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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6D690 it is the complementary color #19296F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6D690. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E6D690: #EBD68B, #FCE89E, #FFFAB1, #FFFFC4 and #FFFFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6D690. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E6D690: #E6D690, #D5C47D, #C4B26A, #B3A057 and #A28E44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

Complementary color

CMYK 77 / 63 / 0 / 56

HEX #19296F

RGB 25 41 111

HSL 228.84, 0.63%, 0.27%

LAB 19.8, 20.5, -42.46

 

CMYK 0 / 9 / 41 / 8

HEX #EBD68B

RGB 235 214 139

HSL 46.88, 0.71%, 0.73%

LAB 85.82, -2.98, 39.65

 

CMYK 0 / 8 / 37 / 1

HEX #FCE89E

RGB 252 232 158

HSL 47.23, 0.94%, 0.8%

LAB 92.08, -3.46, 38.48

 

CMYK 0 / 2 / 31 / 0

HEX #FFFAB1

RGB 255 250 177

HSL 56.15, 1%, 0.85%

LAB 97.15, -9.1, 35.69

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 0 / 8 / 41 / 16

HEX #D5C47D

RGB 213 196 125

HSL 48.41, 0.51%, 0.66%

LAB 79.1, -3.94, 37.77

 

CMYK 0 / 9 / 46 / 23

HEX #C4B26A

RGB 196 178 106

HSL 48, 0.43%, 0.59%

LAB 72.64, -3.39, 39

 

CMYK 0 / 11 / 51 / 30

HEX #B3A057

RGB 179 160 87

HSL 47.61, 0.38%, 0.52%

LAB 66.07, -2.75, 40.27

 

CMYK 0 / 12 / 58 / 36

HEX #A28E44

RGB 162 142 68

HSL 47.23, 0.41%, 0.45%

LAB 59.38, -1.96, 41.53

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 0 / 1 / 38 / 10

HEX #E5E28E

RGB 229 226 142

HSL 57.93, 0.63%, 0.73%

LAB 88.45, -11.08, 41.42

 

CMYK 5 / 0 / 38 / 10

HEX #D9E58E

RGB 217 229 142

HSL 68.28, 0.63%, 0.73%

LAB 88.33, -17.17, 41.08

 

CMYK 11 / 0 / 38 / 10

HEX #CBE58E

RGB 203 229 142

HSL 77.93, 0.63%, 0.73%

LAB 87.33, -22.45, 39.6

 

CMYK 17 / 0 / 38 / 10

HEX #BDE58E

RGB 189 229 142

HSL 87.59, 0.63%, 0.73%

LAB 86.41, -27.59, 38.23

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 0 / 8 / 38 / 90

HEX #1A1810

RGB 26 24 16

HSL 48, 0.24%, 0.08%

LAB 8.22, -0.77, 5.29

 

CMYK 0 / 6 / 38 / 70

HEX #4D4830

RGB 77 72 48

HSL 49.66, 0.23%, 0.25%

LAB 30.46, -2.17, 15.18

 

CMYK 0 / 7 / 38 / 50

HEX #807750

RGB 128 119 80

HSL 48.75, 0.23%, 0.41%

LAB 49.93, -2.77, 22.72

 

CMYK 0 / 7 / 37 / 30

HEX #B3A770

RGB 179 167 112

HSL 49.25, 0.31%, 0.57%

LAB 68.31, -3.88, 30.03

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 38 / 0 / 38 / 10

HEX #8EE58E

RGB 142 229 142

HSL 120, 0.63%, 0.73%

LAB 83.83, -43.35, 34.38

 

CMYK 23 / 38 / 0 / 10

HEX #B18EE5

RGB 177 142 229

HSL 264.14, 0.63%, 0.73%

LAB 65.24, 30.51, -39.3

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 38 / 0 / 7 / 10

HEX #8EE5D4

RGB 142 229 212

HSL 168.28, 0.63%, 0.73%

LAB 85.27, -30.06, 0.01

 

CMYK 7 / 38 / 0 / 10

HEX #D48EE5

RGB 212 142 229

HSL 288.28, 0.63%, 0.73%

LAB 68.75, 40.91, -33.57

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 38 / 0 / 38 / 10

HEX #8EE58E

RGB 142 229 142

HSL 120, 0.63%, 0.73%

LAB 83.83, -43.35, 34.38

 

CMYK 38 / 30 / 0 / 10

HEX #8EA0E5

RGB 142 160 229

HSL 227.59, 0.63%, 0.73%

LAB 66.94, 10.43, -36.86

 

CMYK 0 / 38 / 0 / 10

HEX #E58EE5

RGB 229 142 229

HSL 300, 0.63%, 0.73%

LAB 70.64, 46.05, -30.5

 

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL® 1015

CMYK 38 / 0 / 27 / 10

HEX #8EE5A8

RGB 142 229 168

HSL 137.93, 0.63%, 0.73%

LAB 84.29, -39.01, 21.67

 

CMYK 38 / 30 / 0 / 10

HEX #8EA0E5

RGB 142 160 229

HSL 227.59, 0.63%, 0.73%

LAB 66.94, 10.43, -36.86

 

CMYK 0 / 38 / 11 / 10

HEX #E58ECB

RGB 229 142 203

HSL 317.93, 0.63%, 0.73%

LAB 69.69, 41.57, -17.58

 

Description

Color code: HEX #E6D690 | qconv.com Color code: HEX #E6D690 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 214 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 214 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 37% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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