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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5505 it is the complementary color #14AAFA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5505. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EB5505: #F05500, #FF6713, #FF7926, #FF8B39 and #FF9D4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5505. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EB5505: #EB5505, #DA4300, #C93100, #B81F00 and #A70D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

Complementary color

CMYK 92 / 32 / 0 / 2

HEX #14AAFA

RGB 20 170 250

HSL 200.87, 0.96%, 0.53%

LAB 66.37, -7.49, -49.55

 

CMYK 0 / 65 / 100 / 6

HEX #F05500

RGB 240 85 0

HSL 21.25, 1%, 0.47%

LAB 57.1, 57.05, 67.25

 

CMYK 0 / 60 / 93 / 0

HEX #FF6713

RGB 255 103 19

HSL 21.36, 1%, 0.54%

LAB 62.51, 54.73, 67.98

 

CMYK 0 / 53 / 85 / 0

HEX #FF7926

RGB 255 121 38

HSL 22.95, 1%, 0.57%

LAB 65.81, 46.73, 64.72

 

CMYK 0 / 45 / 78 / 0

HEX #FF8B39

RGB 255 139 57

HSL 24.85, 1%, 0.61%

LAB 69.48, 38.39, 60.6

 

CMYK 0 / 38 / 70 / 0

HEX #FF9D4C

RGB 255 157 76

HSL 27.15, 1%, 0.65%

LAB 73.48, 29.97, 56.25

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 0 / 69 / 100 / 15

HEX #DA4300

RGB 218 67 0

HSL 18.44, 1%, 0.43%

LAB 50.59, 56.84, 61.85

 

CMYK 0 / 76 / 100 / 21

HEX #C93100

RGB 201 49 0

HSL 14.63, 1%, 0.39%

LAB 45.1, 57.78, 57.47

 

CMYK 0 / 83 / 100 / 28

HEX #B81F00

RGB 184 31 0

HSL 10.11, 1%, 0.36%

LAB 39.87, 57.86, 53.24

 

CMYK 0 / 92 / 100 / 35

HEX #A70D00

RGB 167 13 0

HSL 4.67, 1%, 0.33%

LAB 35.01, 56.67, 49.01

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 0 / 49 / 98 / 8

HEX #EA7704

RGB 234 119 4

HSL 30, 0.97%, 0.47%

LAB 62.25, 39.12, 68.97

 

CMYK 0 / 32 / 98 / 8

HEX #EA9E04

RGB 234 158 4

HSL 40.17, 0.97%, 0.47%

LAB 70.84, 18.77, 74.56

 

CMYK 0 / 16 / 98 / 8

HEX #EAC404

RGB 234 196 4

HSL 50.09, 0.97%, 0.47%

LAB 80.17, -1.19, 81.06

 

CMYK 0 / 0 / 98 / 8

HEX #EAEA04

RGB 234 234 4

HSL 60, 0.97%, 0.47%

LAB 90.02, -20.17, 88.22

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 0 / 65 / 97 / 88

HEX #1F0B01

RGB 31 11 1

HSL 20, 0.94%, 0.06%

LAB 4.81, 7.53, 6.94

 

CMYK 0 / 63 / 98 / 68

HEX #521E02

RGB 82 30 2

HSL 21, 0.95%, 0.16%

LAB 18.91, 22.77, 27.24

 

CMYK 0 / 64 / 98 / 48

HEX #853003

RGB 133 48 3

HSL 20.77, 0.96%, 0.27%

LAB 32.05, 34.66, 42.51

 

CMYK 0 / 64 / 98 / 28

HEX #B84304

RGB 184 67 4

HSL 21, 0.96%, 0.37%

LAB 44.54, 45.11, 54.29

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 52 / 0 / 98 / 8

HEX #70EA04

RGB 112 234 4

HSL 91.83, 0.97%, 0.47%

LAB 83.07, -64.85, 79.88

 

CMYK 98 / 91 / 0 / 8

HEX #0414EA

RGB 4 20 234

HSL 235.83, 0.97%, 0.47%

LAB 30.56, 70.42, -98.9

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 98 / 0 / 65 / 8

HEX #04EA51

RGB 4 234 81

HSL 140.09, 0.97%, 0.47%

LAB 81.55, -76.44, 59.17

 

CMYK 65 / 98 / 0 / 8

HEX #5104EA

RGB 81 4 234

HSL 260.09, 0.97%, 0.47%

LAB 33.51, 75.24, -93.88

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 52 / 0 / 98 / 8

HEX #70EA04

RGB 112 234 4

HSL 91.83, 0.97%, 0.47%

LAB 83.07, -64.85, 79.88

 

CMYK 98 / 32 / 0 / 8

HEX #049EEA

RGB 4 158 234

HSL 199.83, 0.97%, 0.47%

LAB 62.01, -7.07, -47.66

 

CMYK 46 / 98 / 0 / 8

HEX #7F04EA

RGB 127 4 234

HSL 272.09, 0.97%, 0.47%

LAB 38.79, 78.29, -84.96

 

CMYK 0 / 64 / 98 / 8

HEX #EB5505

RGB 235 85 5

HSL 20.87, 0.96%, 0.47%

LAB 56.26, 55.38, 65.34

 

CMYK 82 / 0 / 98 / 8

HEX #2BEA04

RGB 43 234 4

HSL 109.83, 0.97%, 0.47%

LAB 81.49, -78.14, 77.95

 

CMYK 98 / 32 / 0 / 8

HEX #049EEA

RGB 4 158 234

HSL 199.83, 0.97%, 0.47%

LAB 62.01, -7.07, -47.66

 

CMYK 16 / 98 / 0 / 8

HEX #C404EA

RGB 196 4 234

HSL 290.09, 0.97%, 0.47%

LAB 49.21, 86.17, -67.51

 

Description

Color code: HEX #EB5505 | qconv.com Color code: HEX #EB5505 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 85 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 85 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 98 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 98% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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