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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0DF50 it is the complementary color #1F20AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0DF50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E0DF50: #E5DF4B, #F6F15E, #FFFF71, #FFFF84 and #FFFF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0DF50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E0DF50: #E0DF50, #CFCD3D, #BEBB2A, #ADA917 and #9C9704

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

Complementary color

CMYK 82 / 82 / 0 / 31

HEX #1F20AF

RGB 31 32 175

HSL 239.58, 0.7%, 0.4%

LAB 25.01, 49.58, -73.65

 

CMYK 0 / 3 / 67 / 10

HEX #E5DF4B

RGB 229 223 75

HSL 57.66, 0.75%, 0.6%

LAB 86.97, -14.98, 69.85

 

CMYK 0 / 2 / 62 / 4

HEX #F6F15E

RGB 246 241 94

HSL 58.03, 0.89%, 0.67%

LAB 93.15, -15.78, 69.25

 

CMYK 0 / 0 / 56 / 0

HEX #FFFF71

RGB 255 255 113

HSL 60, 1%, 0.72%

LAB 97.62, -17.7, 66.42

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF84

RGB 255 255 132

HSL 60, 1%, 0.76%

LAB 97.81, -16.2, 58.21

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF97

RGB 255 255 151

HSL 60, 1%, 0.8%

LAB 98.04, -14.43, 49.58

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 0 / 1 / 71 / 19

HEX #CFCD3D

RGB 207 205 61

HSL 59.18, 0.6%, 0.53%

LAB 80.33, -15.92, 67.81

 

CMYK 0 / 2 / 78 / 25

HEX #BEBB2A

RGB 190 187 42

HSL 58.78, 0.64%, 0.45%

LAB 73.97, -14.91, 67.62

 

CMYK 0 / 2 / 87 / 32

HEX #ADA917

RGB 173 169 23

HSL 58.4, 0.77%, 0.38%

LAB 67.52, -13.7, 66.44

 

CMYK 0 / 3 / 97 / 39

HEX #9C9704

RGB 156 151 4

HSL 58.03, 0.95%, 0.31%

LAB 60.97, -12.25, 63.83

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 10 / 0 / 64 / 12

HEX #CAE051

RGB 202 224 81

HSL 69.23, 0.7%, 0.6%

LAB 85.23, -26.1, 65.08

 

CMYK 20 / 0 / 64 / 12

HEX #B3E051

RGB 179 224 81

HSL 78.88, 0.7%, 0.6%

LAB 83.7, -35.1, 63

 

CMYK 31 / 0 / 64 / 12

HEX #9BE051

RGB 155 224 81

HSL 88.95, 0.7%, 0.6%

LAB 82.31, -43.95, 61.1

 

CMYK 42 / 0 / 64 / 12

HEX #83E051

RGB 131 224 81

HSL 99.02, 0.7%, 0.6%

LAB 81.14, -52, 59.49

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 0 / 0 / 65 / 92

HEX #141407

RGB 20 20 7

HSL 60, 0.48%, 0.05%

LAB 6, -2.23, 6.07

 

CMYK 0 / 0 / 65 / 72

HEX #474719

RGB 71 71 25

HSL 60, 0.48%, 0.19%

LAB 29.2, -7.14, 27.01

 

CMYK 0 / 1 / 64 / 52

HEX #7A792C

RGB 122 121 44

HSL 59.23, 0.47%, 0.33%

LAB 49.49, -10.18, 41.06

 

CMYK 0 / 1 / 64 / 32

HEX #ADAC3E

RGB 173 172 62

HSL 59.46, 0.47%, 0.46%

LAB 68.56, -13.58, 54.66

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 64 / 0 / 52 / 12

HEX #51E06B

RGB 81 224 107

HSL 130.91, 0.7%, 0.6%

LAB 79.68, -62.06, 45.83

 

CMYK 27 / 64 / 0 / 12

HEX #A451E0

RGB 164 81 224

HSL 274.83, 0.7%, 0.6%

LAB 50.87, 58.52, -59.39

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 64 / 0 / 1 / 12

HEX #51E0DE

RGB 81 224 222

HSL 179.16, 0.7%, 0.6%

LAB 82.02, -37.97, -10.32

 

CMYK 1 / 64 / 0 / 12

HEX #DE51E0

RGB 222 81 224

HSL 299.16, 0.7%, 0.6%

LAB 58.79, 71.69, -46.3

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 64 / 0 / 52 / 12

HEX #51E06B

RGB 81 224 107

HSL 130.91, 0.7%, 0.6%

LAB 79.68, -62.06, 45.83

 

CMYK 64 / 63 / 0 / 12

HEX #5153E0

RGB 81 83 224

HSL 239.16, 0.7%, 0.6%

LAB 43.24, 41.77, -72.14

 

CMYK 0 / 64 / 12 / 12

HEX #E051C6

RGB 224 81 198

HSL 310.91, 0.7%, 0.6%

LAB 57.86, 68.08, -32.99

 

CMYK 0 / 0 / 64 / 12

HEX #E0DF50

RGB 224 223 80

HSL 59.58, 0.7%, 0.6%

LAB 86.6, -16.76, 67.42

 

CMYK 64 / 0 / 33 / 12

HEX #51E096

RGB 81 224 150

HSL 148.95, 0.7%, 0.6%

LAB 80.33, -54.94, 25.23

 

CMYK 64 / 63 / 0 / 12

HEX #5153E0

RGB 81 83 224

HSL 239.16, 0.7%, 0.6%

LAB 43.24, 41.77, -72.14

 

CMYK 0 / 64 / 31 / 12

HEX #E0519B

RGB 224 81 155

HSL 328.95, 0.7%, 0.6%

LAB 56.19, 62.29, -10.66

 

Description

Color code: HEX #E0DF50 | qconv.com Color code: HEX #E0DF50 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 223 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 223 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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