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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6473E it is the complementary color #19B8C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6473E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E6473E: #EB4739, #FC594C, #FF6B5F, #FF7D72 and #FF8F85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6473E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E6473E: #E6473E, #D5352B, #C42318, #B31105 and #A20000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

Complementary color

CMYK 87 / 5 / 0 / 24

HEX #19B8C1

RGB 25 184 193

HSL 183.21, 0.77%, 0.43%

LAB 68.27, -33.87, -15.35

 

CMYK 0 / 70 / 76 / 8

HEX #EB4739

RGB 235 71 57

HSL 4.72, 0.82%, 0.57%

LAB 54.52, 61.96, 44.46

 

CMYK 0 / 65 / 70 / 1

HEX #FC594C

RGB 252 89 76

HSL 4.43, 0.97%, 0.64%

LAB 60.21, 61.25, 41.35

 

CMYK 0 / 58 / 63 / 0

HEX #FF6B5F

RGB 255 107 95

HSL 4.5, 1%, 0.69%

LAB 63.84, 55.6, 35.38

 

CMYK 0 / 51 / 55 / 0

HEX #FF7D72

RGB 255 125 114

HSL 4.68, 1%, 0.72%

LAB 67.38, 48.5, 29.38

 

CMYK 0 / 44 / 48 / 0

HEX #FF8F85

RGB 255 143 133

HSL 4.92, 1%, 0.76%

LAB 71.28, 41.19, 24.07

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 0 / 75 / 80 / 16

HEX #D5352B

RGB 213 53 43

HSL 3.53, 0.67%, 0.5%

LAB 48.09, 60.93, 43.99

 

CMYK 0 / 82 / 88 / 23

HEX #C42318

RGB 196 35 24

HSL 3.84, 0.78%, 0.43%

LAB 42.77, 60.64, 47.4

 

CMYK 0 / 91 / 97 / 30

HEX #B31105

RGB 179 17 5

HSL 4.14, 0.95%, 0.36%

LAB 37.83, 59.37, 49.83

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 0 / 58 / 74 / 10

HEX #E5613C

RGB 229 97 60

HSL 13.14, 0.76%, 0.57%

LAB 57.59, 49.2, 45.89

 

CMYK 0 / 45 / 74 / 10

HEX #E57D3C

RGB 229 125 60

HSL 23.08, 0.76%, 0.57%

LAB 63.05, 35.38, 51.66

 

CMYK 0 / 33 / 74 / 10

HEX #E5993C

RGB 229 153 60

HSL 33.02, 0.76%, 0.57%

LAB 69.3, 20.62, 58.05

 

CMYK 0 / 21 / 74 / 10

HEX #E5B53C

RGB 229 181 60

HSL 42.96, 0.76%, 0.57%

LAB 76.09, 5.76, 64.74

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 0 / 69 / 73 / 90

HEX #1A0807

RGB 26 8 7

HSL 3.16, 0.58%, 0.06%

LAB 3.69, 6.67, 2.78

 

CMYK 0 / 69 / 73 / 70

HEX #4D1815

RGB 77 24 21

HSL 3.21, 0.57%, 0.19%

LAB 16.92, 24.82, 15.37

 

CMYK 0 / 69 / 73 / 50

HEX #802823

RGB 128 40 35

HSL 3.23, 0.57%, 0.32%

LAB 29.98, 37.57, 24.26

 

CMYK 0 / 69 / 73 / 30

HEX #B33730

RGB 179 55 48

HSL 3.21, 0.58%, 0.45%

LAB 42.05, 49.61, 32.85

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 18 / 0 / 74 / 10

HEX #BBE53C

RGB 187 229 60

HSL 74.91, 0.76%, 0.57%

LAB 85.47, -35.55, 72.59

 

CMYK 74 / 48 / 0 / 10

HEX #3C78E5

RGB 60 120 229

HSL 218.7, 0.76%, 0.57%

LAB 51.89, 17.67, -60.97

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 74 / 0 / 70 / 10

HEX #3CE545

RGB 60 229 69

HSL 123.2, 0.76%, 0.57%

LAB 80.42, -71.59, 62.76

 

CMYK 70 / 74 / 0 / 10

HEX #453CE5

RGB 69 60 229

HSL 243.2, 0.76%, 0.57%

LAB 38.12, 54.99, -83.42

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 18 / 0 / 74 / 10

HEX #BBE53C

RGB 187 229 60

HSL 74.91, 0.76%, 0.57%

LAB 85.47, -35.55, 72.59

 

CMYK 74 / 3 / 0 / 10

HEX #3CDDE5

RGB 60 221 229

HSL 182.84, 0.76%, 0.57%

LAB 80.92, -37.35, -15.72

 

CMYK 55 / 74 / 0 / 10

HEX #673CE5

RGB 103 60 229

HSL 255.27, 0.76%, 0.57%

LAB 40.85, 58.9, -78.82

 

CMYK 0 / 69 / 73 / 10

HEX #E6473E

RGB 230 71 62

HSL 3.21, 0.77%, 0.57%

LAB 53.68, 60.59, 40.57

 

CMYK 41 / 0 / 74 / 10

HEX #88E53C

RGB 136 229 60

HSL 93.02, 0.76%, 0.57%

LAB 82.7, -53.92, 68.96

 

CMYK 74 / 3 / 0 / 10

HEX #3CDDE5

RGB 60 221 229

HSL 182.84, 0.76%, 0.57%

LAB 80.92, -37.35, -15.72

 

CMYK 33 / 74 / 0 / 10

HEX #993CE5

RGB 153 60 229

HSL 273.02, 0.76%, 0.57%

LAB 46.53, 66.69, -69.32

 

Description

Color code: HEX #E6473E | qconv.com Color code: HEX #E6473E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 71 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 71 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 73 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 73% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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