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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBAA9E it is the complementary color #145561. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBAA9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBAA9E shade: #F0AA99, #FFBCAC, #FFCEBF, #FFE0D2 and #FFF2E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBAA9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBAA9E shade: #EBAA9E, #DA988B, #C98678, #B87465 and #A76252

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBAA9E shade: #EBAA9E and #EB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBAA9E shade: #EBAA9E, #EBBF9E, #EBD39E, #EBE89E and #D9EB9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBAA9E shade matches the following richer shades: #EBAA9E, #F5A394 and #FE9D8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBAA9E shade: #EBAA9E, #E2B0A7, #D8B7B1, #CFBDBA and #C5C4C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBAA9E shade: #EB9EBB, #EB9EA7, #EBA99E, #EBBE9E and #EBD39E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBAA9E shade: #DD6E59, #E48C7B, #EBAA9E, #F2C8C0 and #F9E6E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBAA9E shade: #EBAA9E, #D0EB9E and #9EB1EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBAA9E shade: #EBAA9E, #9EEBA9 and #A99EEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBAA9E shade: #EBAA9E, #D0EB9E, #9EDFEB and #B99EEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBAA9E shade: #EBAA9E, #B9EB9E, #9EDFEB and #D09EEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

Complementary color

CMYK 79 / 12 / 0 / 62

HEX #145561

RGB 20 85 97

HSL 189.35, 0.66%, 0.23%

LAB 32.94, -15.29, -12.72

 

CMYK 0 / 29 / 36 / 6

HEX #F0AA99

RGB 240 170 153

HSL 11.72, 0.74%, 0.77%

LAB 75.81, 23.59, 19.04

 

CMYK 0 / 26 / 33 / 0

HEX #FFBCAC

RGB 255 188 172

HSL 11.57, 1%, 0.84%

LAB 81.95, 22.06, 17.58

HEX #FFBCAC

CMYK 0 / 19 / 25 / 0

HEX #FFCEBF

RGB 255 206 191

HSL 14.06, 1%, 0.87%

LAB 86.59, 15.12, 14

HEX #FFCEBF

CMYK 0 / 12 / 18 / 0

HEX #FFE0D2

RGB 255 224 210

HSL 18.67, 1%, 0.91%

LAB 91.34, 8.5, 10.76

HEX #FFE0D2

CMYK 0 / 5 / 10 / 0

HEX #FFF2E5

RGB 255 242 229

HSL 30, 1%, 0.95%

LAB 96.17, 2.23, 7.82

HEX #FFF2E5

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 0 / 30 / 36 / 15

HEX #DA988B

RGB 218 152 139

HSL 9.87, 0.52%, 0.7%

LAB 68.91, 23.11, 16.79

 

CMYK 0 / 33 / 40 / 21

HEX #C98678

RGB 201 134 120

HSL 10.37, 0.43%, 0.63%

LAB 62.36, 24.02, 18.06

 

CMYK 0 / 37 / 45 / 28

HEX #B87465

RGB 184 116 101

HSL 10.84, 0.37%, 0.56%

LAB 55.71, 25.04, 19.48

 

CMYK 0 / 41 / 51 / 35

HEX #A76252

RGB 167 98 82

HSL 11.29, 0.34%, 0.49%

LAB 48.96, 26.2, 21.1

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 0 / 33 / 33 / 8

HEX #EB9E9E

RGB 235 158 158

HSL 0, 0.66%, 0.77%

LAB 72.62, 28.69, 11.76

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 0 / 19 / 33 / 8

HEX #EBBF9E

RGB 235 191 158

HSL 25.71, 0.66%, 0.77%

LAB 80.4, 11.16, 22.59

 

CMYK 0 / 10 / 33 / 8

HEX #EBD39E

RGB 235 211 158

HSL 41.3, 0.66%, 0.77%

LAB 85.36, 0.72, 29.33

 

CMYK 0 / 1 / 33 / 8

HEX #EBE89E

RGB 235 232 158

HSL 57.66, 0.66%, 0.77%

LAB 90.71, -9.95, 36.43

 

CMYK 8 / 0 / 33 / 8

HEX #D9EB9E

RGB 217 235 158

HSL 74.03, 0.66%, 0.77%

LAB 90.15, -18.19, 35.45

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 0 / 33 / 40 / 4

HEX #F5A394

RGB 245 163 148

HSL 9.28, 0.83%, 0.77%

LAB 74.66, 28.62, 20.26

 

CMYK 0 / 38 / 45 / 0

HEX #FE9D8B

RGB 254 157 139

HSL 9.39, 0.98%, 0.77%

LAB 74.22, 34.21, 24.73

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 0 / 22 / 26 / 11

HEX #E2B0A7

RGB 226 176 167

HSL 9.15, 0.5%, 0.77%

LAB 76.08, 16.89, 11.59

 

CMYK 0 / 15 / 18 / 15

HEX #D8B7B1

RGB 216 183 177

HSL 9.23, 0.33%, 0.77%

LAB 77.07, 10.89, 7.44

 

CMYK 0 / 9 / 10 / 19

HEX #CFBDBA

RGB 207 189 186

HSL 8.57, 0.18%, 0.77%

LAB 78, 5.85, 3.81

 

CMYK 0 / 1 / 1 / 23

HEX #C5C4C4

RGB 197 196 196

HSL 0, 0.01%, 0.77%

LAB 79.23, 0.35, 0.11

 

CMYK 0 / 33 / 20 / 8

HEX #EB9EBB

RGB 235 158 187

HSL 337.4, 0.66%, 0.77%

LAB 73.35, 32.67, -3.18

 

CMYK 0 / 33 / 29 / 8

HEX #EB9EA7

RGB 235 158 167

HSL 352.99, 0.66%, 0.77%

LAB 72.83, 29.85, 7.1

 

CMYK 0 / 28 / 33 / 8

HEX #EBA99E

RGB 235 169 158

HSL 8.57, 0.66%, 0.77%

LAB 75.14, 22.84, 15.31

 

CMYK 0 / 19 / 33 / 8

HEX #EBBE9E

RGB 235 190 158

HSL 24.94, 0.66%, 0.77%

LAB 80.16, 11.69, 22.26

 

CMYK 0 / 10 / 33 / 8

HEX #EBD39E

RGB 235 211 158

HSL 41.3, 0.66%, 0.77%

LAB 85.36, 0.72, 29.33

 

CMYK 0 / 50 / 60 / 13

HEX #DD6E59

RGB 221 110 89

HSL 9.55, 0.66%, 0.61%

LAB 59.2, 41.59, 31.81

 

CMYK 0 / 39 / 46 / 11

HEX #E48C7B

RGB 228 140 123

HSL 9.71, 0.66%, 0.69%

LAB 67.04, 31.63, 23.28

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 0 / 17 / 21 / 5

HEX #F2C8C0

RGB 242 200 192

HSL 9.6, 0.66%, 0.85%

LAB 83.96, 13.65, 9.57

 

CMYK 0 / 8 / 9 / 2

HEX #F9E6E2

RGB 249 230 226

HSL 10.43, 0.66%, 0.93%

LAB 92.67, 5.8, 4.27

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 11 / 0 / 33 / 8

HEX #D0EB9E

RGB 208 235 158

HSL 81.04, 0.66%, 0.77%

LAB 89.53, -21.49, 34.51

 

CMYK 33 / 25 / 0 / 8

HEX #9EB1EB

RGB 158 177 235

HSL 225.19, 0.66%, 0.77%

LAB 72.7, 6.84, -31.12

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 33 / 0 / 28 / 8

HEX #9EEBA9

RGB 158 235 169

HSL 128.57, 0.66%, 0.77%

LAB 86.78, -36.78, 24.7

 

CMYK 28 / 33 / 0 / 8

HEX #A99EEB

RGB 169 158 235

HSL 248.57, 0.66%, 0.77%

LAB 68.67, 20.61, -37.31

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 11 / 0 / 33 / 8

HEX #D0EB9E

RGB 208 235 158

HSL 81.04, 0.66%, 0.77%

LAB 89.53, -21.49, 34.51

 

CMYK 33 / 5 / 0 / 8

HEX #9EDFEB

RGB 158 223 235

HSL 189.35, 0.66%, 0.77%

LAB 85.02, -17.55, -12.42

 

CMYK 21 / 33 / 0 / 8

HEX #B99EEB

RGB 185 158 235

HSL 261.04, 0.66%, 0.77%

LAB 70.01, 25.29, -35.12

 

CMYK 0 / 28 / 33 / 8

HEX #EBAA9E

RGB 235 170 158

HSL 9.35, 0.66%, 0.77%

LAB 75.38, 22.3, 15.64

 

CMYK 21 / 0 / 33 / 8

HEX #B9EB9E

RGB 185 235 158

HSL 98.96, 0.66%, 0.77%

LAB 88.06, -29.67, 32.3

 

CMYK 33 / 5 / 0 / 8

HEX #9EDFEB

RGB 158 223 235

HSL 189.35, 0.66%, 0.77%

LAB 85.02, -17.55, -12.42

 

CMYK 11 / 33 / 0 / 8

HEX #D09EEB

RGB 208 158 235

HSL 278.96, 0.66%, 0.77%

LAB 72.14, 32.25, -31.66

 

Description

Color code: HEX #EBAA9E | qconv.com Color code: HEX #EBAA9E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 170 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 170 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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