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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E4E12C it is the complementary color #1B1ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E4E12C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E4E12C: #E9E127, #FAF33A, #FFFF4D, #FFFF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E4E12C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E4E12C: #E4E12C, #D3CF19, #C2BD06, #B1AB00 and #A09900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

Complementary color

CMYK 87 / 86 / 0 / 17

HEX #1B1ED3

RGB 27 30 211

HSL 239.02, 0.77%, 0.47%

LAB 29.07, 61.18, -88.15

 

CMYK 0 / 3 / 83 / 9

HEX #E9E127

RGB 233 225 39

HSL 57.53, 0.82%, 0.53%

LAB 87.64, -15.68, 81.55

 

CMYK 0 / 3 / 77 / 2

HEX #FAF33A

RGB 250 243 58

HSL 57.81, 0.95%, 0.6%

LAB 93.77, -16.84, 82.52

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4D

RGB 255 255 77

HSL 60, 1%, 0.65%

LAB 97.36, -19.81, 80.06

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF60

RGB 255 255 96

HSL 60, 1%, 0.69%

LAB 97.48, -18.81, 73.24

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 0 / 2 / 88 / 17

HEX #D3CF19

RGB 211 207 25

HSL 58.71, 0.79%, 0.46%

LAB 81.04, -16.4, 78.24

 

CMYK 0 / 3 / 97 / 24

HEX #C2BD06

RGB 194 189 6

HSL 58.4, 0.94%, 0.39%

LAB 74.75, -14.97, 75.29

 

CMYK 0 / 3 / 100 / 31

HEX #B1AB00

RGB 177 171 0

HSL 57.97, 1%, 0.35%

LAB 68.37, -13.32, 70.63

 

CMYK 0 / 4 / 100 / 37

HEX #A09900

RGB 160 153 0

HSL 57.38, 1%, 0.31%

LAB 61.87, -11.56, 65.24

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 12 / 0 / 81 / 11

HEX #C7E32A

RGB 199 227 42

HSL 69.08, 0.77%, 0.53%

LAB 85.63, -30.59, 78.12

 

CMYK 26 / 0 / 81 / 11

HEX #A8E32A

RGB 168 227 42

HSL 79.14, 0.77%, 0.53%

LAB 83.67, -42.71, 75.65

 

CMYK 39 / 0 / 81 / 11

HEX #8AE32A

RGB 138 227 42

HSL 88.86, 0.77%, 0.53%

LAB 82.11, -53.38, 73.68

 

CMYK 53 / 0 / 81 / 11

HEX #6BE32A

RGB 107 227 42

HSL 98.92, 0.77%, 0.53%

LAB 80.87, -62.77, 72.09

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 0 / 0 / 79 / 91

HEX #181805

RGB 24 24 5

HSL 60, 0.66%, 0.06%

LAB 7.75, -3.49, 9.5

 

CMYK 0 / 1 / 81 / 71

HEX #4B4A0E

RGB 75 74 14

HSL 59.02, 0.69%, 0.17%

LAB 30.46, -7.69, 33.59

 

CMYK 0 / 2 / 81 / 51

HEX #7E7C18

RGB 126 124 24

HSL 58.82, 0.68%, 0.29%

LAB 50.59, -11.08, 50.19

 

CMYK 0 / 1 / 81 / 31

HEX #B1AF22

RGB 177 175 34

HSL 59.16, 0.68%, 0.41%

LAB 69.56, -14.71, 65.6

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 81 / 0 / 67 / 11

HEX #2AE34C

RGB 42 227 76

HSL 131.03, 0.77%, 0.53%

LAB 79.59, -72.61, 59.11

 

CMYK 34 / 81 / 0 / 11

HEX #962AE3

RGB 150 42 227

HSL 275.03, 0.77%, 0.53%

LAB 43.78, 72.11, -72.68

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 81 / 0 / 1 / 11

HEX #2AE3E0

RGB 42 227 224

HSL 179.03, 0.77%, 0.53%

LAB 82.28, -43.14, -11.07

 

CMYK 1 / 81 / 0 / 11

HEX #E02AE3

RGB 224 42 227

HSL 299.03, 0.77%, 0.53%

LAB 55.12, 84.38, -53.79

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 81 / 0 / 67 / 11

HEX #2AE34C

RGB 42 227 76

HSL 131.03, 0.77%, 0.53%

LAB 79.59, -72.61, 59.11

 

CMYK 81 / 80 / 0 / 11

HEX #2A2DE3

RGB 42 45 227

HSL 239.03, 0.77%, 0.53%

LAB 33.81, 60, -89.47

 

CMYK 0 / 81 / 15 / 11

HEX #E32AC1

RGB 227 42 193

HSL 311.03, 0.77%, 0.53%

LAB 53.85, 80.14, -36.34

 

CMYK 0 / 1 / 81 / 11

HEX #E4E12C

RGB 228 225 44

HSL 59.02, 0.77%, 0.53%

LAB 87.25, -17.64, 79.88

 

CMYK 81 / 0 / 42 / 11

HEX #2AE384

RGB 42 227 132

HSL 149.19, 0.77%, 0.53%

LAB 80.23, -64.84, 34.16

 

CMYK 81 / 80 / 0 / 11

HEX #2A2DE3

RGB 42 45 227

HSL 239.03, 0.77%, 0.53%

LAB 33.81, 60, -89.47

 

CMYK 0 / 81 / 39 / 11

HEX #E32A8A

RGB 227 42 138

HSL 328.86, 0.77%, 0.53%

LAB 51.64, 73.86, -7.33

 

Description

Color code: HEX #E4E12C | qconv.com Color code: HEX #E4E12C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 225 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 225 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 81 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 81% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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