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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9007 it is the complementary color #146FF8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9007. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9007 shade: #F09002, #FFA215, #FFB428, #FFC63B and #FFD84E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9007. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9007 shade: #EB9007, #DA7E00, #C96C00, #B85A00 and #A74800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9007 shade: #E98F07, #E95207, #E91507 and #E90707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9007 shade: #E98F07, #E9CB07, #C9E907, #8CE907 and #4FE907

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9007 shade matches the following richer shades: #E98F07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9007 shade: #E98F07, #D58B1B, #C2872E, #AE8341 and #9B7F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9007 shade: #E91607, #E95207, #E98E07, #E9CA07 and #CAE907

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9007 shade: #985D05, #C07606, #E98F07, #F8A221 and #F9B349

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9007 shade: #EB9007, #34E907 and #3407E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9007 shade: #EB9007, #07E98E and #8E07E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9007 shade: #EB9007, #34E907, #0761E9 and #BB07E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9007 shade: #EB9007, #07E91E, #0761E9 and #E907D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 97 / 8

HEX #EB9007

RGB 235 144 7

HSL 36.05, 0.94%, 0.47%

LAB 67.74, 26.63, 72.15

 

Complementary color

CMYK 92 / 55 / 0 / 3

HEX #146FF8

RGB 20 111 248

HSL 216.05, 0.94%, 0.53%

LAB 49.85, 27.35, -74.94

 

CMYK 0 / 40 / 99 / 6

HEX #F09002

RGB 240 144 2

HSL 35.8, 0.98%, 0.47%

LAB 68.37, 28.67, 73.54

 

CMYK 0 / 36 / 92 / 0

HEX #FFA215

RGB 255 162 21

HSL 36.15, 1%, 0.54%

LAB 74.29, 25.69, 75.74

 

CMYK 0 / 29 / 84 / 0

HEX #FFB428

RGB 255 180 40

HSL 39.07, 1%, 0.58%

LAB 78.49, 16.66, 74.57

 

CMYK 0 / 22 / 77 / 0

HEX #FFC63B

RGB 255 198 59

HSL 42.55, 1%, 0.62%

LAB 82.89, 7.88, 72.49

 

CMYK 0 / 15 / 69 / 0

HEX #FFD84E

RGB 255 216 78

HSL 46.78, 1%, 0.65%

LAB 87.45, -0.53, 69.91

 

CMYK 0 / 39 / 97 / 8

HEX #EB9007

RGB 235 144 7

HSL 36.05, 0.94%, 0.47%

LAB 67.74, 26.63, 72.15

 

CMYK 0 / 42 / 100 / 15

HEX #DA7E00

RGB 218 126 0

HSL 34.68, 1%, 0.43%

LAB 61.5, 28.94, 68.04

 

CMYK 0 / 46 / 100 / 21

HEX #C96C00

RGB 201 108 0

HSL 32.24, 1%, 0.39%

LAB 55.22, 31.36, 62.96

 

CMYK 0 / 51 / 100 / 28

HEX #B85A00

RGB 184 90 0

HSL 29.35, 1%, 0.36%

LAB 48.89, 33.79, 57.87

 

CMYK 0 / 57 / 100 / 35

HEX #A74800

RGB 167 72 0

HSL 25.87, 1%, 0.33%

LAB 42.54, 36.16, 52.79

 

CMYK 0 / 39 / 97 / 9

HEX #E98F07

RGB 233 143 7

HSL 36.11, 0.94%, 0.47%

LAB 67.26, 26.32, 71.71

 

CMYK 0 / 65 / 97 / 9

HEX #E95207

RGB 233 82 7

HSL 19.91, 0.94%, 0.47%

LAB 55.46, 55.96, 64.3

 

CMYK 0 / 91 / 97 / 9

HEX #E91507

RGB 233 21 7

HSL 3.72, 0.94%, 0.47%

LAB 49.34, 72.97, 61.12

 

CMYK 0 / 97 / 97 / 9

HEX #E90707

RGB 233 7 7

HSL 0, 0.94%, 0.47%

LAB 48.87, 74.33, 60.9

 

CMYK 0 / 39 / 97 / 9

HEX #E98F07

RGB 233 143 7

HSL 36.11, 0.94%, 0.47%

LAB 67.26, 26.32, 71.71

 

CMYK 0 / 13 / 97 / 9

HEX #E9CB07

RGB 233 203 7

HSL 52.04, 0.94%, 0.47%

LAB 81.87, -5.18, 81.96

 

CMYK 14 / 0 / 97 / 9

HEX #C9E907

RGB 201 233 7

HSL 68.5, 0.94%, 0.47%

LAB 87.34, -33.22, 84.91

 

CMYK 40 / 0 / 97 / 9

HEX #8CE907

RGB 140 233 7

HSL 84.69, 0.94%, 0.47%

LAB 83.9, -55.92, 80.75

 

CMYK 66 / 0 / 97 / 9

HEX #4FE907

RGB 79 233 7

HSL 100.88, 0.94%, 0.47%

LAB 81.81, -72.33, 78.21

 

CMYK 0 / 39 / 97 / 9

HEX #E98F07

RGB 233 143 7

HSL 36.11, 0.94%, 0.47%

LAB 67.26, 26.32, 71.71

 

CMYK 0 / 39 / 97 / 9

HEX #E98F07

RGB 233 143 7

HSL 36.11, 0.94%, 0.47%

LAB 67.26, 26.32, 71.71

 

CMYK 0 / 35 / 87 / 16

HEX #D58B1B

RGB 213 139 27

HSL 36.13, 0.78%, 0.47%

LAB 63.91, 20.22, 64.28

 

CMYK 0 / 30 / 76 / 24

HEX #C2872E

RGB 194 135 46

HSL 36.08, 0.62%, 0.47%

LAB 60.78, 14.73, 54.1

 

CMYK 0 / 25 / 63 / 32

HEX #AE8341

RGB 174 131 65

HSL 36.33, 0.46%, 0.47%

LAB 57.67, 9.22, 41.38

 

CMYK 0 / 18 / 45 / 39

HEX #9B7F55

RGB 155 127 85

HSL 36, 0.29%, 0.47%

LAB 54.87, 4.96, 26.84

 

CMYK 0 / 91 / 97 / 9

HEX #E91607

RGB 233 22 7

HSL 3.98, 0.94%, 0.47%

LAB 49.39, 72.84, 61.14

 

CMYK 0 / 65 / 97 / 9

HEX #E95207

RGB 233 82 7

HSL 19.91, 0.94%, 0.47%

LAB 55.46, 55.96, 64.3

 

CMYK 0 / 39 / 97 / 9

HEX #E98E07

RGB 233 142 7

HSL 35.84, 0.94%, 0.47%

LAB 67.04, 26.84, 71.56

 

CMYK 0 / 13 / 97 / 9

HEX #E9CA07

RGB 233 202 7

HSL 51.77, 0.94%, 0.47%

LAB 81.61, -4.67, 81.77

 

CMYK 13 / 0 / 97 / 9

HEX #CAE907

RGB 202 233 7

HSL 68.23, 0.94%, 0.47%

LAB 87.41, -32.82, 84.99

 

CMYK 0 / 39 / 97 / 40

HEX #985D05

RGB 152 93 5

HSL 35.92, 0.94%, 0.31%

LAB 44.96, 18.34, 51.86

 

CMYK 0 / 39 / 97 / 25

HEX #C07606

RGB 192 118 6

HSL 36.13, 0.94%, 0.39%

LAB 56.26, 22.2, 61.92

 

CMYK 0 / 39 / 97 / 9

HEX #E98F07

RGB 233 143 7

HSL 36.11, 0.94%, 0.47%

LAB 67.26, 26.32, 71.71

 

CMYK 0 / 35 / 87 / 3

HEX #F8A221

RGB 248 162 33

HSL 36, 0.94%, 0.55%

LAB 73.49, 22.98, 72.07

 

CMYK 0 / 28 / 71 / 2

HEX #F9B349

RGB 249 179 73

HSL 36.14, 0.94%, 0.63%

LAB 77.79, 15.86, 61.9

 

CMYK 0 / 39 / 97 / 8

HEX #EB9007

RGB 235 144 7

HSL 36.05, 0.94%, 0.47%

LAB 67.74, 26.63, 72.15

 

CMYK 78 / 0 / 97 / 9

HEX #34E907

RGB 52 233 7

HSL 108.05, 0.94%, 0.47%

LAB 81.3, -76.75, 77.59

 

CMYK 78 / 97 / 0 / 9

HEX #3407E9

RGB 52 7 233

HSL 251.95, 0.94%, 0.47%

LAB 31.27, 73.49, -97.11

 

CMYK 0 / 39 / 97 / 8

HEX #EB9007

RGB 235 144 7

HSL 36.05, 0.94%, 0.47%

LAB 67.74, 26.63, 72.15

 

CMYK 97 / 0 / 39 / 9

HEX #07E98E

RGB 7 233 142

HSL 155.84, 0.94%, 0.47%

LAB 81.99, -67.05, 31.38

 

CMYK 39 / 97 / 0 / 9

HEX #8E07E9

RGB 142 7 233

HSL 275.84, 0.94%, 0.47%

LAB 40.87, 79.18, -80.89

 

CMYK 0 / 39 / 97 / 8

HEX #EB9007

RGB 235 144 7

HSL 36.05, 0.94%, 0.47%

LAB 67.74, 26.63, 72.15

 

CMYK 78 / 0 / 97 / 9

HEX #34E907

RGB 52 233 7

HSL 108.05, 0.94%, 0.47%

LAB 81.3, -76.75, 77.59

 

CMYK 97 / 58 / 0 / 9

HEX #0761E9

RGB 7 97 233

HSL 216.11, 0.94%, 0.47%

LAB 44.91, 30.17, -74.61

 

CMYK 20 / 97 / 0 / 9

HEX #BB07E9

RGB 187 7 233

HSL 287.79, 0.94%, 0.47%

LAB 47.75, 84.53, -69.37

 

CMYK 0 / 39 / 97 / 8

HEX #EB9007

RGB 235 144 7

HSL 36.05, 0.94%, 0.47%

LAB 67.74, 26.63, 72.15

 

CMYK 97 / 0 / 87 / 9

HEX #07E91E

RGB 7 233 30

HSL 126.11, 0.94%, 0.47%

LAB 80.97, -79.59, 74.18

 

CMYK 97 / 58 / 0 / 9

HEX #0761E9

RGB 7 97 233

HSL 216.11, 0.94%, 0.47%

LAB 44.91, 30.17, -74.61

 

CMYK 0 / 97 / 10 / 9

HEX #E907D2

RGB 233 7 210

HSL 306.11, 0.94%, 0.47%

LAB 54.16, 88.17, -45.56

 

Description

Color code: HEX #EB9007 | qconv.com Color code: HEX #EB9007 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 144 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 144 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 97 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 97% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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