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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E3CD3C it is the complementary color #1C32C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E3CD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E3CD3C shade: #E8CD37, #F9DF4A, #FFF15D, #FFFF70 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E3CD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E3CD3C shade: #E3CD3C, #D2BB29, #C1A916, #B09703 and #9F8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E3CD3C shade: #E3CD3B, #E39F3B, #E3723B, #E3453B and #E33B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E3CD3C shade: #E3CD3B, #CCE33B, #9EE33B, #71E33B and #44E33B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E3CD3C shade matches the following richer shades: #E3CD3B and #F5DA28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E3CD3C shade: #E3CD3B, #D1BF4D, #BFB25F, #ACA571 and #9A9783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E3CD3C shade: #E3733B, #E3A03B, #E3CD3B, #CDE33B and #A0E33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E3CD3C shade: #B29E19, #D6BE1F, #E3CD3B, #E8D65F and #EDDF83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E3CD3C shade: #E3CD3C, #3BE346 and #893BE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E3CD3C shade: #E3CD3C, #3BE3CD and #CD3BE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E3CD3C shade: #E3CD3C, #3BE346, #3B51E3 and #E33BD8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E3CD3C shade: #E3CD3C, #3BE378, #3B51E3 and #E33BA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 74 / 11

HEX #E3CD3C

RGB 227 205 60

HSL 52.1, 0.75%, 0.56%

LAB 82.01, -7.52, 70.37

 

Complementary color

CMYK 86 / 74 / 0 / 24

HEX #1C32C3

RGB 28 50 195

HSL 232.1, 0.75%, 0.44%

LAB 30.56, 46.37, -76.32

 

CMYK 0 / 12 / 76 / 9

HEX #E8CD37

RGB 232 205 55

HSL 50.85, 0.79%, 0.56%

LAB 82.43, -5.6, 72.59

 

CMYK 0 / 10 / 70 / 2

HEX #F9DF4A

RGB 249 223 74

HSL 51.09, 0.94%, 0.63%

LAB 88.64, -6.74, 72.44

 

CMYK 0 / 5 / 64 / 0

HEX #FFF15D

RGB 255 241 93

HSL 54.81, 1%, 0.68%

LAB 93.87, -12.2, 70.63

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF70

RGB 255 255 112

HSL 60, 1%, 0.72%

LAB 97.61, -17.77, 66.83

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3C

RGB 227 205 60

HSL 52.1, 0.75%, 0.56%

LAB 82.01, -7.52, 70.37

 

CMYK 0 / 11 / 80 / 18

HEX #D2BB29

RGB 210 187 41

HSL 51.83, 0.67%, 0.49%

LAB 75.7, -6.29, 70.11

 

CMYK 0 / 12 / 89 / 24

HEX #C1A916

RGB 193 169 22

HSL 51.58, 0.8%, 0.42%

LAB 69.31, -4.85, 68.83

 

CMYK 0 / 14 / 98 / 31

HEX #B09703

RGB 176 151 3

HSL 51.33, 0.97%, 0.35%

LAB 62.82, -3.18, 66.17

 

CMYK 0 / 16 / 100 / 38

HEX #9F8500

RGB 159 133 0

HSL 50.19, 1%, 0.31%

LAB 56.23, -1.2, 61.16

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 0 / 30 / 74 / 11

HEX #E39F3B

RGB 227 159 59

HSL 35.71, 0.75%, 0.56%

LAB 70.49, 16.53, 59.57

 

CMYK 0 / 50 / 74 / 11

HEX #E3723B

RGB 227 114 59

HSL 19.64, 0.75%, 0.56%

LAB 60.5, 40.17, 49.39

 

CMYK 0 / 70 / 74 / 11

HEX #E3453B

RGB 227 69 59

HSL 3.57, 0.75%, 0.56%

LAB 52.84, 60.26, 41.14

 

CMYK 0 / 74 / 74 / 11

HEX #E33B3B

RGB 227 59 59

HSL 0, 0.75%, 0.56%

LAB 51.58, 63.75, 39.74

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 10 / 0 / 74 / 11

HEX #CCE33B

RGB 204 227 59

HSL 68.21, 0.75%, 0.56%

LAB 86.05, -27.92, 73.87

 

CMYK 30 / 0 / 74 / 11

HEX #9EE33B

RGB 158 227 59

HSL 84.64, 0.75%, 0.56%

LAB 83.19, -45.63, 70.14

 

CMYK 50 / 0 / 74 / 11

HEX #71E33B

RGB 113 227 59

HSL 100.71, 0.75%, 0.56%

LAB 81.16, -60.19, 67.47

 

CMYK 70 / 0 / 74 / 11

HEX #44E33B

RGB 68 227 59

HSL 116.79, 0.75%, 0.56%

LAB 79.89, -70.46, 65.78

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 0 / 11 / 84 / 4

HEX #F5DA28

RGB 245 218 40

HSL 52.1, 0.91%, 0.56%

LAB 86.85, -7.13, 81.08

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 0 / 9 / 63 / 18

HEX #D1BF4D

RGB 209 191 77

HSL 51.82, 0.59%, 0.56%

LAB 76.89, -7.08, 58.04

 

CMYK 0 / 7 / 50 / 25

HEX #BFB25F

RGB 191 178 95

HSL 51.88, 0.43%, 0.56%

LAB 72.06, -6.52, 43.73

 

CMYK 0 / 4 / 34 / 33

HEX #ACA571

RGB 172 165 113

HSL 52.88, 0.26%, 0.56%

LAB 67.18, -5.53, 27.91

 

CMYK 0 / 2 / 15 / 40

HEX #9A9783

RGB 154 151 131

HSL 52.17, 0.1%, 0.56%

LAB 62.2, -2.47, 10.94

 

CMYK 0 / 49 / 74 / 11

HEX #E3733B

RGB 227 115 59

HSL 20, 0.75%, 0.56%

LAB 60.7, 39.66, 49.6

 

CMYK 0 / 30 / 74 / 11

HEX #E3A03B

RGB 227 160 59

HSL 36.07, 0.75%, 0.56%

LAB 70.72, 16, 59.8

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 10 / 0 / 74 / 11

HEX #CDE33B

RGB 205 227 59

HSL 67.86, 0.75%, 0.56%

LAB 86.12, -27.52, 73.96

 

CMYK 30 / 0 / 74 / 11

HEX #A0E33B

RGB 160 227 59

HSL 83.93, 0.75%, 0.56%

LAB 83.3, -44.9, 70.28

 

CMYK 0 / 11 / 86 / 30

HEX #B29E19

RGB 178 158 25

HSL 52.16, 0.75%, 0.4%

LAB 64.95, -5.65, 64.07

 

CMYK 0 / 11 / 86 / 16

HEX #D6BE1F

RGB 214 190 31

HSL 52.13, 0.75%, 0.48%

LAB 76.81, -6.38, 73.76

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3B

RGB 227 205 59

HSL 52.14, 0.75%, 0.56%

LAB 82.01, -7.56, 70.7

 

CMYK 0 / 8 / 59 / 9

HEX #E8D65F

RGB 232 214 95

HSL 52.12, 0.75%, 0.64%

LAB 85.03, -8.03, 59.66

 

CMYK 0 / 6 / 45 / 7

HEX #EDDF83

RGB 237 223 131

HSL 52.08, 0.75%, 0.72%

LAB 88.17, -7.57, 46.63

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3C

RGB 227 205 60

HSL 52.1, 0.75%, 0.56%

LAB 82.01, -7.52, 70.37

 

CMYK 74 / 0 / 69 / 11

HEX #3BE346

RGB 59 227 70

HSL 123.93, 0.75%, 0.56%

LAB 79.79, -71.03, 61.72

 

CMYK 40 / 74 / 0 / 11

HEX #893BE3

RGB 137 59 227

HSL 267.86, 0.75%, 0.56%

LAB 44.22, 63.94, -72.02

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3C

RGB 227 205 60

HSL 52.1, 0.75%, 0.56%

LAB 82.01, -7.52, 70.37

 

CMYK 74 / 0 / 10 / 11

HEX #3BE3CD

RGB 59 227 205

HSL 172.14, 0.75%, 0.56%

LAB 81.99, -46.76, -1.39

 

CMYK 10 / 74 / 0 / 11

HEX #CD3BE3

RGB 205 59 227

HSL 292.14, 0.75%, 0.56%

LAB 53.66, 76.33, -56.31

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3C

RGB 227 205 60

HSL 52.1, 0.75%, 0.56%

LAB 82.01, -7.52, 70.37

 

CMYK 74 / 0 / 69 / 11

HEX #3BE346

RGB 59 227 70

HSL 123.93, 0.75%, 0.56%

LAB 79.79, -71.03, 61.72

 

CMYK 74 / 64 / 0 / 11

HEX #3B51E3

RGB 59 81 227

HSL 232.14, 0.75%, 0.56%

LAB 41.78, 41.28, -76.28

 

CMYK 0 / 74 / 5 / 11

HEX #E33BD8

RGB 227 59 216

HSL 303.93, 0.75%, 0.56%

LAB 56.5, 79.02, -45.34

 

CMYK 0 / 10 / 74 / 11

HEX #E3CD3C

RGB 227 205 60

HSL 52.1, 0.75%, 0.56%

LAB 82.01, -7.52, 70.37

 

CMYK 74 / 0 / 47 / 11

HEX #3BE378

RGB 59 227 120

HSL 141.79, 0.75%, 0.56%

LAB 80.31, -64.89, 40.25

 

CMYK 74 / 64 / 0 / 11

HEX #3B51E3

RGB 59 81 227

HSL 232.14, 0.75%, 0.56%

LAB 41.78, 41.28, -76.28

 

CMYK 0 / 74 / 27 / 11

HEX #E33BA5

RGB 227 59 165

HSL 322.14, 0.75%, 0.56%

LAB 54.21, 72.16, -19.47

 

Description

Color code: HEX #E3CD3C | qconv.com Color code: HEX #E3CD3C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 227 red, 205 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
227 205 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 74 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 74% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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