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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB2AF9 it is the complementary color #14D506. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB2AF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB2AF9 shade: #F02AF4, #FF3CFF, #FF4EFF, #FF60FF and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB2AF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB2AF9 shade: #EB2AF9, #DA18E6, #C906D3, #B800C0 and #A700AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB2AF9 shade: #EB29FA, #FA29CF, #FA2997, #FA295F and #FA2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB2AF9 shade: #EB29FA, #B329FA, #7B29FA, #4329FA and #2929FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB2AF9 shade matches the following richer shades: #EB29FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB2AF9 shade: #EB29FA, #DC3BE8, #CD4DD6, #BD5EC4 and #AE70B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB2AF9 shade: #7929FA, #B129FA, #E829FA, #FA29D3 and #FA299C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB2AF9 shade: #BE05CB, #E306F3, #EB29FA, #EF51FB and #F37AFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB2AF9 shade: #EB2AF9, #FA4129 and #29FA95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB2AF9 shade: #EB2AF9, #FAE829 and #29FAE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB2AF9 shade: #EB2AF9, #FA4129, #3BFA29 and #29E1FA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB2AF9 shade: #EB2AF9, #FA8029, #3BFA29 and #29A3FA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 83 / 0 / 2

HEX #EB2AF9

RGB 235 42 249

HSL 295.94, 0.95%, 0.57%

LAB 58.19, 89.66, -61.12

 

Complementary color

CMYK 91 / 0 / 97 / 16

HEX #14D506

RGB 20 213 6

HSL 115.94, 0.95%, 0.43%

LAB 74.67, -74.27, 72.15

 

CMYK 2 / 83 / 0 / 4

HEX #F02AF4

RGB 240 42 244

HSL 298.81, 0.9%, 0.56%

LAB 58.71, 89.77, -57.45

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 6 / 83 / 0 / 2

HEX #EB2AF9

RGB 235 42 249

HSL 295.94, 0.95%, 0.57%

LAB 58.19, 89.66, -61.12

 

CMYK 5 / 90 / 0 / 10

HEX #DA18E6

RGB 218 24 230

HSL 296.5, 0.81%, 0.5%

LAB 53.25, 86.91, -58.55

 

CMYK 5 / 97 / 0 / 17

HEX #C906D3

RGB 201 6 211

HSL 297.07, 0.94%, 0.43%

LAB 48.57, 83.12, -55.38

 

CMYK 4 / 100 / 0 / 25

HEX #B800C0

RGB 184 0 192

HSL 297.5, 1%, 0.38%

LAB 44.23, 78.09, -51.51

 

CMYK 3 / 100 / 0 / 32

HEX #A700AD

RGB 167 0 173

HSL 297.92, 1%, 0.34%

LAB 39.97, 72.48, -47.29

 

CMYK 6 / 84 / 0 / 2

HEX #EB29FA

RGB 235 41 250

HSL 295.69, 0.95%, 0.57%

LAB 58.18, 90.01, -61.68

 

CMYK 0 / 84 / 17 / 2

HEX #FA29CF

RGB 250 41 207

HSL 312.34, 0.95%, 0.57%

LAB 58.43, 86.76, -36.92

 

CMYK 0 / 84 / 40 / 2

HEX #FA2997

RGB 250 41 151

HSL 328.42, 0.95%, 0.57%

LAB 56.23, 80.66, -7.77

 

CMYK 0 / 84 / 62 / 2

HEX #FA295F

RGB 250 41 95

HSL 344.5, 0.95%, 0.57%

LAB 54.8, 76.52, 23.62

 

CMYK 0 / 84 / 84 / 2

HEX #FA2929

RGB 250 41 41

HSL 0, 0.95%, 0.57%

LAB 54.1, 74.45, 53.2

 

CMYK 6 / 84 / 0 / 2

HEX #EB29FA

RGB 235 41 250

HSL 295.69, 0.95%, 0.57%

LAB 58.18, 90.01, -61.68

 

CMYK 28 / 84 / 0 / 2

HEX #B329FA

RGB 179 41 250

HSL 279.62, 0.95%, 0.57%

LAB 49.58, 81.21, -76

 

CMYK 51 / 84 / 0 / 2

HEX #7B29FA

RGB 123 41 250

HSL 263.54, 0.95%, 0.57%

LAB 42.31, 74.15, -88.21

 

CMYK 73 / 84 / 0 / 2

HEX #4329FA

RGB 67 41 250

HSL 247.46, 0.95%, 0.57%

LAB 37.26, 69.6, -96.72

 

CMYK 84 / 84 / 0 / 2

HEX #2929FA

RGB 41 41 250

HSL 240, 0.95%, 0.57%

LAB 35.91, 68.43, -99.02

 

CMYK 6 / 84 / 0 / 2

HEX #EB29FA

RGB 235 41 250

HSL 295.69, 0.95%, 0.57%

LAB 58.18, 90.01, -61.68

 

CMYK 6 / 84 / 0 / 2

HEX #EB29FA

RGB 235 41 250

HSL 295.69, 0.95%, 0.57%

LAB 58.18, 90.01, -61.68

 

CMYK 5 / 75 / 0 / 9

HEX #DC3BE8

RGB 220 59 232

HSL 295.84, 0.79%, 0.57%

LAB 56.26, 80.1, -54.83

 

CMYK 4 / 64 / 0 / 16

HEX #CD4DD6

RGB 205 77 214

HSL 296.06, 0.63%, 0.57%

LAB 55.22, 67.62, -46.45

 

CMYK 4 / 52 / 0 / 23

HEX #BD5EC4

RGB 189 94 196

HSL 295.88, 0.46%, 0.57%

LAB 54.88, 52.72, -36.87

 

CMYK 3 / 37 / 0 / 30

HEX #AE70B3

RGB 174 112 179

HSL 295.52, 0.31%, 0.57%

LAB 55.93, 35.56, -25.61

 

CMYK 52 / 84 / 0 / 2

HEX #7929FA

RGB 121 41 250

HSL 262.97, 0.95%, 0.57%

LAB 42.08, 73.95, -88.59

 

CMYK 29 / 84 / 0 / 2

HEX #B129FA

RGB 177 41 250

HSL 279.04, 0.95%, 0.57%

LAB 49.3, 80.92, -76.48

 

CMYK 7 / 84 / 0 / 2

HEX #E829FA

RGB 232 41 250

HSL 294.83, 0.95%, 0.57%

LAB 57.7, 89.51, -62.48

 

CMYK 0 / 84 / 16 / 2

HEX #FA29D3

RGB 250 41 211

HSL 311.2, 0.95%, 0.57%

LAB 58.61, 87.26, -38.91

 

CMYK 0 / 84 / 38 / 2

HEX #FA299C

RGB 250 41 156

HSL 326.99, 0.95%, 0.57%

LAB 56.4, 81.13, -10.48

 

CMYK 6 / 98 / 0 / 20

HEX #BE05CB

RGB 190 5 203

HSL 296.06, 0.95%, 0.41%

LAB 46.13, 80.27, -54.79

 

CMYK 7 / 98 / 0 / 5

HEX #E306F3

RGB 227 6 243

HSL 295.95, 0.95%, 0.49%

LAB 55, 91.91, -62.95

 

CMYK 6 / 84 / 0 / 2

HEX #EB29FA

RGB 235 41 250

HSL 295.69, 0.95%, 0.57%

LAB 58.18, 90.01, -61.68

 

CMYK 5 / 68 / 0 / 2

HEX #EF51FB

RGB 239 81 251

HSL 295.76, 0.96%, 0.65%

LAB 62.68, 79.92, -55.02

 

CMYK 4 / 52 / 0 / 1

HEX #F37AFC

RGB 243 122 252

HSL 295.85, 0.96%, 0.73%

LAB 69.47, 64.04, -44.8

 

CMYK 6 / 83 / 0 / 2

HEX #EB2AF9

RGB 235 42 249

HSL 295.94, 0.95%, 0.57%

LAB 58.19, 89.66, -61.12

 

CMYK 0 / 74 / 84 / 2

HEX #FA4129

RGB 250 65 41

HSL 6.89, 0.95%, 0.57%

LAB 56.35, 68.11, 55.18

 

CMYK 84 / 0 / 40 / 2

HEX #29FA95

RGB 41 250 149

HSL 151, 0.95%, 0.57%

LAB 87.49, -69.76, 35.19

 

CMYK 6 / 83 / 0 / 2

HEX #EB2AF9

RGB 235 42 249

HSL 295.94, 0.95%, 0.57%

LAB 58.19, 89.66, -61.12

 

CMYK 0 / 7 / 84 / 2

HEX #FAE829

RGB 250 232 41

HSL 54.83, 0.95%, 0.57%

LAB 90.87, -11.97, 84.35

 

CMYK 84 / 0 / 7 / 2

HEX #29FAE8

RGB 41 250 232

HSL 174.83, 0.95%, 0.57%

LAB 89.24, -50.89, -4.95

 

CMYK 6 / 83 / 0 / 2

HEX #EB2AF9

RGB 235 42 249

HSL 295.94, 0.95%, 0.57%

LAB 58.19, 89.66, -61.12

 

CMYK 0 / 74 / 84 / 2

HEX #FA4129

RGB 250 65 41

HSL 6.89, 0.95%, 0.57%

LAB 56.35, 68.11, 55.18

 

CMYK 76 / 0 / 84 / 2

HEX #3BFA29

RGB 59 250 41

HSL 114.83, 0.95%, 0.57%

LAB 86.73, -79.75, 77.18

 

CMYK 84 / 10 / 0 / 2

HEX #29E1FA

RGB 41 225 250

HSL 187.18, 0.95%, 0.57%

LAB 82.5, -34.59, -24.5

 

CMYK 6 / 83 / 0 / 2

HEX #EB2AF9

RGB 235 42 249

HSL 295.94, 0.95%, 0.57%

LAB 58.19, 89.66, -61.12

 

CMYK 0 / 49 / 84 / 2

HEX #FA8029

RGB 250 128 41

HSL 24.98, 0.95%, 0.57%

LAB 66.46, 41.47, 63.91

 

CMYK 76 / 0 / 84 / 2

HEX #3BFA29

RGB 59 250 41

HSL 114.83, 0.95%, 0.57%

LAB 86.73, -79.75, 77.18

 

CMYK 84 / 35 / 0 / 2

HEX #29A3FA

RGB 41 163 250

HSL 204.98, 0.95%, 0.57%

LAB 64.62, -2.33, -52.3

 

Description

Color code: HEX #EB2AF9 | qconv.com Color code: HEX #EB2AF9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 42 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 42 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 83 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 83% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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