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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBFB09 it is the complementary color #1404F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBFB09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBFB09 shade: #F0FB04, #FFFF17, #FFFF2A, #FFFF3D and #FFFF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBFB09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBFB09 shade: #EBFB09, #DAE900, #C9D700, #B8C500 and #A7B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBFB09 shade: #EBFB09, #FBCA09, #FB8909, #FB4709 and #FB0909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBFB09 shade: #EBFB09, #AAFB09, #68FB09, #27FB09 and #09FB2C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBFB09 shade matches the following richer shades: #EBFB09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBFB09 shade: #EBFB09, #DAE71D, #C8D331, #B7BF45 and #A5AA5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBFB09 shade: #FB8609, #FBC709, #EFFB09, #AEFB09 and #6EFB09

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBFB09 shade: #A4AF03, #CAD803, #EBFB09, #EEFC31 and #F2FC5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBFB09 shade: #EBFB09, #09FB45 and #A609FB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBFB09 shade: #EBFB09, #09EFFB and #FB09EF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBFB09 shade: #EBFB09, #09FB45, #1509FB and #FB09BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBFB09 shade: #EBFB09, #09FB8E, #1509FB and #FB0976

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

Complementary color

CMYK 92 / 98 / 0 / 4

HEX #1404F6

RGB 20 4 246

HSL 243.97, 0.97%, 0.49%

LAB 31.55, 76.55, -104.04

 

CMYK 4 / 0 / 98 / 2

HEX #F0FB04

RGB 240 251 4

HSL 62.67, 0.97%, 0.5%

LAB 94.96, -25.78, 92.09

 

CMYK 0 / 0 / 91 / 0

HEX #FFFF17

RGB 255 255 23

HSL 60, 1%, 0.55%

LAB 97.16, -21.35, 92.59

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF2A

RGB 255 255 42

HSL 60, 1%, 0.58%

LAB 97.21, -21.01, 89.53

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 6 / 0 / 100 / 9

HEX #DAE900

RGB 218 233 0

HSL 63.86, 1%, 0.46%

LAB 88.54, -26.36, 86.9

 

CMYK 7 / 0 / 100 / 16

HEX #C9D700

RGB 201 215 0

HSL 63.91, 1%, 0.42%

LAB 82.39, -24.85, 81.79

 

CMYK 7 / 0 / 100 / 23

HEX #B8C500

RGB 184 197 0

HSL 63.96, 1%, 0.39%

LAB 76.14, -23.31, 76.59

 

CMYK 7 / 0 / 100 / 30

HEX #A7B300

RGB 167 179 0

HSL 64.02, 1%, 0.35%

LAB 69.79, -21.76, 71.31

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 0 / 20 / 96 / 2

HEX #FBCA09

RGB 251 202 9

HSL 47.85, 0.97%, 0.51%

LAB 83.32, 3.07, 83.6

 

CMYK 0 / 45 / 96 / 2

HEX #FB8909

RGB 251 137 9

HSL 31.74, 0.97%, 0.51%

LAB 68.33, 36.83, 73.29

 

CMYK 0 / 72 / 96 / 2

HEX #FB4709

RGB 251 71 9

HSL 15.37, 0.97%, 0.51%

LAB 57.11, 65.97, 66.51

 

CMYK 0 / 96 / 96 / 2

HEX #FB0909

RGB 251 9 9

HSL 0, 0.97%, 0.51%

LAB 52.65, 78.59, 64.26

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 32 / 0 / 96 / 2

HEX #AAFB09

RGB 170 251 9

HSL 80.08, 0.97%, 0.51%

LAB 90.58, -52.76, 86.46

 

CMYK 59 / 0 / 96 / 2

HEX #68FB09

RGB 104 251 9

HSL 96.45, 0.97%, 0.51%

LAB 87.95, -72.56, 83.26

 

CMYK 84 / 0 / 96 / 2

HEX #27FB09

RGB 39 251 9

HSL 112.56, 0.97%, 0.51%

LAB 86.72, -83.09, 81.76

 

CMYK 96 / 0 / 82 / 2

HEX #09FB2C

RGB 9 251 44

HSL 128.68, 0.97%, 0.51%

LAB 86.62, -83.73, 76.23

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 6 / 0 / 87 / 9

HEX #DAE71D

RGB 218 231 29

HSL 63.86, 0.81%, 0.51%

LAB 88.04, -25.05, 83.36

 

CMYK 5 / 0 / 77 / 17

HEX #C8D331

RGB 200 211 49

HSL 64.07, 0.65%, 0.51%

LAB 81.34, -22.32, 72.48

 

CMYK 4 / 0 / 64 / 25

HEX #B7BF45

RGB 183 191 69

HSL 63.93, 0.49%, 0.51%

LAB 74.67, -18.54, 58.41

 

CMYK 3 / 0 / 47 / 33

HEX #A5AA5A

RGB 165 170 90

HSL 63.75, 0.32%, 0.51%

LAB 67.64, -13.64, 40.38

 

CMYK 0 / 47 / 96 / 2

HEX #FB8609

RGB 251 134 9

HSL 30.99, 0.97%, 0.51%

LAB 67.71, 38.34, 72.88

 

CMYK 0 / 21 / 96 / 2

HEX #FBC709

RGB 251 199 9

HSL 47.11, 0.97%, 0.51%

LAB 82.58, 4.61, 83.07

 

CMYK 5 / 0 / 96 / 2

HEX #EFFB09

RGB 239 251 9

HSL 62.98, 0.97%, 0.51%

LAB 94.89, -26.15, 91.65

 

CMYK 31 / 0 / 96 / 2

HEX #AEFB09

RGB 174 251 9

HSL 79.09, 0.97%, 0.51%

LAB 90.79, -51.34, 86.71

 

CMYK 56 / 0 / 96 / 2

HEX #6EFB09

RGB 110 251 9

HSL 94.96, 0.97%, 0.51%

LAB 88.13, -71.1, 83.48

 

CMYK 6 / 0 / 98 / 31

HEX #A4AF03

RGB 164 175 3

HSL 63.84, 0.97%, 0.35%

LAB 68.43, -21.03, 69.83

 

CMYK 6 / 0 / 99 / 15

HEX #CAD803

RGB 202 216 3

HSL 63.94, 0.97%, 0.43%

LAB 82.74, -24.88, 81.81

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 6 / 0 / 81 / 1

HEX #EEFC31

RGB 238 252 49

HSL 64.14, 0.97%, 0.59%

LAB 95.17, -26.31, 85.75

 

CMYK 4 / 0 / 64 / 1

HEX #F2FC5A

RGB 242 252 90

HSL 63.7, 0.96%, 0.67%

LAB 95.68, -22.91, 73.38

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 96 / 0 / 73 / 2

HEX #09FB45

RGB 9 251 69

HSL 134.88, 0.97%, 0.51%

LAB 86.74, -82.15, 69.11

 

CMYK 34 / 96 / 0 / 2

HEX #A609FB

RGB 166 9 251

HSL 278.93, 0.97%, 0.51%

LAB 46, 85.02, -82.5

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 96 / 5 / 0 / 2

HEX #09EFFB

RGB 9 239 251

HSL 182.98, 0.97%, 0.51%

LAB 86.38, -42.05, -19.16

 

CMYK 0 / 96 / 5 / 2

HEX #FB09EF

RGB 251 9 239

HSL 302.98, 0.97%, 0.51%

LAB 58.92, 94.91, -54.22

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 96 / 0 / 73 / 2

HEX #09FB45

RGB 9 251 69

HSL 134.88, 0.97%, 0.51%

LAB 86.74, -82.15, 69.11

 

CMYK 92 / 96 / 0 / 2

HEX #1509FB

RGB 21 9 251

HSL 242.98, 0.97%, 0.51%

LAB 32.52, 77.01, -105.24

 

CMYK 0 / 96 / 24 / 2

HEX #FB09BF

RGB 251 9 191

HSL 314.88, 0.97%, 0.51%

LAB 56.55, 88.97, -30.65

 

CMYK 6 / 0 / 96 / 2

HEX #EBFB09

RGB 235 251 9

HSL 63.97, 0.97%, 0.51%

LAB 94.6, -27.77, 91.3

 

CMYK 96 / 0 / 43 / 2

HEX #09FB8E

RGB 9 251 142

HSL 152.98, 0.97%, 0.51%

LAB 87.49, -72.97, 38.59

 

CMYK 92 / 96 / 0 / 2

HEX #1509FB

RGB 21 9 251

HSL 242.98, 0.97%, 0.51%

LAB 32.52, 77.01, -105.24

 

CMYK 0 / 96 / 53 / 2

HEX #FB0976

RGB 251 9 118

HSL 332.98, 0.97%, 0.51%

LAB 54.04, 82.39, 8.77

 

Description

Color code: HEX #EBFB09 | qconv.com Color code: HEX #EBFB09 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 251 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 251 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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