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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB31C5 it is the complementary color #14CE3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB31C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB31C5 shade: #F031C0, #FF43D3, #FF55E6, #FF67F9 and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB31C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB31C5 shade: #EB31C5, #DA1FB2, #C90D9F, #B8008C and #A70079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB31C5 shade: #EB33C5, #EB3394, #EB3362 and #EB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB31C5 shade: #EB33C5, #DF33EB, #AD33EB, #7C33EB and #4A33EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB31C5 shade matches the following richer shades: #EB33C5 and #FD21D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB31C5 shade: #EB33C5, #D945BA, #C657B0, #B469A5 and #A27B9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB31C5 shade: #AD33EB, #DF33EB, #EB33C6, #EB3395 and #EB3364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB31C5 shade: #B91297, #DE16B5, #EB33C5, #EF58D0 and #F27EDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB31C5 shade: #EB31C5, #EB7C33 and #33EBC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB31C5 shade: #EB31C5, #C6EB33 and #33C6EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB31C5 shade: #EB31C5, #EB7C33, #33EB58 and #33A1EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB31C5 shade: #EB31C5, #EBB433, #33EB58 and #336AEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 16 / 8

HEX #EB31C5

RGB 235 49 197

HSL 312.26, 0.82%, 0.56%

LAB 55.98, 80.71, -35.22

 

Complementary color

CMYK 90 / 0 / 72 / 19

HEX #14CE3A

RGB 20 206 58

HSL 132.26, 0.82%, 0.44%

LAB 72.63, -69.87, 58.56

 

CMYK 0 / 80 / 20 / 6

HEX #F031C0

RGB 240 49 192

HSL 315.08, 0.86%, 0.57%

LAB 56.61, 81.13, -31.29

 

CMYK 0 / 74 / 17 / 0

HEX #FF43D3

RGB 255 67 211

HSL 314.04, 1%, 0.63%

LAB 61.63, 82.04, -34.13

 

CMYK 0 / 67 / 10 / 0

HEX #FF55E6

RGB 255 85 230

HSL 308.82, 1%, 0.67%

LAB 64.54, 78.82, -40.26

 

CMYK 0 / 60 / 2 / 0

HEX #FF67F9

RGB 255 103 249

HSL 302.37, 1%, 0.7%

LAB 67.87, 74.87, -45.55

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 79 / 16 / 8

HEX #EB31C5

RGB 235 49 197

HSL 312.26, 0.82%, 0.56%

LAB 55.98, 80.71, -35.22

 

CMYK 0 / 86 / 18 / 15

HEX #DA1FB2

RGB 218 31 178

HSL 312.83, 0.75%, 0.49%

LAB 50.8, 78.57, -32.5

 

CMYK 0 / 94 / 21 / 21

HEX #C90D9F

RGB 201 13 159

HSL 313.4, 0.88%, 0.42%

LAB 45.92, 75.38, -29.1

 

CMYK 0 / 100 / 24 / 28

HEX #B8008C

RGB 184 0 140

HSL 314.35, 1%, 0.36%

LAB 41.35, 71.02, -24.97

 

CMYK 0 / 100 / 28 / 35

HEX #A70079

RGB 167 0 121

HSL 316.53, 1%, 0.33%

LAB 37.11, 65.42, -20.04

 

CMYK 0 / 78 / 16 / 8

HEX #EB33C5

RGB 235 51 197

HSL 312.39, 0.82%, 0.56%

LAB 56.15, 80.21, -34.95

 

CMYK 0 / 78 / 37 / 8

HEX #EB3394

RGB 235 51 148

HSL 328.37, 0.82%, 0.56%

LAB 54.2, 74.54, -9.31

 

CMYK 0 / 78 / 58 / 8

HEX #EB3362

RGB 235 51 98

HSL 344.67, 0.82%, 0.56%

LAB 52.85, 70.43, 18.72

 

CMYK 0 / 78 / 78 / 8

HEX #EB3333

RGB 235 51 51

HSL 0, 0.82%, 0.56%

LAB 52.14, 68.2, 45.18

 

CMYK 0 / 78 / 16 / 8

HEX #EB33C5

RGB 235 51 197

HSL 312.39, 0.82%, 0.56%

LAB 56.15, 80.21, -34.95

 

CMYK 5 / 78 / 0 / 8

HEX #DF33EB

RGB 223 51 235

HSL 296.09, 0.82%, 0.56%

LAB 56.14, 83.34, -56.68

 

CMYK 26 / 78 / 0 / 8

HEX #AD33EB

RGB 173 51 235

HSL 279.78, 0.82%, 0.56%

LAB 48.57, 74.55, -69.26

 

CMYK 47 / 78 / 0 / 8

HEX #7C33EB

RGB 124 51 235

HSL 263.8, 0.82%, 0.56%

LAB 42.23, 67.17, -79.88

 

CMYK 69 / 78 / 0 / 8

HEX #4A33EB

RGB 74 51 235

HSL 247.5, 0.82%, 0.56%

LAB 37.52, 61.68, -87.81

 

CMYK 0 / 78 / 16 / 8

HEX #EB33C5

RGB 235 51 197

HSL 312.39, 0.82%, 0.56%

LAB 56.15, 80.21, -34.95

 

CMYK 0 / 87 / 18 / 1

HEX #FD21D0

RGB 253 33 208

HSL 312.27, 0.98%, 0.56%

LAB 58.53, 88.82, -37.3

 

CMYK 0 / 78 / 16 / 8

HEX #EB33C5

RGB 235 51 197

HSL 312.39, 0.82%, 0.56%

LAB 56.15, 80.21, -34.95

 

CMYK 0 / 68 / 14 / 15

HEX #D945BA

RGB 217 69 186

HSL 312.57, 0.66%, 0.56%

LAB 54.61, 69.11, -31.23

 

CMYK 0 / 56 / 11 / 22

HEX #C657B0

RGB 198 87 176

HSL 311.89, 0.49%, 0.56%

LAB 53.98, 55.14, -26.64

 

CMYK 0 / 42 / 8 / 29

HEX #B469A5

RGB 180 105 165

HSL 312, 0.33%, 0.56%

LAB 54.58, 38.72, -19.53

 

CMYK 0 / 24 / 5 / 36

HEX #A27B9A

RGB 162 123 154

HSL 312.31, 0.17%, 0.56%

LAB 56.27, 20.46, -10.78

 

CMYK 26 / 78 / 0 / 8

HEX #AD33EB

RGB 173 51 235

HSL 279.78, 0.82%, 0.56%

LAB 48.57, 74.55, -69.26

 

CMYK 5 / 78 / 0 / 8

HEX #DF33EB

RGB 223 51 235

HSL 296.09, 0.82%, 0.56%

LAB 56.14, 83.34, -56.68

 

CMYK 0 / 78 / 16 / 8

HEX #EB33C6

RGB 235 51 198

HSL 312.07, 0.82%, 0.56%

LAB 56.19, 80.35, -35.46

 

CMYK 0 / 78 / 37 / 8

HEX #EB3395

RGB 235 51 149

HSL 328.04, 0.82%, 0.56%

LAB 54.24, 74.64, -9.85

 

CMYK 0 / 78 / 57 / 8

HEX #EB3364

RGB 235 51 100

HSL 344.02, 0.82%, 0.56%

LAB 52.89, 70.56, 17.57

 

CMYK 0 / 90 / 18 / 27

HEX #B91297

RGB 185 18 151

HSL 312.22, 0.82%, 0.4%

LAB 42.74, 70.61, -29.48

 

CMYK 0 / 90 / 18 / 13

HEX #DE16B5

RGB 222 22 181

HSL 312.3, 0.82%, 0.48%

LAB 51.2, 81.11, -33.59

 

CMYK 0 / 78 / 16 / 8

HEX #EB33C5

RGB 235 51 197

HSL 312.39, 0.82%, 0.56%

LAB 56.15, 80.21, -34.95

 

CMYK 0 / 63 / 13 / 6

HEX #EF58D0

RGB 239 88 208

HSL 312.32, 0.83%, 0.64%

LAB 61.55, 70.61, -32.75

 

CMYK 0 / 48 / 10 / 5

HEX #F27EDA

RGB 242 126 218

HSL 312.41, 0.82%, 0.72%

LAB 68.65, 56.12, -27.35

 

CMYK 0 / 79 / 16 / 8

HEX #EB31C5

RGB 235 49 197

HSL 312.26, 0.82%, 0.56%

LAB 55.98, 80.71, -35.22

 

CMYK 0 / 47 / 78 / 8

HEX #EB7C33

RGB 235 124 51

HSL 23.8, 0.82%, 0.56%

LAB 63.6, 37.92, 56.55

 

CMYK 78 / 0 / 16 / 8

HEX #33EBC6

RGB 51 235 198

HSL 167.93, 0.82%, 0.56%

LAB 84.07, -52.72, 5.31

 

CMYK 0 / 79 / 16 / 8

HEX #EB31C5

RGB 235 49 197

HSL 312.26, 0.82%, 0.56%

LAB 55.98, 80.71, -35.22

 

CMYK 16 / 0 / 78 / 8

HEX #C6EB33

RGB 198 235 51

HSL 72.07, 0.82%, 0.56%

LAB 87.81, -34.36, 77.7

 

CMYK 78 / 16 / 0 / 8

HEX #33C6EB

RGB 51 198 235

HSL 192.07, 0.82%, 0.56%

LAB 74.25, -25.39, -29.1

 

CMYK 0 / 79 / 16 / 8

HEX #EB31C5

RGB 235 49 197

HSL 312.26, 0.82%, 0.56%

LAB 55.98, 80.71, -35.22

 

CMYK 0 / 47 / 78 / 8

HEX #EB7C33

RGB 235 124 51

HSL 23.8, 0.82%, 0.56%

LAB 63.6, 37.92, 56.55

 

CMYK 78 / 0 / 63 / 8

HEX #33EB58

RGB 51 235 88

HSL 132.07, 0.82%, 0.56%

LAB 82.28, -72.81, 57.22

 

CMYK 78 / 31 / 0 / 8

HEX #33A1EB

RGB 51 161 235

HSL 204.13, 0.82%, 0.56%

LAB 63.5, -5.66, -45.83

 

CMYK 0 / 79 / 16 / 8

HEX #EB31C5

RGB 235 49 197

HSL 312.26, 0.82%, 0.56%

LAB 55.98, 80.71, -35.22

 

CMYK 0 / 23 / 78 / 8

HEX #EBB433

RGB 235 180 51

HSL 42.07, 0.82%, 0.56%

LAB 76.4, 8.49, 68.51

 

CMYK 78 / 0 / 63 / 8

HEX #33EB58

RGB 51 235 88

HSL 132.07, 0.82%, 0.56%

LAB 82.28, -72.81, 57.22

 

CMYK 78 / 55 / 0 / 8

HEX #336AEB

RGB 51 106 235

HSL 222.07, 0.82%, 0.56%

LAB 48.27, 27.68, -70.22

 

Description

Color code: HEX #EB31C5 | qconv.com Color code: HEX #EB31C5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 49 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 49 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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