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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E793A1 it is the complementary color #186C5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E793A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E793A1: #EC939C, #FDA5AF, #FFB7C2, #FFC9D5 and #FFDBE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E793A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E793A1: #E793A1, #D6818E, #C56F7B, #B45D68 and #A34B55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

Complementary color

CMYK 78 / 0 / 13 / 58

HEX #186C5E

RGB 24 108 94

HSL 170, 0.64%, 0.26%

LAB 40.78, -27.83, 0.84

 

CMYK 0 / 38 / 34 / 7

HEX #EC939C

RGB 236 147 156

HSL 353.93, 0.7%, 0.75%

LAB 70.25, 34.62, 9.52

 

CMYK 0 / 35 / 31 / 1

HEX #FDA5AF

RGB 253 165 175

HSL 353.18, 0.96%, 0.82%

LAB 76.61, 33.75, 8.39

 

CMYK 0 / 28 / 24 / 0

HEX #FFB7C2

RGB 255 183 194

HSL 350.83, 1%, 0.86%

LAB 81.3, 27.58, 4.85

 

CMYK 0 / 21 / 16 / 0

HEX #FFC9D5

RGB 255 201 213

HSL 346.67, 1%, 0.89%

LAB 85.93, 20.93, 1.38

 

CMYK 0 / 14 / 9 / 0

HEX #FFDBE8

RGB 255 219 232

HSL 338.33, 1%, 0.93%

LAB 90.67, 14.55, -1.74

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 0 / 40 / 34 / 16

HEX #D6818E

RGB 214 129 142

HSL 350.82, 0.51%, 0.67%

LAB 63.3, 34.32, 7.13

 

CMYK 0 / 44 / 38 / 23

HEX #C56F7B

RGB 197 111 123

HSL 351.63, 0.43%, 0.6%

LAB 56.75, 35.28, 8.43

 

CMYK 0 / 48 / 42 / 29

HEX #B45D68

RGB 180 93 104

HSL 352.41, 0.37%, 0.54%

LAB 50.13, 36.3, 9.95

 

CMYK 0 / 54 / 48 / 36

HEX #A34B55

RGB 163 75 85

HSL 353.18, 0.37%, 0.47%

LAB 43.47, 37.35, 11.76

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 0 / 37 / 37 / 9

HEX #E79292

RGB 231 146 146

HSL 0, 0.64%, 0.74%

LAB 69.2, 32.1, 13.52

 

CMYK 0 / 31 / 37 / 9

HEX #E7A092

RGB 231 160 146

HSL 9.88, 0.64%, 0.74%

LAB 72.37, 24.65, 17.94

 

CMYK 0 / 25 / 37 / 9

HEX #E7AE92

RGB 231 174 146

HSL 19.76, 0.64%, 0.74%

LAB 75.66, 17.18, 22.47

 

CMYK 0 / 19 / 37 / 9

HEX #E7BC92

RGB 231 188 146

HSL 29.65, 0.64%, 0.74%

LAB 79.06, 9.75, 27.08

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 0 / 37 / 30 / 89

HEX #1B1113

RGB 27 17 19

HSL 348, 0.23%, 0.09%

LAB 6.15, 5.03, 0.49

 

CMYK 0 / 36 / 31 / 69

HEX #4E3236

RGB 78 50 54

HSL 351.43, 0.22%, 0.25%

LAB 24.22, 13.35, 2.67

 

CMYK 0 / 36 / 30 / 49

HEX #81525A

RGB 129 82 90

HSL 349.79, 0.22%, 0.41%

LAB 40.31, 20.81, 3.53

 

CMYK 0 / 36 / 31 / 29

HEX #B4737D

RGB 180 115 125

HSL 350.77, 0.3%, 0.58%

LAB 55.53, 26.95, 5.23

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 37 / 16 / 0 / 9

HEX #92C2E7

RGB 146 194 231

HSL 206.12, 0.64%, 0.74%

LAB 76.35, -6.74, -23.43

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 31 / 0 / 37 / 9

HEX #A0E792

RGB 160 231 146

HSL 110.12, 0.64%, 0.74%

LAB 85.35, -37.97, 34.52

 

CMYK 37 / 31 / 0 / 9

HEX #92A0E7

RGB 146 160 231

HSL 230.12, 0.64%, 0.74%

LAB 67.29, 12.04, -37.39

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 1 / 0 / 37 / 9

HEX #E4E792

RGB 228 231 146

HSL 62.12, 0.64%, 0.74%

LAB 89.73, -13.51, 41.06

 

CMYK 37 / 0 / 6 / 9

HEX #92E7D8

RGB 146 231 216

HSL 169.41, 0.64%, 0.74%

LAB 86.12, -29.07, -0.84

 

CMYK 35 / 37 / 0 / 9

HEX #9592E7

RGB 149 146 231

HSL 242.12, 0.64%, 0.74%

LAB 63.93, 20.87, -42.63

 

CMYK 0 / 36 / 30 / 9

HEX #E793A1

RGB 231 147 161

HSL 350, 0.64%, 0.74%

LAB 69.77, 33.43, 5.98

 

CMYK 13 / 0 / 37 / 9

HEX #CAE792

RGB 202 231 146

HSL 80.47, 0.64%, 0.74%

LAB 87.86, -23.3, 38.28

 

CMYK 37 / 0 / 6 / 9

HEX #92E7D8

RGB 146 231 216

HSL 169.41, 0.64%, 0.74%

LAB 86.12, -29.07, -0.84

 

CMYK 25 / 37 / 0 / 9

HEX #AE92E7

RGB 174 146 231

HSL 259.76, 0.64%, 0.74%

LAB 66, 27.86, -39.24

 

Description

Color code: HEX #E793A1 | qconv.com Color code: HEX #E793A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 147 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 147 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 30% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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