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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB3F3E it is the complementary color #14C0C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB3F3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB3F3E shade: #F03F39, #FF514C, #FF635F, #FF7572 and #FF8785

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB3F3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB3F3E shade: #EB3F3E, #DA2D2B, #C91B18, #B80905 and #A70000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB3F3E shade: #EB3E3D and #EB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB3F3E shade: #EB3E3D, #EB6D3D, #EB9C3D, #EBCB3D and #DCEB3D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB3F3E shade matches the following richer shades: #EB3E3D and #FC2D2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB3F3E shade: #EB3E3D, #D94F4E, #C86060, #B77271 and #A58382

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB3F3E shade: #EB3D9A, #EB3D6B, #EB3D3D, #EB6B3D and #EB9A3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB3F3E shade: #C11514, #E61918, #EB3E3D, #EF6362 and #F28888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB3F3E shade: #EB3F3E, #C8EB3D and #3D83EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB3F3E shade: #EB3F3E, #3DEB3D and #3D3DEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB3F3E shade: #EB3F3E, #C8EB3D, #3DEBEB and #603DEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB3F3E shade: #EB3F3E, #94EB3D, #3DEBEB and #943DEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 74 / 8

HEX #EB3F3E

RGB 235 63 62

HSL 0.35, 0.81%, 0.58%

LAB 53.56, 64.94, 40.68

 

Complementary color

CMYK 90 / 1 / 0 / 24

HEX #14C0C1

RGB 20 192 193

HSL 180.35, 0.81%, 0.42%

LAB 70.66, -37.85, -11.76

 

CMYK 0 / 74 / 76 / 6

HEX #F03F39

RGB 240 63 57

HSL 1.97, 0.86%, 0.58%

LAB 54.42, 66.25, 44.63

 

CMYK 0 / 68 / 70 / 0

HEX #FF514C

RGB 255 81 76

HSL 1.68, 1%, 0.65%

LAB 59.59, 65.3, 40.75

 

CMYK 0 / 61 / 63 / 0

HEX #FF635F

RGB 255 99 95

HSL 1.5, 1%, 0.69%

LAB 62.52, 59.1, 33.72

 

CMYK 0 / 54 / 55 / 0

HEX #FF7572

RGB 255 117 114

HSL 1.28, 1%, 0.72%

LAB 65.9, 52.31, 27.44

 

CMYK 0 / 47 / 48 / 0

HEX #FF8785

RGB 255 135 133

HSL 0.98, 1%, 0.76%

LAB 69.67, 45.2, 21.88

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3E

RGB 235 63 62

HSL 0.35, 0.81%, 0.58%

LAB 53.56, 64.94, 40.68

 

CMYK 0 / 79 / 80 / 15

HEX #DA2D2B

RGB 218 45 43

HSL 0.69, 0.7%, 0.51%

LAB 48.21, 64.77, 44.42

 

CMYK 0 / 87 / 88 / 21

HEX #C91B18

RGB 201 27 24

HSL 1.02, 0.79%, 0.44%

LAB 43.16, 63.82, 48.15

 

CMYK 0 / 95 / 97 / 28

HEX #B80905

RGB 184 9 5

HSL 1.34, 0.95%, 0.37%

LAB 38.55, 61.75, 50.78

 

CMYK 0 / 100 / 100 / 35

HEX #A70000

RGB 167 0 0

HSL 0, 1%, 0.33%

LAB 34.43, 58.35, 48.69

 

CMYK 0 / 74 / 74 / 8

HEX #EB3E3D

RGB 235 62 61

HSL 0.34, 0.81%, 0.58%

LAB 53.43, 65.23, 41.09

 

CMYK 0 / 74 / 74 / 8

HEX #EB3D3D

RGB 235 61 61

HSL 0, 0.81%, 0.58%

LAB 53.32, 65.56, 40.97

 

CMYK 0 / 74 / 74 / 8

HEX #EB3E3D

RGB 235 62 61

HSL 0.34, 0.81%, 0.58%

LAB 53.43, 65.23, 41.09

 

CMYK 0 / 54 / 74 / 8

HEX #EB6D3D

RGB 235 109 61

HSL 16.55, 0.81%, 0.58%

LAB 60.73, 45.76, 49

 

CMYK 0 / 34 / 74 / 8

HEX #EB9C3D

RGB 235 156 61

HSL 32.76, 0.81%, 0.58%

LAB 70.72, 21.59, 59.27

 

CMYK 0 / 14 / 74 / 8

HEX #EBCB3D

RGB 235 203 61

HSL 48.97, 0.81%, 0.58%

LAB 82.22, -3.07, 70.47

 

CMYK 6 / 0 / 74 / 8

HEX #DCEB3D

RGB 220 235 61

HSL 65.17, 0.81%, 0.58%

LAB 89.38, -25.14, 76.77

 

CMYK 0 / 74 / 74 / 8

HEX #EB3E3D

RGB 235 62 61

HSL 0.34, 0.81%, 0.58%

LAB 53.43, 65.23, 41.09

 

CMYK 0 / 82 / 83 / 1

HEX #FC2D2C

RGB 252 45 44

HSL 0.29, 0.97%, 0.58%

LAB 54.82, 74.19, 52.52

 

CMYK 0 / 74 / 74 / 8

HEX #EB3E3D

RGB 235 62 61

HSL 0.34, 0.81%, 0.58%

LAB 53.43, 65.23, 41.09

 

CMYK 0 / 64 / 64 / 15

HEX #D94F4E

RGB 217 79 78

HSL 0.43, 0.65%, 0.58%

LAB 52.83, 53.97, 29.93

 

CMYK 0 / 52 / 52 / 22

HEX #C86060

RGB 200 96 96

HSL 0, 0.49%, 0.58%

LAB 53.48, 41.37, 19.75

 

CMYK 0 / 38 / 38 / 28

HEX #B77271

RGB 183 114 113

HSL 0.86, 0.33%, 0.58%

LAB 55.37, 27.12, 12.06

 

CMYK 0 / 21 / 21 / 35

HEX #A58382

RGB 165 131 130

HSL 1.71, 0.16%, 0.58%

LAB 57.89, 12.87, 5.5

 

CMYK 0 / 74 / 34 / 8

HEX #EB3D9A

RGB 235 61 154

HSL 327.93, 0.81%, 0.58%

LAB 55.41, 72.3, -11.05

 

CMYK 0 / 74 / 54 / 8

HEX #EB3D6B

RGB 235 61 107

HSL 344.14, 0.81%, 0.58%

LAB 54.09, 68.1, 15.01

 

CMYK 0 / 74 / 74 / 8

HEX #EB3D3D

RGB 235 61 61

HSL 0, 0.81%, 0.58%

LAB 53.32, 65.56, 40.97

 

CMYK 0 / 54 / 74 / 8

HEX #EB6B3D

RGB 235 107 61

HSL 15.86, 0.81%, 0.58%

LAB 60.35, 46.72, 48.61

 

CMYK 0 / 34 / 74 / 8

HEX #EB9A3D

RGB 235 154 61

HSL 32.07, 0.81%, 0.58%

LAB 70.25, 22.65, 58.81

 

CMYK 0 / 89 / 90 / 24

HEX #C11514

RGB 193 21 20

HSL 0.35, 0.81%, 0.42%

LAB 41.1, 62.68, 47.65

 

CMYK 0 / 89 / 90 / 10

HEX #E61918

RGB 230 25 24

HSL 0.29, 0.81%, 0.5%

LAB 48.99, 71.82, 55.12

 

CMYK 0 / 74 / 74 / 8

HEX #EB3E3D

RGB 235 62 61

HSL 0.34, 0.81%, 0.58%

LAB 53.43, 65.23, 41.09

 

CMYK 0 / 59 / 59 / 6

HEX #EF6362

RGB 239 99 98

HSL 0.43, 0.82%, 0.66%

LAB 60.03, 53.92, 28.34

 

CMYK 0 / 44 / 44 / 5

HEX #F28888

RGB 242 136 136

HSL 0, 0.8%, 0.74%

LAB 68.21, 40.27, 17.94

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3E

RGB 235 63 62

HSL 0.35, 0.81%, 0.58%

LAB 53.56, 64.94, 40.68

 

CMYK 15 / 0 / 74 / 8

HEX #C8EB3D

RGB 200 235 61

HSL 72.07, 0.81%, 0.58%

LAB 87.98, -33.15, 74.96

 

CMYK 74 / 44 / 0 / 8

HEX #3D83EB

RGB 61 131 235

HSL 215.86, 0.81%, 0.58%

LAB 55.3, 13.18, -58.85

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3E

RGB 235 63 62

HSL 0.35, 0.81%, 0.58%

LAB 53.56, 64.94, 40.68

 

CMYK 74 / 0 / 74 / 8

HEX #3DEB3D

RGB 61 235 61

HSL 120, 0.81%, 0.58%

LAB 82.24, -73.91, 67.42

 

CMYK 74 / 74 / 0 / 8

HEX #3D3DEB

RGB 61 61 235

HSL 240, 0.81%, 0.58%

LAB 38.42, 55.64, -86.34

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3E

RGB 235 63 62

HSL 0.35, 0.81%, 0.58%

LAB 53.56, 64.94, 40.68

 

CMYK 15 / 0 / 74 / 8

HEX #C8EB3D

RGB 200 235 61

HSL 72.07, 0.81%, 0.58%

LAB 87.98, -33.15, 74.96

 

CMYK 74 / 0 / 0 / 8

HEX #3DEBEB

RGB 61 235 235

HSL 180, 0.81%, 0.58%

LAB 85.2, -41.88, -12.48

 

CMYK 59 / 74 / 0 / 8

HEX #603DEB

RGB 96 61 235

HSL 252.07, 0.81%, 0.58%

LAB 40.93, 59.2, -82.12

 

CMYK 0 / 73 / 74 / 8

HEX #EB3F3E

RGB 235 63 62

HSL 0.35, 0.81%, 0.58%

LAB 53.56, 64.94, 40.68

 

CMYK 37 / 0 / 74 / 8

HEX #94EB3D

RGB 148 235 61

HSL 90, 0.81%, 0.58%

LAB 85.02, -52.31, 71.09

 

CMYK 74 / 0 / 0 / 8

HEX #3DEBEB

RGB 61 235 235

HSL 180, 0.81%, 0.58%

LAB 85.2, -41.88, -12.48

 

CMYK 37 / 74 / 0 / 8

HEX #943DEB

RGB 148 61 235

HSL 270, 0.81%, 0.58%

LAB 46.49, 66.79, -72.8

 

Description

Color code: HEX #EB3F3E | qconv.com Color code: HEX #EB3F3E | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 63 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 63 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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