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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6B5FD it is the complementary color #194A02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6B5FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6B5FD shade: #EBB5F8, #FCC7FF, #FFD9FF, #FFEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6B5FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6B5FD shade: #E6B5FD, #D5A3EA, #C491D7, #B37FC4 and #A26DB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6B5FD shade: #E6B4FD, #F9B4FD, #FDB4ED, #FDB4DA and #FDB4C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6B5FD shade: #E6B4FD, #D2B4FD, #BFB4FD and #B4B4FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6B5FD shade matches the following richer shades: #E6B4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6B5FD shade: #E6B4FD, #E4BBF7, #E1C1F1, #DFC7EB and #DDCDE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6B5FD shade: #BEB4FD, #D1B4FD, #E5B4FD, #F8B4FD and #FDB4EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6B5FD shade: #CB64FB, #D88CFC, #E6B4FD, #F3DDFE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6B5FD shade: #E6B5FD, #FDB4BE and #B4FDC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6B5FD shade: #E6B5FD, #FDE5B4 and #B4FDE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6B5FD shade: #E6B5FD, #FDB4BE, #CDFDB4 and #B4FDF3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6B5FD shade: #E6B5FD, #FDC1B4, #CDFDB4 and #B4F1FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 28 / 0 / 1

HEX #E6B5FD

RGB 230 181 253

HSL 280.83, 0.95%, 0.85%

LAB 80.16, 30.26, -28.87

 

Complementary color

CMYK 66 / 0 / 97 / 71

HEX #194A02

RGB 25 74 2

HSL 100.83, 0.95%, 0.15%

LAB 27.04, -30, 33.86

 

CMYK 5 / 27 / 0 / 3

HEX #EBB5F8

RGB 235 181 248

HSL 288.36, 0.83%, 0.84%

LAB 80.45, 30.85, -25.7

 

CMYK 1 / 22 / 0 / 0

HEX #FCC7FF

RGB 252 199 255

HSL 296.79, 1%, 0.89%

LAB 86.39, 28.03, -20.27

 

CMYK 0 / 15 / 0 / 0

HEX #FFD9FF

RGB 255 217 255

HSL 300, 1%, 0.93%

LAB 90.83, 19.56, -13.56

 

CMYK 0 / 8 / 0 / 0

HEX #FFEBFF

RGB 255 235 255

HSL 300, 1%, 0.96%

LAB 95.12, 10.21, -7.19

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 9 / 28 / 0 / 1

HEX #E6B5FD

RGB 230 181 253

HSL 280.83, 0.95%, 0.85%

LAB 80.16, 30.26, -28.87

 

CMYK 9 / 30 / 0 / 8

HEX #D5A3EA

RGB 213 163 234

HSL 282.25, 0.63%, 0.78%

LAB 73.73, 30.88, -28.62

 

CMYK 9 / 33 / 0 / 16

HEX #C491D7

RGB 196 145 215

HSL 283.71, 0.47%, 0.71%

LAB 67.2, 31.54, -28.37

 

CMYK 9 / 35 / 0 / 23

HEX #B37FC4

RGB 179 127 196

HSL 285.22, 0.37%, 0.63%

LAB 60.56, 32.25, -28.12

 

CMYK 8 / 38 / 0 / 31

HEX #A26DB1

RGB 162 109 177

HSL 286.76, 0.3%, 0.56%

LAB 53.81, 33, -27.85

 

CMYK 9 / 29 / 0 / 1

HEX #E6B4FD

RGB 230 180 253

HSL 281.1, 0.95%, 0.85%

LAB 79.93, 30.8, -29.22

 

CMYK 2 / 29 / 0 / 1

HEX #F9B4FD

RGB 249 180 253

HSL 296.71, 0.95%, 0.85%

LAB 81.77, 36.72, -26.25

 

CMYK 0 / 29 / 6 / 1

HEX #FDB4ED

RGB 253 180 237

HSL 313.15, 0.95%, 0.85%

LAB 81.64, 35.17, -17.83

 

CMYK 0 / 29 / 14 / 1

HEX #FDB4DA

RGB 253 180 218

HSL 328.77, 0.95%, 0.85%

LAB 81.06, 32.04, -8.47

 

CMYK 0 / 29 / 22 / 1

HEX #FDB4C6

RGB 253 180 198

HSL 345.21, 0.95%, 0.85%

LAB 80.52, 29.02, 1.52

 

CMYK 9 / 29 / 0 / 1

HEX #E6B4FD

RGB 230 180 253

HSL 281.1, 0.95%, 0.85%

LAB 79.93, 30.8, -29.22

 

CMYK 17 / 29 / 0 / 1

HEX #D2B4FD

RGB 210 180 253

HSL 264.66, 0.95%, 0.85%

LAB 78.13, 24.67, -32.14

 

CMYK 25 / 29 / 0 / 1

HEX #BFB4FD

RGB 191 180 253

HSL 249.04, 0.95%, 0.85%

LAB 76.56, 19.02, -34.69

 

CMYK 29 / 29 / 0 / 1

HEX #B4B4FD

RGB 180 180 253

HSL 240, 0.95%, 0.85%

LAB 75.72, 15.86, -36.06

 

CMYK 9 / 29 / 0 / 1

HEX #E6B4FD

RGB 230 180 253

HSL 281.1, 0.95%, 0.85%

LAB 79.93, 30.8, -29.22

 

CMYK 9 / 29 / 0 / 1

HEX #E6B4FD

RGB 230 180 253

HSL 281.1, 0.95%, 0.85%

LAB 79.93, 30.8, -29.22

 

CMYK 8 / 24 / 0 / 3

HEX #E4BBF7

RGB 228 187 247

HSL 281, 0.79%, 0.85%

LAB 81.15, 25.23, -24.16

 

CMYK 7 / 20 / 0 / 5

HEX #E1C1F1

RGB 225 193 241

HSL 280, 0.63%, 0.85%

LAB 82.11, 19.88, -19.53

 

CMYK 5 / 15 / 0 / 8

HEX #DFC7EB

RGB 223 199 235

HSL 280, 0.47%, 0.85%

LAB 83.2, 14.86, -14.7

 

CMYK 3 / 10 / 0 / 11

HEX #DDCDE4

RGB 221 205 228

HSL 281.74, 0.3%, 0.85%

LAB 84.3, 9.68, -9.34

 

CMYK 25 / 29 / 0 / 1

HEX #BEB4FD

RGB 190 180 253

HSL 248.22, 0.95%, 0.85%

LAB 76.49, 18.73, -34.82

 

CMYK 17 / 29 / 0 / 1

HEX #D1B4FD

RGB 209 180 253

HSL 263.84, 0.95%, 0.85%

LAB 78.05, 24.37, -32.28

 

CMYK 9 / 29 / 0 / 1

HEX #E5B4FD

RGB 229 180 253

HSL 280.27, 0.95%, 0.85%

LAB 79.84, 30.49, -29.37

 

CMYK 2 / 29 / 0 / 1

HEX #F8B4FD

RGB 248 180 253

HSL 295.89, 0.95%, 0.85%

LAB 81.67, 36.41, -26.41

 

CMYK 0 / 29 / 6 / 1

HEX #FDB4EF

RGB 253 180 239

HSL 311.51, 0.95%, 0.85%

LAB 81.71, 35.51, -18.81

 

CMYK 19 / 60 / 0 / 2

HEX #CB64FB

RGB 203 100 251

HSL 280.93, 0.95%, 0.69%

LAB 60.58, 64.16, -58.64

 

CMYK 14 / 44 / 0 / 1

HEX #D88CFC

RGB 216 140 252

HSL 280.71, 0.95%, 0.77%

LAB 69.74, 47.75, -44.6

 

CMYK 9 / 29 / 0 / 1

HEX #E6B4FD

RGB 230 180 253

HSL 281.1, 0.95%, 0.85%

LAB 79.93, 30.8, -29.22

 

CMYK 4 / 13 / 0 / 0

HEX #F3DDFE

RGB 243 221 254

HSL 280, 0.94%, 0.93%

LAB 90.74, 13.37, -13.27

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 9 / 28 / 0 / 1

HEX #E6B5FD

RGB 230 181 253

HSL 280.83, 0.95%, 0.85%

LAB 80.16, 30.26, -28.87

 

CMYK 0 / 29 / 25 / 1

HEX #FDB4BE

RGB 253 180 190

HSL 351.78, 0.95%, 0.85%

LAB 80.32, 27.88, 5.56

 

CMYK 29 / 0 / 21 / 1

HEX #B4FDC8

RGB 180 253 200

HSL 136.44, 0.95%, 0.85%

LAB 93.5, -32.91, 18.28

 

CMYK 9 / 28 / 0 / 1

HEX #E6B5FD

RGB 230 181 253

HSL 280.83, 0.95%, 0.85%

LAB 80.16, 30.26, -28.87

 

CMYK 0 / 9 / 29 / 1

HEX #FDE5B4

RGB 253 229 180

HSL 40.27, 0.95%, 0.85%

LAB 91.78, 1.06, 26.92

 

CMYK 29 / 0 / 9 / 1

HEX #B4FDE5

RGB 180 253 229

HSL 160.27, 0.95%, 0.85%

LAB 94.15, -27.38, 4.27

 

CMYK 9 / 28 / 0 / 1

HEX #E6B5FD

RGB 230 181 253

HSL 280.83, 0.95%, 0.85%

LAB 80.16, 30.26, -28.87

 

CMYK 0 / 29 / 25 / 1

HEX #FDB4BE

RGB 253 180 190

HSL 351.78, 0.95%, 0.85%

LAB 80.32, 27.88, 5.56

 

CMYK 19 / 0 / 29 / 1

HEX #CDFDB4

RGB 205 253 180

HSL 99.45, 0.95%, 0.85%

LAB 94.54, -28.08, 30.08

 

CMYK 29 / 0 / 4 / 1

HEX #B4FDF3

RGB 180 253 243

HSL 171.78, 0.95%, 0.85%

LAB 94.49, -24.46, -2.45

 

CMYK 9 / 28 / 0 / 1

HEX #E6B5FD

RGB 230 181 253

HSL 280.83, 0.95%, 0.85%

LAB 80.16, 30.26, -28.87

 

CMYK 0 / 24 / 29 / 1

HEX #FDC1B4

RGB 253 193 180

HSL 10.68, 0.95%, 0.85%

LAB 83.08, 19.71, 14.87

 

CMYK 19 / 0 / 29 / 1

HEX #CDFDB4

RGB 205 253 180

HSL 99.45, 0.95%, 0.85%

LAB 94.54, -28.08, 30.08

 

CMYK 29 / 5 / 0 / 1

HEX #B4F1FD

RGB 180 241 253

HSL 189.86, 0.95%, 0.85%

LAB 91.55, -16.38, -11.99

 

Description

Color code: HEX #E6B5FD | qconv.com Color code: HEX #E6B5FD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 181 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 181 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 28 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 28% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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