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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E03B23 it is the complementary color #1FC4DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E03B23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E03B23: #E53B1E, #F64D31, #FF5F44, #FF7157 and #FF836A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E03B23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E03B23: #E03B23, #CF2910, #BE1700, #AD0500 and #9C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

Complementary color

CMYK 86 / 11 / 0 / 14

HEX #1FC4DC

RGB 31 196 220

HSL 187.62, 0.75%, 0.49%

LAB 72.85, -30.77, -23.15

 

CMYK 0 / 74 / 87 / 10

HEX #E53B1E

RGB 229 59 30

HSL 8.74, 0.79%, 0.51%

LAB 51.7, 63.51, 54.57

 

CMYK 0 / 69 / 80 / 4

HEX #F64D31

RGB 246 77 49

HSL 8.53, 0.92%, 0.58%

LAB 57.19, 62.96, 51.9

 

CMYK 0 / 63 / 73 / 0

HEX #FF5F44

RGB 255 95 68

HSL 8.66, 1%, 0.63%

LAB 61.53, 59.43, 47.25

 

CMYK 0 / 56 / 66 / 0

HEX #FF7157

RGB 255 113 87

HSL 9.29, 1%, 0.67%

LAB 64.77, 52.4, 40.88

 

CMYK 0 / 49 / 58 / 0

HEX #FF836A

RGB 255 131 106

HSL 10.07, 1%, 0.71%

LAB 68.41, 44.98, 35.1

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 0 / 80 / 92 / 19

HEX #CF2910

RGB 207 41 16

HSL 7.85, 0.86%, 0.44%

LAB 45.48, 62.12, 53.58

 

CMYK 0 / 88 / 100 / 25

HEX #BE1700

RGB 190 23 0

HSL 7.26, 1%, 0.37%

LAB 40.51, 61.28, 54.25

 

CMYK 0 / 97 / 100 / 32

HEX #AD0500

RGB 173 5 0

HSL 1.73, 1%, 0.34%

LAB 35.97, 59.28, 50.22

 

CMYK 0 / 100 / 100 / 39

HEX #9C0000

RGB 156 0 0

HSL 0, 1%, 0.31%

LAB 31.96, 55.5, 45.93

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 0 / 60 / 84 / 13

HEX #DF5924

RGB 223 89 36

HSL 17.01, 0.75%, 0.51%

LAB 55.03, 49.88, 54.4

 

CMYK 0 / 46 / 84 / 13

HEX #DF7824

RGB 223 120 36

HSL 26.95, 0.75%, 0.51%

LAB 61, 34.71, 59.55

 

CMYK 0 / 32 / 84 / 13

HEX #DF9724

RGB 223 151 36

HSL 36.9, 0.75%, 0.51%

LAB 67.98, 18.29, 65.49

 

CMYK 0 / 18 / 84 / 13

HEX #DFB724

RGB 223 183 36

HSL 47.17, 0.75%, 0.51%

LAB 75.87, 1.29, 72.11

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 0 / 75 / 85 / 92

HEX #140503

RGB 20 5 3

HSL 7.06, 0.74%, 0.05%

LAB 2.38, 4.44, 2.42

 

CMYK 0 / 73 / 85 / 72

HEX #47130B

RGB 71 19 11

HSL 8, 0.73%, 0.16%

LAB 14.57, 24.34, 17.71

 

CMYK 0 / 74 / 84 / 52

HEX #7A2013

RGB 122 32 19

HSL 7.57, 0.73%, 0.28%

LAB 27.35, 38.15, 30.64

 

CMYK 0 / 73 / 84 / 32

HEX #AD2E1B

RGB 173 46 27

HSL 7.81, 0.73%, 0.39%

LAB 39.44, 50.32, 41.33

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 26 / 0 / 84 / 13

HEX #A4DF24

RGB 164 223 36

HSL 78.93, 0.75%, 0.51%

LAB 82.27, -42.69, 75.75

 

CMYK 84 / 60 / 0 / 13

HEX #2459DF

RGB 36 89 223

HSL 222.99, 0.75%, 0.51%

LAB 42.53, 32.8, -72.81

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 84 / 0 / 74 / 13

HEX #24DF3A

RGB 36 223 58

HSL 127.06, 0.75%, 0.51%

LAB 78.14, -73.58, 64.21

 

CMYK 74 / 84 / 0 / 13

HEX #3A24DF

RGB 58 36 223

HSL 247.06, 0.75%, 0.51%

LAB 32.9, 63.56, -88.66

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 26 / 0 / 84 / 13

HEX #A4DF24

RGB 164 223 36

HSL 78.93, 0.75%, 0.51%

LAB 82.27, -42.69, 75.75

 

CMYK 84 / 10 / 0 / 13

HEX #24C9DF

RGB 36 201 223

HSL 187.06, 0.75%, 0.51%

LAB 74.49, -31.9, -22.27

 

CMYK 57 / 84 / 0 / 13

HEX #5F24DF

RGB 95 36 223

HSL 258.93, 0.75%, 0.51%

LAB 36.03, 66.39, -83.38

 

CMYK 0 / 74 / 84 / 12

HEX #E03B23

RGB 224 59 35

HSL 7.62, 0.75%, 0.51%

LAB 50.8, 62.09, 51.23

 

CMYK 52 / 0 / 84 / 13

HEX #6CDF24

RGB 108 223 36

HSL 96.9, 0.75%, 0.51%

LAB 79.67, -61.32, 72.47

 

CMYK 84 / 10 / 0 / 13

HEX #24C9DF

RGB 36 201 223

HSL 187.06, 0.75%, 0.51%

LAB 74.49, -31.9, -22.27

 

CMYK 32 / 84 / 0 / 13

HEX #9724DF

RGB 151 36 223

HSL 276.9, 0.75%, 0.51%

LAB 43.02, 73.13, -71.64

 

Description

Color code: HEX #E03B23 | qconv.com Color code: HEX #E03B23 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 224 red, 59 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
224 59 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 84 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 84% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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