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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E84427 it is the complementary color #17BBD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E84427. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E84427: #ED4422, #FE5635, #FF6848, #FF7A5B and #FF8C6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E84427. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E84427: #E84427, #D73214, #C62001, #B50E00 and #A40000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

Complementary color

CMYK 89 / 13 / 0 / 15

HEX #17BBD8

RGB 23 187 216

HSL 189.02, 0.81%, 0.47%

LAB 69.95, -28.1, -25.41

 

CMYK 0 / 71 / 86 / 7

HEX #ED4422

RGB 237 68 34

HSL 10.05, 0.85%, 0.53%

LAB 54.3, 63.01, 55.59

 

CMYK 0 / 66 / 79 / 0

HEX #FE5635

RGB 254 86 53

HSL 9.85, 0.99%, 0.6%

LAB 59.87, 62.2, 53.03

 

CMYK 0 / 59 / 72 / 0

HEX #FF6848

RGB 255 104 72

HSL 10.49, 1%, 0.64%

LAB 63.03, 55.73, 46.82

 

CMYK 0 / 52 / 64 / 0

HEX #FF7A5B

RGB 255 122 91

HSL 11.34, 1%, 0.68%

LAB 66.47, 48.39, 40.78

 

CMYK 0 / 45 / 57 / 0

HEX #FF8C6E

RGB 255 140 110

HSL 12.41, 1%, 0.72%

LAB 70.28, 40.78, 35.29

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 0 / 77 / 91 / 16

HEX #D73214

RGB 215 50 20

HSL 9.23, 0.83%, 0.46%

LAB 47.98, 61.95, 54.57

 

CMYK 0 / 84 / 99 / 22

HEX #C62001

RGB 198 32 1

HSL 9.44, 0.99%, 0.39%

LAB 42.82, 61.64, 55.82

 

CMYK 0 / 92 / 100 / 29

HEX #B50E00

RGB 181 14 0

HSL 4.64, 1%, 0.35%

LAB 38.09, 60.3, 52.17

 

CMYK 0 / 100 / 100 / 36

HEX #A40000

RGB 164 0 0

HSL 0, 1%, 0.32%

LAB 33.76, 57.57, 47.96

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 0 / 57 / 84 / 9

HEX #E86326

RGB 232 99 38

HSL 18.87, 0.81%, 0.53%

LAB 58.24, 48.61, 56.93

 

CMYK 0 / 44 / 84 / 9

HEX #E88326

RGB 232 131 38

HSL 28.76, 0.81%, 0.53%

LAB 64.59, 32.71, 62.39

 

CMYK 0 / 29 / 84 / 9

HEX #E8A426

RGB 232 164 38

HSL 38.97, 0.81%, 0.53%

LAB 72.13, 15.27, 68.79

 

CMYK 0 / 16 / 84 / 9

HEX #E8C426

RGB 232 196 38

HSL 48.87, 0.81%, 0.53%

LAB 80.05, -1.53, 75.43

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 0 / 71 / 82 / 89

HEX #1C0805

RGB 28 8 5

HSL 7.83, 0.7%, 0.06%

LAB 3.9, 7.5, 3.92

 

CMYK 0 / 71 / 84 / 69

HEX #4F170D

RGB 79 23 13

HSL 9.09, 0.72%, 0.18%

LAB 17.01, 25.69, 20.23

 

CMYK 0 / 71 / 83 / 49

HEX #822616

RGB 130 38 22

HSL 8.89, 0.71%, 0.3%

LAB 29.89, 38.6, 31.99

 

CMYK 0 / 71 / 83 / 29

HEX #B5351E

RGB 181 53 30

HSL 9.14, 0.72%, 0.41%

LAB 41.94, 50.4, 42.68

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 29 / 0 / 84 / 9

HEX #A4E826

RGB 164 232 38

HSL 81.03, 0.81%, 0.53%

LAB 84.87, -46.47, 77.55

 

CMYK 84 / 63 / 0 / 9

HEX #2656E8

RGB 38 86 232

HSL 225.15, 0.81%, 0.53%

LAB 42.6, 38.17, -77.8

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 84 / 0 / 71 / 9

HEX #26E843

RGB 38 232 67

HSL 128.97, 0.81%, 0.53%

LAB 81.03, -75.3, 64.02

 

CMYK 71 / 84 / 0 / 9

HEX #4326E8

RGB 67 38 232

HSL 248.97, 0.81%, 0.53%

LAB 34.81, 65.82, -90.61

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 29 / 0 / 84 / 9

HEX #A4E826

RGB 164 232 38

HSL 81.03, 0.81%, 0.53%

LAB 84.87, -46.47, 77.55

 

CMYK 84 / 13 / 0 / 9

HEX #26CBE8

RGB 38 203 232

HSL 188.97, 0.81%, 0.53%

LAB 75.42, -29.89, -25.7

 

CMYK 54 / 84 / 0 / 9

HEX #6A26E8

RGB 106 38 232

HSL 261.03, 0.81%, 0.53%

LAB 38.33, 69.04, -84.67

 

CMYK 0 / 71 / 83 / 9

HEX #E84427

RGB 232 68 39

HSL 9.02, 0.81%, 0.53%

LAB 53.42, 61.56, 52.26

 

CMYK 54 / 0 / 84 / 9

HEX #6AE826

RGB 106 232 38

HSL 98.97, 0.81%, 0.53%

LAB 82.33, -64.96, 74.35

 

CMYK 84 / 13 / 0 / 9

HEX #26CBE8

RGB 38 203 232

HSL 188.97, 0.81%, 0.53%

LAB 75.42, -29.89, -25.7

 

CMYK 29 / 84 / 0 / 9

HEX #A426E8

RGB 164 38 232

HSL 278.97, 0.81%, 0.53%

LAB 45.78, 76.29, -72.17

 

Description

Color code: HEX #E84427 | qconv.com Color code: HEX #E84427 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 68 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 68 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 83% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - 劍橋免費英語詞典和同義詞詞典
Link: http://dictionary.cambridge.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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