35 / 0 / 7

HEX #7E9AEC

RGB 126 154 236

HSL 224.73, 0.74%, 0.71%

LAB 64.65, 11.79, -44.37

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 47 / 0 / 39 / 7

HEX #7EEC8F

RGB 126 236 143

HSL 129.27, 0.74%, 0.71%

LAB 85.2, -50.74, 35.55

 

CMYK 39 / 47 / 0 / 7

HEX #8F7EEC

RGB 143 126 236

HSL 249.27, 0.74%, 0.71%

LAB 58.81, 32.25, -53.54

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 17 / 0 / 47 / 7

HEX #C5EC7E

RGB 197 236 126

HSL 81.27, 0.74%, 0.71%

LAB 88.62, -29.84, 48.94

 

CMYK 47 / 7 / 0 / 7

HEX #7EDBEC

RGB 126 219 236

HSL 189.27, 0.74%, 0.71%

LAB 82.46, -23.28, -16.94

 

CMYK 30 / 47 / 0 / 7

HEX #A57EEC

RGB 165 126 236

HSL 261.27, 0.74%, 0.71%

LAB 60.76, 37.86, -50.31

 

CMYK 0 / 39 / 47 / 7

HEX #EC8F7E

RGB 236 143 126

HSL 9.27, 0.74%, 0.71%

LAB 68.74, 33.41, 24.09

 

CMYK 30 / 0 / 47 / 7

HEX #A5EC7E

RGB 165 236 126

HSL 98.73, 0.74%, 0.71%

LAB 86.75, -41.21, 46.21

 

CMYK 47 / 7 / 0 / 7

HEX #7EDBEC

RGB 126 219 236

HSL 189.27, 0.74%, 0.71%

LAB 82.46, -23.28, -16.94

 

CMYK 17 / 47 / 0 / 7

HEX #C57EEC

RGB 197 126 236

HSL 278.73, 0.74%, 0.71%

LAB 64.04, 46.51, -44.92

 

Description

Color code: HEX #EC8F7E | qconv.com Color code: HEX #EC8F7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 143 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 143 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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