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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5AA91 it is the complementary color #1A556E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5AA91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E5AA91: #EAAA8C, #FBBC9F, #FFCEB2, #FFE0C5 and #FFF2D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5AA91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E5AA91: #E5AA91, #D4987E, #C3866B, #B27458 and #A16245

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

Complementary color

CMYK 76 / 23 / 0 / 57

HEX #1A556E

RGB 26 85 110

HSL 197.86, 0.62%, 0.27%

LAB 33.65, -9.67, -19.76

 

CMYK 0 / 27 / 40 / 8

HEX #EAAA8C

RGB 234 170 140

HSL 19.15, 0.69%, 0.73%

LAB 74.91, 19.79, 24.74

 

CMYK 0 / 25 / 37 / 2

HEX #FBBC9F

RGB 251 188 159

HSL 18.91, 0.92%, 0.8%

LAB 81.28, 18.99, 23.52

 

CMYK 0 / 19 / 30 / 0

HEX #FFCEB2

RGB 255 206 178

HSL 21.82, 1%, 0.85%

LAB 86.31, 13.4, 20.47

 

CMYK 0 / 12 / 23 / 0

HEX #FFE0C5

RGB 255 224 197

HSL 27.93, 1%, 0.89%

LAB 91.05, 6.63, 17.14

 

CMYK 0 / 5 / 15 / 0

HEX #FFF2D8

RGB 255 242 216

HSL 40, 1%, 0.92%

LAB 95.88, 0.2, 14.11

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 0 / 28 / 41 / 17

HEX #D4987E

RGB 212 152 126

HSL 18.14, 0.5%, 0.66%

LAB 67.99, 19.25, 22.6

 

CMYK 0 / 31 / 45 / 24

HEX #C3866B

RGB 195 134 107

HSL 18.41, 0.42%, 0.59%

LAB 61.41, 20.19, 23.96

 

CMYK 0 / 35 / 51 / 30

HEX #B27458

RGB 178 116 88

HSL 18.67, 0.37%, 0.52%

LAB 54.72, 21.26, 25.47

 

CMYK 0 / 39 / 57 / 37

HEX #A16245

RGB 161 98 69

HSL 18.91, 0.4%, 0.45%

LAB 47.93, 22.51, 27.17

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 0 / 21 / 37 / 11

HEX #E4B58F

RGB 228 181 143

HSL 26.82, 0.61%, 0.73%

LAB 77, 11.93, 25.84

 

CMYK 0 / 14 / 37 / 11

HEX #E4C48F

RGB 228 196 143

HSL 37.41, 0.61%, 0.73%

LAB 80.71, 4.01, 30.82

 

CMYK 0 / 8 / 37 / 11

HEX #E4D28F

RGB 228 210 143

HSL 47.29, 0.61%, 0.73%

LAB 84.26, -3.25, 35.49

 

CMYK 0 / 2 / 37 / 11

HEX #E4E08F

RGB 228 224 143

HSL 57.18, 0.61%, 0.73%

LAB 87.87, -10.35, 40.16

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 0 / 24 / 36 / 90

HEX #191310

RGB 25 19 16

HSL 20, 0.22%, 0.08%

LAB 6.41, 2.16, 2.63

 

CMYK 0 / 26 / 37 / 70

HEX #4C3830

RGB 76 56 48

HSL 17.14, 0.23%, 0.24%

LAB 25.5, 7.58, 8.44

 

CMYK 0 / 26 / 37 / 50

HEX #7F5E50

RGB 127 94 80

HSL 17.87, 0.23%, 0.41%

LAB 42.91, 11.41, 13.27

 

CMYK 0 / 26 / 37 / 30

HEX #B28471

RGB 178 132 113

HSL 17.54, 0.3%, 0.57%

LAB 59.12, 15.08, 17.16

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 37 / 33 / 0 / 11

HEX #8F99E4

RGB 143 153 228

HSL 232.94, 0.61%, 0.73%

LAB 65.14, 14.43, -39.11

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 37 / 0 / 27 / 11

HEX #8FE4A7

RGB 143 228 167

HSL 136.94, 0.61%, 0.73%

LAB 84.03, -38.45, 21.84

 

CMYK 27 / 37 / 0 / 11

HEX #A78FE4

RGB 167 143 228

HSL 256.94, 0.61%, 0.73%

LAB 64.53, 26.83, -39.92

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 18 / 0 / 37 / 11

HEX #BBE48F

RGB 187 228 143

HSL 88.94, 0.61%, 0.73%

LAB 86.02, -27.71, 37.2

 

CMYK 37 / 11 / 0 / 11

HEX #8FCCE4

RGB 143 204 228

HSL 196.94, 0.61%, 0.73%

LAB 78.83, -13.56, -18.08

 

CMYK 19 / 37 / 0 / 11

HEX #B88FE4

RGB 184 143 228

HSL 268.94, 0.61%, 0.73%

LAB 66.09, 31.77, -37.38

 

CMYK 0 / 26 / 37 / 10

HEX #E5AA91

RGB 229 170 145

HSL 17.86, 0.62%, 0.73%

LAB 74.48, 18.42, 21.36

 

CMYK 29 / 0 / 37 / 11

HEX #A1E48F

RGB 161 228 143

HSL 107.29, 0.61%, 0.73%

LAB 84.51, -36.72, 34.94

 

CMYK 37 / 11 / 0 / 11

HEX #8FCCE4

RGB 143 204 228

HSL 196.94, 0.61%, 0.73%

LAB 78.83, -13.56, -18.08

 

CMYK 8 / 37 / 0 / 11

HEX #D28FE4

RGB 210 143 228

HSL 287.29, 0.61%, 0.73%

LAB 68.71, 39.57, -33.09

 

Description

Color code: HEX #E5AA91 | qconv.com Color code: HEX #E5AA91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 170 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 170 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 37 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 37% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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