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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA8F3A it is the complementary color #1570C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA8F3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EA8F3A: #EF8F35, #FFA148, #FFB35B, #FFC56E and #FFD781

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA8F3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EA8F3A: #EA8F3A, #D97D27, #C86B14, #B75901 and #A64700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

Complementary color

CMYK 89 / 43 / 0 / 23

HEX #1570C5

RGB 21 112 197

HSL 208.98, 0.81%, 0.43%

LAB 46.68, 6.93, -51.22

 

CMYK 0 / 40 / 78 / 6

HEX #EF8F35

RGB 239 143 53

HSL 29.03, 0.85%, 0.57%

LAB 68.21, 29.78, 60.3

 

CMYK 0 / 37 / 72 / 0

HEX #FFA148

RGB 255 161 72

HSL 29.18, 1%, 0.64%

LAB 74.33, 27.7, 58.96

 

CMYK 0 / 30 / 64 / 0

HEX #FFB35B

RGB 255 179 91

HSL 32.2, 1%, 0.68%

LAB 78.61, 19.32, 54.91

 

CMYK 0 / 23 / 57 / 0

HEX #FFC56E

RGB 255 197 110

HSL 36, 1%, 0.72%

LAB 83.08, 11.21, 51.02

Pantone® 1355 C

CMYK 0 / 16 / 49 / 0

HEX #FFD781

RGB 255 215 129

HSL 40.95, 1%, 0.75%

LAB 87.7, 3.47, 47.37

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 0 / 42 / 82 / 15

HEX #D97D27

RGB 217 125 39

HSL 28.99, 0.7%, 0.5%

LAB 61.28, 29.72, 58.37

 

CMYK 0 / 47 / 90 / 22

HEX #C86B14

RGB 200 107 20

HSL 29, 0.82%, 0.43%

LAB 54.91, 31.73, 58.48

 

CMYK 0 / 51 / 99 / 28

HEX #B75901

RGB 183 89 1

HSL 29.01, 0.99%, 0.36%

LAB 48.53, 33.92, 57.34

 

CMYK 0 / 57 / 100 / 35

HEX #A64700

RGB 166 71 0

HSL 25.66, 1%, 0.33%

LAB 42.17, 36.27, 52.5

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 0 / 28 / 76 / 8

HEX #EAA938

RGB 234 169 56

HSL 38.09, 0.81%, 0.57%

LAB 73.65, 14.06, 64.1

 

CMYK 0 / 15 / 76 / 8

HEX #EAC638

RGB 234 198 56

HSL 47.87, 0.81%, 0.57%

LAB 80.83, -1.12, 70.85

 

CMYK 0 / 3 / 76 / 8

HEX #EAE438

RGB 234 228 56

HSL 57.98, 0.81%, 0.57%

LAB 88.57, -16.21, 77.94

 

CMYK 10 / 0 / 76 / 8

HEX #D2EA38

RGB 210 234 56

HSL 68.09, 0.81%, 0.57%

LAB 88.37, -28.92, 77.09

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 0 / 40 / 77 / 88

HEX #1E1207

RGB 30 18 7

HSL 28.7, 0.62%, 0.07%

LAB 6.54, 4.18, 7

 

CMYK 0 / 38 / 75 / 68

HEX #513214

RGB 81 50 20

HSL 29.51, 0.6%, 0.2%

LAB 23.94, 10.86, 24.3

 

CMYK 0 / 39 / 75 / 48

HEX #845121

RGB 132 81 33

HSL 29.09, 0.6%, 0.32%

LAB 39.41, 16.99, 36

 

CMYK 0 / 39 / 75 / 28

HEX #B7702D

RGB 183 112 45

HSL 29.13, 0.61%, 0.45%

LAB 53.86, 22.59, 47.25

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 51 / 0 / 76 / 8

HEX #73EA38

RGB 115 234 56

HSL 100.11, 0.81%, 0.57%

LAB 83.32, -62.36, 70.55

 

CMYK 71 / 76 / 0 / 8

HEX #4438EA

RGB 68 56 234

HSL 244.04, 0.81%, 0.57%

LAB 37.84, 58.48, -86.73

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 76 / 0 / 41 / 8

HEX #38EA8B

RGB 56 234 139

HSL 147.98, 0.81%, 0.57%

LAB 82.67, -64.52, 33.88

 

CMYK 41 / 76 / 0 / 8

HEX #8B38EA

RGB 139 56 234

HSL 267.98, 0.81%, 0.57%

LAB 44.6, 67.12, -75.36

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 51 / 0 / 76 / 8

HEX #73EA38

RGB 115 234 56

HSL 100.11, 0.81%, 0.57%

LAB 83.32, -62.36, 70.55

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 26 / 76 / 0 / 8

HEX #AE38EA

RGB 174 56 234

HSL 279.78, 0.81%, 0.57%

LAB 49.21, 72.87, -67.65

 

CMYK 0 / 39 / 75 / 8

HEX #EA8F3A

RGB 234 143 58

HSL 28.98, 0.81%, 0.57%

LAB 67.61, 27.92, 57.41

 

CMYK 74 / 0 / 76 / 8

HEX #3EEA38

RGB 62 234 56

HSL 117.98, 0.81%, 0.57%

LAB 81.92, -73.8, 68.71

 

CMYK 76 / 35 / 0 / 8

HEX #3897EA

RGB 56 151 234

HSL 207.98, 0.81%, 0.57%

LAB 60.71, 0.27, -49.69

 

CMYK 3 / 76 / 0 / 8

HEX #E438EA

RGB 228 56 234

HSL 297.98, 0.81%, 0.57%

LAB 57.33, 82.81, -54.17

 

Description

Color code: HEX #EA8F3A | qconv.com Color code: HEX #EA8F3A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 143 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 143 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 75 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 75% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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PANTONE® to HKS®

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Sherwin Williams® to HKS®

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NCS® to HKS®

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NCS® to PANTONE®

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