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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBDDD2 it is the complementary color #14222D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBDDD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EBDDD2: #F0DDCD, #FFEFE0, #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBDDD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EBDDD2: #EBDDD2, #DACBBF, #C9B9AC, #B8A799 and #A79586

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

Complementary color

CMYK 56 / 24 / 0 / 82

HEX #14222D

RGB 20 34 45

HSL 206.4, 0.38%, 0.13%

LAB 12.49, -2.21, -9.18

 

CMYK 0 / 8 / 15 / 6

HEX #F0DDCD

RGB 240 221 205

HSL 27.43, 0.54%, 0.87%

LAB 89.23, 3.93, 10.2

 

CMYK 0 / 6 / 12 / 0

HEX #FFEFE0

RGB 255 239 224

HSL 29.03, 1%, 0.94%

LAB 95.32, 2.96, 9.18

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 0 / 7 / 12 / 15

HEX #DACBBF

RGB 218 203 191

HSL 26.67, 0.27%, 0.8%

LAB 82.58, 3.22, 7.85

 

CMYK 0 / 8 / 14 / 21

HEX #C9B9AC

RGB 201 185 172

HSL 26.9, 0.21%, 0.73%

LAB 76.13, 3.5, 8.64

 

CMYK 0 / 9 / 17 / 28

HEX #B8A799

RGB 184 167 153

HSL 27.1, 0.18%, 0.66%

LAB 69.56, 3.81, 9.47

 

CMYK 0 / 11 / 20 / 35

HEX #A79586

RGB 167 149 134

HSL 27.27, 0.16%, 0.59%

LAB 62.87, 4.17, 10.35

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 0 / 4 / 11 / 8

HEX #EAE0D1

RGB 234 224 209

HSL 36, 0.37%, 0.87%

LAB 89.58, 0.9, 8.55

 

CMYK 0 / 3 / 11 / 8

HEX #EAE4D1

RGB 234 228 209

HSL 45.6, 0.37%, 0.87%

LAB 90.59, -1.16, 9.99

 

CMYK 0 / 1 / 11 / 8

HEX #EAE8D1

RGB 234 232 209

HSL 55.2, 0.37%, 0.87%

LAB 91.6, -3.2, 11.43

 

CMYK 1 / 0 / 11 / 8

HEX #E7EAD1

RGB 231 234 209

HSL 67.2, 0.37%, 0.87%

LAB 91.88, -5.26, 11.8

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 0 / 6 / 10 / 88

HEX #1F1D1C

RGB 31 29 28

HSL 20, 0.05%, 0.12%

LAB 10.95, 0.72, 1.03

 

CMYK 0 / 6 / 11 / 68

HEX #524D49

RGB 82 77 73

HSL 26.67, 0.06%, 0.3%

LAB 33.1, 1.26, 3.11

 

CMYK 0 / 6 / 11 / 48

HEX #857D77

RGB 133 125 119

HSL 25.71, 0.06%, 0.49%

LAB 52.93, 1.92, 4.35

 

CMYK 0 / 6 / 11 / 28

HEX #B8ADA4

RGB 184 173 164

HSL 27, 0.12%, 0.68%

LAB 71.39, 2.37, 6.02

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 7 / 0 / 11 / 8

HEX #DAEAD1

RGB 218 234 209

HSL 98.4, 0.37%, 0.87%

LAB 90.94, -9.75, 10.33

 

CMYK 10 / 11 / 0 / 8

HEX #D2D1EA

RGB 210 209 234

HSL 242.4, 0.37%, 0.87%

LAB 84.61, 5.11, -12.16

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 11 / 0 / 6 / 8

HEX #D1EADC

RGB 209 234 220

HSL 146.4, 0.37%, 0.87%

LAB 90.58, -10.83, 4

 

CMYK 6 / 11 / 0 / 8

HEX #DCD1EA

RGB 220 209 234

HSL 266.4, 0.37%, 0.87%

LAB 85.38, 8.37, -10.93

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 7 / 0 / 11 / 8

HEX #DAEAD1

RGB 218 234 209

HSL 98.4, 0.37%, 0.87%

LAB 90.94, -9.75, 10.33

 

CMYK 11 / 5 / 0 / 8

HEX #D1DFEA

RGB 209 223 234

HSL 206.4, 0.37%, 0.87%

LAB 88.1, -2.54, -6.98

 

CMYK 4 / 11 / 0 / 8

HEX #E1D1EA

RGB 225 209 234

HSL 278.4, 0.37%, 0.87%

LAB 85.78, 10.02, -10.29

 

CMYK 0 / 6 / 11 / 8

HEX #EBDDD2

RGB 235 221 210

HSL 26.4, 0.38%, 0.87%

LAB 88.94, 2.96, 7.1

 

CMYK 10 / 0 / 11 / 8

HEX #D2EAD1

RGB 210 234 209

HSL 117.6, 0.37%, 0.87%

LAB 90.39, -12.47, 9.47

 

CMYK 11 / 5 / 0 / 8

HEX #D1DFEA

RGB 209 223 234

HSL 206.4, 0.37%, 0.87%

LAB 88.1, -2.54, -6.98

 

CMYK 1 / 11 / 0 / 8

HEX #E8D1EA

RGB 232 209 234

HSL 295.2, 0.37%, 0.87%

LAB 86.35, 12.34, -9.37

 

Description

Color code: HEX #EBDDD2 | qconv.com Color code: HEX #EBDDD2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 221 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 221 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 11 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 11% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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