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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5B7B1 it is the complementary color #1A484E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5B7B1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E5B7B1: #EAB7AC, #FBC9BF, #FFDBD2, #FFEDE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5B7B1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E5B7B1: #E5B7B1, #D4A59E, #C3938B, #B28178 and #A16F65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

Complementary color

CMYK 67 / 8 / 0 / 69

HEX #1A484E

RGB 26 72 78

HSL 186.92, 0.5%, 0.2%

LAB 27.86, -13.42, -8.27

 

CMYK 0 / 22 / 26 / 8

HEX #EAB7AC

RGB 234 183 172

HSL 10.65, 0.6%, 0.8%

LAB 78.66, 16.85, 12.65

 

CMYK 0 / 20 / 24 / 2

HEX #FBC9BF

RGB 251 201 191

HSL 10, 0.88%, 0.87%

LAB 85.02, 16.27, 11.72

 

CMYK 0 / 14 / 18 / 0

HEX #FFDBD2

RGB 255 219 210

HSL 12, 1%, 0.91%

LAB 90.13, 11.09, 9.03

 

CMYK 0 / 7 / 10 / 0

HEX #FFEDE5

RGB 255 237 229

HSL 18.46, 1%, 0.95%

LAB 94.94, 4.77, 6.05

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 0 / 22 / 25 / 17

HEX #D4A59E

RGB 212 165 158

HSL 7.78, 0.39%, 0.73%

LAB 71.81, 16.28, 10.27

 

CMYK 0 / 25 / 29 / 24

HEX #C3938B

RGB 195 147 139

HSL 8.57, 0.32%, 0.65%

LAB 65.23, 16.93, 11.26

 

CMYK 0 / 28 / 33 / 30

HEX #B28178

RGB 178 129 120

HSL 9.31, 0.27%, 0.58%

LAB 58.53, 17.67, 12.35

 

CMYK 0 / 31 / 37 / 37

HEX #A16F65

RGB 161 111 101

HSL 10, 0.24%, 0.51%

LAB 51.71, 18.52, 13.55

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 0 / 16 / 22 / 10

HEX #E5C0B2

RGB 229 192 178

HSL 16.47, 0.5%, 0.8%

LAB 80.5, 11.05, 11.96

 

CMYK 0 / 13 / 22 / 10

HEX #E5C8B2

RGB 229 200 178

HSL 25.88, 0.5%, 0.8%

LAB 82.48, 6.83, 14.76

 

CMYK 0 / 9 / 22 / 10

HEX #E5D1B2

RGB 229 209 178

HSL 36.47, 0.5%, 0.8%

LAB 84.73, 2.13, 17.91

 

CMYK 0 / 5 / 22 / 10

HEX #E5D9B2

RGB 229 217 178

HSL 45.88, 0.5%, 0.8%

LAB 86.75, -2.01, 20.72

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 0 / 20 / 24 / 90

HEX #191413

RGB 25 20 19

HSL 10, 0.14%, 0.09%

LAB 6.81, 2.13, 1.43

 

CMYK 0 / 20 / 22 / 70

HEX #4C3D3B

RGB 76 61 59

HSL 7.06, 0.13%, 0.26%

LAB 27.27, 6.17, 3.69

 

CMYK 0 / 20 / 23 / 50

HEX #7F6562

RGB 127 101 98

HSL 6.21, 0.13%, 0.44%

LAB 45.22, 9.93, 5.65

 

CMYK 0 / 20 / 22 / 30

HEX #B28E8A

RGB 178 142 138

HSL 6, 0.21%, 0.62%

LAB 62.21, 12.97, 7.29

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 7 / 0 / 22 / 10

HEX #D6E5B2

RGB 214 229 178

HSL 77.65, 0.5%, 0.8%

LAB 88.71, -13.57, 23.25

 

CMYK 22 / 16 / 0 / 10

HEX #B2C1E5

RGB 178 193 229

HSL 222.35, 0.5%, 0.8%

LAB 78.03, 2.52, -19.61

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 22 / 0 / 20 / 10

HEX #B2E5B7

RGB 178 229 183

HSL 125.88, 0.5%, 0.8%

LAB 86.47, -25.19, 17.18

 

CMYK 20 / 22 / 0 / 10

HEX #B7B2E5

RGB 183 178 229

HSL 245.88, 0.5%, 0.8%

LAB 74.55, 12.22, -24.87

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 7 / 0 / 22 / 10

HEX #D6E5B2

RGB 214 229 178

HSL 77.65, 0.5%, 0.8%

LAB 88.71, -13.57, 23.25

 

CMYK 22 / 2 / 0 / 10

HEX #B2E0E5

RGB 178 224 229

HSL 185.88, 0.5%, 0.8%

LAB 86.22, -13.71, -7.34

 

CMYK 16 / 22 / 0 / 10

HEX #C1B2E5

RGB 193 178 229

HSL 257.65, 0.5%, 0.8%

LAB 75.35, 15.34, -23.58

 

CMYK 0 / 20 / 23 / 10

HEX #E5B7B1

RGB 229 183 177

HSL 6.92, 0.5%, 0.8%

LAB 78.29, 15.69, 9.35

 

CMYK 14 / 0 / 22 / 10

HEX #C6E5B2

RGB 198 229 178

HSL 96.47, 0.5%, 0.8%

LAB 87.61, -19.25, 21.56

 

CMYK 22 / 2 / 0 / 10

HEX #B2E0E5

RGB 178 224 229

HSL 185.88, 0.5%, 0.8%

LAB 86.22, -13.71, -7.34

 

CMYK 9 / 22 / 0 / 10

HEX #D1B2E5

RGB 209 178 229

HSL 276.47, 0.5%, 0.8%

LAB 76.71, 20.44, -21.38

 

Description

Color code: HEX #E5B7B1 | qconv.com Color code: HEX #E5B7B1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 183 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 183 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 23 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 23% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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