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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E75A8C it is the complementary color #18A573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E75A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E75A8C shade: #EC5A87, #FD6C9A, #FF7EAD, #FF90C0 and #FFA2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E75A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E75A8C shade: #E75A8C, #D64879, #C53666, #B42453 and #A31240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E75A8C shade: #E75A8C, #E75A66 and #E75A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E75A8C shade: #E75A8C, #E75AB2, #E75AD8, #D05AE7 and #AA5AE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E75A8C shade matches the following richer shades: #E75A8C and #F74B88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E75A8C shade: #E75A8C, #D86991, #C97895, #BA8899 and #AA979E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E75A8C shade: #E75AD9, #E75AB4, #E75A8E, #E75A68 and #E7715A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E75A8C shade: #D11E5D, #E23673, #E75A8C, #ED7EA5 and #F2A2BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E75A8C shade: #E75A8C, #E7D05A and #5AC6E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E75A8C shade: #E75A8C, #8EE75A and #5A8EE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E75A8C shade: #E75A8C, #E7D05A, #5AE7B4 and #5A71E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E75A8C shade: #E75A8C, #D5E75A, #5AE7B4 and #6D5AE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

Complementary color

CMYK 85 / 0 / 30 / 35

HEX #18A573

RGB 24 165 115

HSL 158.72, 0.75%, 0.37%

LAB 60.2, -47.13, 16.19

 

CMYK 0 / 62 / 43 / 7

HEX #EC5A87

RGB 236 90 135

HSL 341.51, 0.79%, 0.64%

LAB 58.88, 59.96, 5.23

 

CMYK 0 / 57 / 39 / 1

HEX #FD6C9A

RGB 253 108 154

HSL 340.97, 0.97%, 0.71%

LAB 64.92, 59.39, 3.3

 

CMYK 0 / 51 / 32 / 0

HEX #FF7EAD

RGB 255 126 173

HSL 338.14, 1%, 0.75%

LAB 68.9, 53.85, -1.65

 

CMYK 0 / 44 / 25 / 0

HEX #FF90C0

RGB 255 144 192

HSL 334.05, 1%, 0.78%

LAB 72.9, 47.46, -6.35

 

CMYK 0 / 36 / 17 / 0

HEX #FFA2D3

RGB 255 162 211

HSL 328.39, 1%, 0.82%

LAB 77.16, 41.01, -10.46

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 66 / 43 / 16

HEX #D64879

RGB 214 72 121

HSL 339.3, 0.63%, 0.56%

LAB 52.19, 59.28, 3.41

 

CMYK 0 / 73 / 48 / 23

HEX #C53666

RGB 197 54 102

HSL 339.86, 0.57%, 0.49%

LAB 46.27, 59.24, 6.06

 

CMYK 0 / 80 / 54 / 29

HEX #B42453

RGB 180 36 83

HSL 340.42, 0.67%, 0.42%

LAB 40.56, 58.56, 9.39

 

CMYK 0 / 89 / 61 / 36

HEX #A31240

RGB 163 18 64

HSL 340.97, 0.8%, 0.35%

LAB 35.18, 56.88, 13.64

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 61 / 56 / 9

HEX #E75A66

RGB 231 90 102

HSL 354.89, 0.75%, 0.63%

LAB 57.33, 55.5, 22.25

 

CMYK 0 / 61 / 61 / 9

HEX #E75A5A

RGB 231 90 90

HSL 0, 0.75%, 0.63%

LAB 57.11, 54.67, 28.91

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 61 / 23 / 9

HEX #E75AB2

RGB 231 90 178

HSL 322.55, 0.75%, 0.63%

LAB 59.45, 63.47, -18.98

 

CMYK 0 / 61 / 6 / 9

HEX #E75AD8

RGB 231 90 216

HSL 306.38, 0.75%, 0.63%

LAB 61.01, 69, -38.2

 

CMYK 10 / 61 / 0 / 9

HEX #D05AE7

RGB 208 90 231

HSL 290.21, 0.75%, 0.63%

LAB 58.5, 65.94, -50.8

 

CMYK 26 / 61 / 0 / 9

HEX #AA5AE7

RGB 170 90 231

HSL 274.04, 0.75%, 0.63%

LAB 53.63, 57.08, -58.86

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 70 / 45 / 3

HEX #F74B88

RGB 247 75 136

HSL 338.72, 0.91%, 0.63%

LAB 58.59, 69.12, 4.46

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 51 / 33 / 15

HEX #D86991

RGB 216 105 145

HSL 338.38, 0.59%, 0.63%

LAB 58.74, 47.74, -1.17

 

CMYK 0 / 40 / 26 / 21

HEX #C97895

RGB 201 120 149

HSL 338.52, 0.43%, 0.63%

LAB 59.91, 35.34, -2

 

CMYK 0 / 27 / 18 / 27

HEX #BA8899

RGB 186 136 153

HSL 339.6, 0.27%, 0.63%

LAB 61.95, 21.71, -1.5

 

CMYK 0 / 11 / 7 / 33

HEX #AA979E

RGB 170 151 158

HSL 337.89, 0.1%, 0.63%

LAB 64.28, 8.26, -1.1

 

CMYK 0 / 61 / 6 / 9

HEX #E75AD9

RGB 231 90 217

HSL 305.96, 0.75%, 0.63%

LAB 61.06, 69.15, -38.7

 

CMYK 0 / 61 / 22 / 9

HEX #E75AB4

RGB 231 90 180

HSL 321.7, 0.75%, 0.63%

LAB 59.52, 63.73, -20.01

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8E

RGB 231 90 142

HSL 337.87, 0.75%, 0.63%

LAB 58.28, 59.14, 0.17

 

CMYK 0 / 61 / 55 / 9

HEX #E75A68

RGB 231 90 104

HSL 354.04, 0.75%, 0.63%

LAB 57.37, 55.66, 21.13

 

CMYK 0 / 51 / 61 / 9

HEX #E7715A

RGB 231 113 90

HSL 9.79, 0.75%, 0.63%

LAB 61.25, 43.9, 34.14

 

CMYK 0 / 86 / 56 / 18

HEX #D11E5D

RGB 209 30 93

HSL 338.88, 0.75%, 0.47%

LAB 46.01, 68.3, 11.58

 

CMYK 0 / 76 / 49 / 11

HEX #E23673

RGB 226 54 115

HSL 338.72, 0.75%, 0.55%

LAB 51.89, 68.4, 6.87

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 47 / 30 / 7

HEX #ED7EA5

RGB 237 126 165

HSL 338.92, 0.76%, 0.71%

LAB 66.25, 46.89, -1.3

 

CMYK 0 / 33 / 21 / 5

HEX #F2A2BE

RGB 242 162 190

HSL 339, 0.75%, 0.79%

LAB 75.1, 33.45, -2.18

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 10 / 61 / 9

HEX #E7D05A

RGB 231 208 90

HSL 50.21, 0.75%, 0.63%

LAB 83.36, -5.74, 59.98

 

CMYK 61 / 14 / 0 / 9

HEX #5AC6E7

RGB 90 198 231

HSL 194.04, 0.75%, 0.63%

LAB 75.03, -21.37, -25.66

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 39 / 0 / 61 / 9

HEX #8EE75A

RGB 142 231 90

HSL 97.87, 0.75%, 0.63%

LAB 83.78, -50.53, 58.79

 

CMYK 61 / 39 / 0 / 9

HEX #5A8EE7

RGB 90 142 231

HSL 217.87, 0.75%, 0.63%

LAB 59.24, 9.61, -50.27

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 0 / 10 / 61 / 9

HEX #E7D05A

RGB 231 208 90

HSL 50.21, 0.75%, 0.63%

LAB 83.36, -5.74, 59.98

 

CMYK 61 / 0 / 22 / 9

HEX #5AE7B4

RGB 90 231 180

HSL 158.3, 0.75%, 0.63%

LAB 83.24, -49.88, 13.68

 

CMYK 61 / 51 / 0 / 9

HEX #5A71E7

RGB 90 113 231

HSL 230.21, 0.75%, 0.63%

LAB 51.56, 27.21, -62.57

 

CMYK 0 / 61 / 39 / 9

HEX #E75A8C

RGB 231 90 140

HSL 338.72, 0.75%, 0.63%

LAB 58.22, 58.93, 1.26

 

CMYK 8 / 0 / 61 / 9

HEX #D5E75A

RGB 213 231 90

HSL 67.66, 0.75%, 0.63%

LAB 87.99, -24.45, 64.61

 

CMYK 61 / 0 / 22 / 9

HEX #5AE7B4

RGB 90 231 180

HSL 158.3, 0.75%, 0.63%

LAB 83.24, -49.88, 13.68

 

CMYK 53 / 61 / 0 / 9

HEX #6D5AE7

RGB 109 90 231

HSL 248.09, 0.75%, 0.63%

LAB 47.41, 44.41, -69.22

 

Description

Color code: HEX #E75A8C | qconv.com Color code: HEX #E75A8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 90 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 90 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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