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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6AECE it is the complementary color #195131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6AECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6AECE shade: #EBAEC9, #FCC0DC, #FFD2EF, #FFE4FF and #FFF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6AECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6AECE shade: #E6AECE, #D59CBB, #C48AA8, #B37895 and #A26682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6AECE shade: #E6ADCE, #E6ADBE, #E6ADAF and #E6ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6AECE shade: #E6ADCE, #E6ADDD, #E0ADE6, #D0ADE6 and #C1ADE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6AECE shade matches the following richer shades: #E6ADCE, #EEA4CF and #F79CD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6AECE shade: #E6ADCE, #DDB6CC, #D5BECB, #CCC7CA and #C3D0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6AECE shade: #DFADE6, #E6ADDD, #E6ADCE, #E6ADBF and #E6ADB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6AECE shade: #D26EA7, #DC8EBA, #E6ADCE, #F0CDE1 and #F9ECF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6AECE shade: #E6AECE, #E6D0AD and #ADE5E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6AECE shade: #E6AECE, #CEE6AD and #ADCEE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6AECE shade: #E6AECE, #E6D0AD, #ADE6C5 and #ADC3E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6AECE shade: #E6AECE, #E6E1AD, #ADE6C5 and #ADB2E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 10 / 10

HEX #E6AECE

RGB 230 174 206

HSL 325.71, 0.53%, 0.79%

LAB 77.01, 25.39, -8.24

 

Complementary color

CMYK 69 / 0 / 40 / 68

HEX #195131

RGB 25 81 49

HSL 145.71, 0.53%, 0.21%

LAB 30.19, -26.67, 13.6

 

CMYK 0 / 26 / 14 / 8

HEX #EBAEC9

RGB 235 174 201

HSL 333.44, 0.6%, 0.8%

LAB 77.37, 26.31, -4.93

 

CMYK 0 / 24 / 13 / 1

HEX #FCC0DC

RGB 252 192 220

HSL 332, 0.91%, 0.87%

LAB 83.74, 25.71, -5.6

 

CMYK 0 / 18 / 6 / 0

HEX #FFD2EF

RGB 255 210 239

HSL 321.33, 1%, 0.91%

LAB 88.73, 20.42, -8.28

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 0 / 4 / 0 / 0

HEX #FFF6FF

RGB 255 246 255

HSL 300, 1%, 0.98%

LAB 97.79, 4.57, -3.25

 

CMYK 0 / 24 / 10 / 10

HEX #E6AECE

RGB 230 174 206

HSL 325.71, 0.53%, 0.79%

LAB 77.01, 25.39, -8.24

 

CMYK 0 / 27 / 12 / 16

HEX #D59CBB

RGB 213 156 187

HSL 327.37, 0.4%, 0.72%

LAB 70.53, 26.01, -7.62

 

CMYK 0 / 30 / 14 / 23

HEX #C48AA8

RGB 196 138 168

HSL 328.97, 0.33%, 0.65%

LAB 63.95, 26.68, -6.95

 

CMYK 0 / 33 / 17 / 30

HEX #B37895

RGB 179 120 149

HSL 330.51, 0.28%, 0.59%

LAB 57.26, 27.42, -6.22

 

CMYK 0 / 37 / 20 / 36

HEX #A26682

RGB 162 102 130

HSL 332, 0.24%, 0.52%

LAB 50.45, 28.21, -5.4

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 25 / 17 / 10

HEX #E6ADBE

RGB 230 173 190

HSL 342.11, 0.53%, 0.79%

LAB 76.33, 23.35, -0.52

 

CMYK 0 / 25 / 24 / 10

HEX #E6ADAF

RGB 230 173 175

HSL 357.89, 0.53%, 0.79%

LAB 75.95, 21.11, 7.11

 

CMYK 0 / 25 / 25 / 10

HEX #E6ADAD

RGB 230 173 173

HSL 0, 0.53%, 0.79%

LAB 75.9, 20.83, 8.13

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 25 / 4 / 10

HEX #E6ADDD

RGB 230 173 221

HSL 309.47, 0.53%, 0.79%

LAB 77.24, 28.52, -16.06

 

CMYK 3 / 25 / 0 / 10

HEX #E0ADE6

RGB 224 173 230

HSL 293.68, 0.53%, 0.79%

LAB 76.95, 28.2, -21.43

 

CMYK 10 / 25 / 0 / 10

HEX #D0ADE6

RGB 208 173 230

HSL 276.84, 0.53%, 0.79%

LAB 75.46, 23.04, -23.84

 

CMYK 16 / 25 / 0 / 10

HEX #C1ADE6

RGB 193 173 230

HSL 261.05, 0.53%, 0.79%

LAB 74.15, 18.3, -25.95

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 31 / 13 / 7

HEX #EEA4CF

RGB 238 164 207

HSL 325.14, 0.69%, 0.79%

LAB 75.6, 33.63, -10.81

 

CMYK 0 / 37 / 16 / 3

HEX #F79CD0

RGB 247 156 208

HSL 325.71, 0.85%, 0.79%

LAB 74.89, 41, -12.31

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 18 / 8 / 13

HEX #DDB6CC

RGB 221 182 204

HSL 326.15, 0.36%, 0.79%

LAB 77.99, 17.63, -5.81

 

CMYK 0 / 11 / 5 / 16

HEX #D5BECB

RGB 213 190 203

HSL 326.09, 0.21%, 0.79%

LAB 79.21, 10.37, -3.55

 

CMYK 0 / 2 / 1 / 20

HEX #CCC7CA

RGB 204 199 202

HSL 324, 0.05%, 0.79%

LAB 80.71, 2.28, -0.89

 

CMYK 6 / 0 / 3 / 18

HEX #C3D0C9

RGB 195 208 201

HSL 147.69, 0.12%, 0.79%

LAB 82.34, -5.71, 1.94

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 0 / 25 / 4 / 10

HEX #E6ADDD

RGB 230 173 221

HSL 309.47, 0.53%, 0.79%

LAB 77.24, 28.52, -16.06

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 25 / 17 / 10

HEX #E6ADBF

RGB 230 173 191

HSL 341.05, 0.53%, 0.79%

LAB 76.36, 23.5, -1.03

 

CMYK 0 / 25 / 23 / 10

HEX #E6ADB0

RGB 230 173 176

HSL 356.84, 0.53%, 0.79%

LAB 75.97, 21.26, 6.6

 

CMYK 0 / 48 / 20 / 18

HEX #D26EA7

RGB 210 110 167

HSL 325.8, 0.53%, 0.63%

LAB 59.57, 46.24, -12.75

 

CMYK 0 / 35 / 15 / 14

HEX #DC8EBA

RGB 220 142 186

HSL 326.15, 0.53%, 0.71%

LAB 68.1, 35.82, -10.6

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADCE

RGB 230 173 206

HSL 325.26, 0.53%, 0.79%

LAB 76.78, 25.93, -8.59

 

CMYK 0 / 15 / 6 / 6

HEX #F0CDE1

RGB 240 205 225

HSL 325.71, 0.54%, 0.87%

LAB 85.82, 15.56, -5.32

 

CMYK 0 / 5 / 2 / 2

HEX #F9ECF4

RGB 249 236 244

HSL 323.08, 0.52%, 0.95%

LAB 94.59, 5.76, -2.3

 

CMYK 0 / 24 / 10 / 10

HEX #E6AECE

RGB 230 174 206

HSL 325.71, 0.53%, 0.79%

LAB 77.01, 25.39, -8.24

 

CMYK 0 / 10 / 25 / 10

HEX #E6D0AD

RGB 230 208 173

HSL 36.84, 0.53%, 0.79%

LAB 84.46, 2.32, 20.18

 

CMYK 25 / 0 / 0 / 10

HEX #ADE5E6

RGB 173 229 230

HSL 181.05, 0.53%, 0.79%

LAB 87.31, -17.48, -6.3

 

CMYK 0 / 24 / 10 / 10

HEX #E6AECE

RGB 230 174 206

HSL 325.71, 0.53%, 0.79%

LAB 77.01, 25.39, -8.24

 

CMYK 10 / 0 / 25 / 10

HEX #CEE6AD

RGB 206 230 173

HSL 85.26, 0.53%, 0.79%

LAB 88.32, -17.68, 25.21

 

CMYK 25 / 10 / 0 / 10

HEX #ADCEE6

RGB 173 206 230

HSL 205.26, 0.53%, 0.79%

LAB 81.15, -5.68, -15.48

 

CMYK 0 / 24 / 10 / 10

HEX #E6AECE

RGB 230 174 206

HSL 325.71, 0.53%, 0.79%

LAB 77.01, 25.39, -8.24

 

CMYK 0 / 10 / 25 / 10

HEX #E6D0AD

RGB 230 208 173

HSL 36.84, 0.53%, 0.79%

LAB 84.46, 2.32, 20.18

 

CMYK 25 / 0 / 14 / 10

HEX #ADE6C5

RGB 173 230 197

HSL 145.26, 0.53%, 0.79%

LAB 86.76, -24.72, 10.24

 

CMYK 25 / 15 / 0 / 10

HEX #ADC3E6

RGB 173 195 230

HSL 216.84, 0.53%, 0.79%

LAB 78.24, 0.16, -19.86

 

CMYK 0 / 24 / 10 / 10

HEX #E6AECE

RGB 230 174 206

HSL 325.71, 0.53%, 0.79%

LAB 77.01, 25.39, -8.24

 

CMYK 0 / 2 / 25 / 10

HEX #E6E1AD

RGB 230 225 173

HSL 54.74, 0.53%, 0.79%

LAB 88.78, -6.41, 26.12

 

CMYK 25 / 0 / 14 / 10

HEX #ADE6C5

RGB 173 230 197

HSL 145.26, 0.53%, 0.79%

LAB 86.76, -24.72, 10.24

 

CMYK 25 / 23 / 0 / 10

HEX #ADB2E6

RGB 173 178 230

HSL 234.74, 0.53%, 0.79%

LAB 73.83, 9.42, -26.58

 

Description

Color code: HEX #E6AECE | qconv.com Color code: HEX #E6AECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 174 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 174 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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