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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E0D6C9 it is the complementary color #1F2936. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E0D6C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E0D6C9: #E5D6C4, #F6E8D7, #FFFAEA, #FFFFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E0D6C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E0D6C9: #E0D6C9, #CFC4B6, #BEB2A3, #ADA090 and #9C8E7D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

Complementary color

CMYK 43 / 24 / 0 / 79

HEX #1F2936

RGB 31 41 54

HSL 213.91, 0.27%, 0.17%

LAB 16.22, -0.31, -9.79

 

CMYK 0 / 7 / 14 / 10

HEX #E5D6C4

RGB 229 214 196

HSL 32.73, 0.39%, 0.83%

LAB 86.37, 2.22, 10.74

 

CMYK 0 / 6 / 13 / 4

HEX #F6E8D7

RGB 246 232 215

HSL 32.9, 0.63%, 0.9%

LAB 92.67, 1.97, 9.96

 

CMYK 0 / 2 / 8 / 0

HEX #FFFAEA

RGB 255 250 234

HSL 45.71, 1%, 0.96%

LAB 98.26, -1.02, 8.25

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFD

RGB 255 255 253

HSL 60, 1%, 1%

LAB 99.95, -0.34, 0.94

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 0 / 5 / 12 / 19

HEX #CFC4B6

RGB 207 196 182

HSL 33.6, 0.21%, 0.76%

LAB 79.68, 1.47, 8.39

 

CMYK 0 / 6 / 14 / 25

HEX #BEB2A3

RGB 190 178 163

HSL 33.33, 0.17%, 0.69%

LAB 73.18, 1.73, 9.2

 

CMYK 0 / 8 / 17 / 32

HEX #ADA090

RGB 173 160 144

HSL 33.1, 0.15%, 0.62%

LAB 66.55, 2.01, 10.04

SW® 7633

CMYK 0 / 9 / 20 / 39

HEX #9C8E7D

RGB 156 142 125

HSL 32.9, 0.14%, 0.55%

LAB 59.79, 2.33, 10.95

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 0 / 3 / 11 / 13

HEX #DFD8C7

RGB 223 216 199

HSL 42.5, 0.27%, 0.83%

LAB 86.47, -0.48, 9.22

 

CMYK 0 / 1 / 11 / 13

HEX #DFDCC7

RGB 223 220 199

HSL 52.5, 0.27%, 0.83%

LAB 87.48, -2.54, 10.68

 

CMYK 0 / 0 / 11 / 13

HEX #DEDFC7

RGB 222 223 199

HSL 62.5, 0.27%, 0.83%

LAB 88.17, -4.44, 11.65

 

CMYK 2 / 0 / 11 / 13

HEX #DADFC7

RGB 218 223 199

HSL 72.5, 0.27%, 0.83%

LAB 87.87, -5.84, 11.18

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 0 / 5 / 10 / 92

HEX #141312

RGB 20 19 18

HSL 30, 0.05%, 0.07%

LAB 5.94, 0.2, 0.72

 

CMYK 0 / 4 / 10 / 72

HEX #474440

RGB 71 68 64

HSL 34.29, 0.05%, 0.26%

LAB 29.02, 0.42, 2.87

 

CMYK 0 / 4 / 11 / 52

HEX #7A756D

RGB 122 117 109

HSL 36.92, 0.06%, 0.45%

LAB 49.45, 0.4, 5.09

 

CMYK 0 / 5 / 10 / 32

HEX #ADA59B

RGB 173 165 155

HSL 33.33, 0.1%, 0.64%

LAB 68.14, 1.11, 6.2

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 8 / 0 / 11 / 13

HEX #CDDFC7

RGB 205 223 199

HSL 105, 0.27%, 0.83%

LAB 86.94, -10.36, 9.72

 

CMYK 9 / 11 / 0 / 13

HEX #CBC7DF

RGB 203 199 223

HSL 250, 0.27%, 0.83%

LAB 81.22, 5.95, -11.41

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 11 / 0 / 5 / 13

HEX #C7DFD4

RGB 199 223 212

HSL 152.5, 0.27%, 0.83%

LAB 86.84, -10.03, 2.68

 

CMYK 5 / 11 / 0 / 13

HEX #D4C7DF

RGB 212 199 223

HSL 272.5, 0.27%, 0.83%

LAB 81.93, 8.92, -10.27

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 8 / 0 / 11 / 13

HEX #CDDFC7

RGB 205 223 199

HSL 105, 0.27%, 0.83%

LAB 86.94, -10.36, 9.72

 

CMYK 11 / 6 / 0 / 13

HEX #C7D2DF

RGB 199 210 223

HSL 212.5, 0.27%, 0.83%

LAB 83.74, -1.18, -7.7

 

CMYK 3 / 11 / 0 / 13

HEX #D9C7DF

RGB 217 199 223

HSL 285, 0.27%, 0.83%

LAB 82.34, 10.59, -9.62

 

CMYK 0 / 4 / 10 / 12

HEX #E0D6C9

RGB 224 214 201

HSL 33.91, 0.27%, 0.83%

LAB 86.09, 1.24, 7.63

 

CMYK 11 / 0 / 10 / 13

HEX #C7DFC9

RGB 199 223 201

HSL 125, 0.27%, 0.83%

LAB 86.57, -12.05, 8.09

 

CMYK 11 / 6 / 0 / 13

HEX #C7D2DF

RGB 199 210 223

HSL 212.5, 0.27%, 0.83%

LAB 83.74, -1.18, -7.7

 

CMYK 0 / 11 / 0 / 13

HEX #DFC7DE

RGB 223 199 222

HSL 302.5, 0.27%, 0.83%

LAB 82.81, 12.42, -8.33

 

Description

Color code: HEX #E0D6C9 | qconv.com Color code: HEX #E0D6C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 214 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 214 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 10 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 10% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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