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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFB06F it is the complementary color #204F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFB06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFB06F shade: #E4B06A, #F5C27D, #FFD490, #FFE6A3 and #FFF8B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFB06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFB06F shade: #DFB06F, #CE9E5C, #BD8C49, #AC7A36 and #9B6823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFB06F shade: #DFAF6D, #DF906D, #DF716D and #DF6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFB06F shade: #DFAF6D, #DFCE6D, #D1DF6D, #B2DF6D and #94DF6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFB06F shade matches the following richer shades: #DFAF6D, #EDB15E and #FCB450

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFB06F shade: #DFAF6D, #D0AD7B, #C2AA8A, #B4A898 and #A5A6A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFB06F shade: #DF706D, #DF8F6D, #DFAD6D, #DFCC6D and #D3DF6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFB06F shade: #CC892D, #D79C4B, #DFAF6D, #E6C18E and #EED4B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFB06F shade: #DFB06F, #87DF6D and #806DDF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFB06F shade: #DFB06F, #6DDFAD and #AD6DDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFB06F shade: #DFB06F, #87DF6D, #6D9EDF and #C46DDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFB06F shade: #DFB06F, #6DDF74, #6D9EDF and #DF6DD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 50 / 13

HEX #DFB06F

RGB 223 176 111

HSL 34.82, 0.64%, 0.65%

LAB 74.75, 9.27, 39.63

 

Complementary color

CMYK 78 / 45 / 0 / 44

HEX #204F90

RGB 32 79 144

HSL 214.82, 0.64%, 0.35%

LAB 33.8, 8.29, -40.51

 

CMYK 0 / 23 / 54 / 11

HEX #E4B06A

RGB 228 176 106

HSL 34.43, 0.69%, 0.65%

LAB 75.19, 10.88, 42.84

 

CMYK 0 / 21 / 49 / 4

HEX #F5C27D

RGB 245 194 125

HSL 34.5, 0.86%, 0.73%

LAB 81.55, 9.97, 41.49

 

CMYK 0 / 17 / 44 / 0

HEX #FFD490

RGB 255 212 144

HSL 36.76, 1%, 0.78%

LAB 87.17, 6.43, 39.22

 

CMYK 0 / 10 / 36 / 0

HEX #FFE6A3

RGB 255 230 163

HSL 43.7, 1%, 0.82%

LAB 91.91, -0.74, 35.79

 

CMYK 0 / 3 / 29 / 0

HEX #FFF8B6

RGB 255 248 182

HSL 54.25, 1%, 0.86%

LAB 96.73, -7.5, 32.62

 

CMYK 0 / 21 / 50 / 13

HEX #DFB06F

RGB 223 176 111

HSL 34.82, 0.64%, 0.65%

LAB 74.75, 9.27, 39.63

 

CMYK 0 / 23 / 55 / 19

HEX #CE9E5C

RGB 206 158 92

HSL 34.74, 0.54%, 0.58%

LAB 68.28, 10.22, 41.01

 

CMYK 0 / 26 / 61 / 26

HEX #BD8C49

RGB 189 140 73

HSL 34.66, 0.47%, 0.51%

LAB 61.7, 11.33, 42.43

 

CMYK 0 / 29 / 69 / 33

HEX #AC7A36

RGB 172 122 54

HSL 34.58, 0.52%, 0.44%

LAB 55.03, 12.66, 43.81

 

CMYK 0 / 33 / 77 / 39

HEX #9B6823

RGB 155 104 35

HSL 34.5, 0.63%, 0.37%

LAB 48.25, 14.24, 44.96

 

CMYK 0 / 22 / 51 / 13

HEX #DFAF6D

RGB 223 175 109

HSL 34.74, 0.64%, 0.65%

LAB 74.48, 9.62, 40.32

 

CMYK 0 / 35 / 51 / 13

HEX #DF906D

RGB 223 144 109

HSL 18.42, 0.64%, 0.65%

LAB 67.08, 26.22, 30.93

 

CMYK 0 / 49 / 51 / 13

HEX #DF716D

RGB 223 113 109

HSL 2.11, 0.64%, 0.65%

LAB 60.43, 42.42, 22.15

 

CMYK 0 / 51 / 51 / 13

HEX #DF6D6D

RGB 223 109 109

HSL 0, 0.64%, 0.65%

LAB 59.64, 44.41, 21.1

 

CMYK 0 / 22 / 51 / 13

HEX #DFAF6D

RGB 223 175 109

HSL 34.74, 0.64%, 0.65%

LAB 74.48, 9.62, 40.32

 

CMYK 0 / 8 / 51 / 13

HEX #DFCE6D

RGB 223 206 109

HSL 51.05, 0.64%, 0.65%

LAB 82.34, -6.58, 49.9

 

CMYK 6 / 0 / 51 / 13

HEX #D1DF6D

RGB 209 223 109

HSL 67.37, 0.64%, 0.65%

LAB 85.72, -20.69, 53.64

 

CMYK 20 / 0 / 51 / 13

HEX #B2DF6D

RGB 178 223 109

HSL 83.68, 0.64%, 0.65%

LAB 83.62, -32.6, 50.63

 

CMYK 34 / 0 / 51 / 13

HEX #94DF6D

RGB 148 223 109

HSL 99.47, 0.64%, 0.65%

LAB 81.93, -43.23, 48.2

 

CMYK 0 / 22 / 51 / 13

HEX #DFAF6D

RGB 223 175 109

HSL 34.74, 0.64%, 0.65%

LAB 74.48, 9.62, 40.32

 

CMYK 0 / 25 / 60 / 7

HEX #EDB15E

RGB 237 177 94

HSL 34.83, 0.8%, 0.65%

LAB 76.23, 13.15, 50.24

 

CMYK 0 / 29 / 68 / 1

HEX #FCB450

RGB 252 180 80

HSL 34.88, 0.97%, 0.65%

LAB 78.41, 16.93, 59.62

 

CMYK 0 / 22 / 51 / 13

HEX #DFAF6D

RGB 223 175 109

HSL 34.74, 0.64%, 0.65%

LAB 74.48, 9.62, 40.32

 

CMYK 0 / 17 / 41 / 18

HEX #D0AD7B

RGB 208 173 123

HSL 35.29, 0.47%, 0.65%

LAB 72.71, 5.96, 30.44

 

CMYK 0 / 12 / 29 / 24

HEX #C2AA8A

RGB 194 170 138

HSL 34.29, 0.31%, 0.65%

LAB 70.91, 3.83, 19.71

 

CMYK 0 / 7 / 16 / 29

HEX #B4A898

RGB 180 168 152

HSL 34.29, 0.16%, 0.65%

LAB 69.45, 1.6, 9.82

 

CMYK 1 / 0 / 0 / 35

HEX #A5A6A6

RGB 165 166 166

HSL 180, 0.01%, 0.65%

LAB 68.04, -0.35, -0.13

 

CMYK 0 / 50 / 51 / 13

HEX #DF706D

RGB 223 112 109

HSL 1.58, 0.64%, 0.65%

LAB 60.23, 42.92, 21.89

 

CMYK 0 / 36 / 51 / 13

HEX #DF8F6D

RGB 223 143 109

HSL 17.89, 0.64%, 0.65%

LAB 66.85, 26.76, 30.63

 

CMYK 0 / 22 / 51 / 13

HEX #DFAD6D

RGB 223 173 109

HSL 33.68, 0.64%, 0.65%

LAB 73.98, 10.68, 39.7

 

CMYK 0 / 9 / 51 / 13

HEX #DFCC6D

RGB 223 204 109

HSL 50, 0.64%, 0.65%

LAB 81.83, -5.55, 49.28

 

CMYK 5 / 0 / 51 / 13

HEX #D3DF6D

RGB 211 223 109

HSL 66.32, 0.64%, 0.65%

LAB 85.87, -19.9, 53.85

 

CMYK 0 / 33 / 78 / 20

HEX #CC892D

RGB 204 137 45

HSL 34.72, 0.64%, 0.49%

LAB 62.44, 17.95, 56.51

 

CMYK 0 / 27 / 65 / 16

HEX #D79C4B

RGB 215 156 75

HSL 34.71, 0.64%, 0.57%

LAB 68.56, 13.88, 50

 

CMYK 0 / 22 / 51 / 13

HEX #DFAF6D

RGB 223 175 109

HSL 34.74, 0.64%, 0.65%

LAB 74.48, 9.62, 40.32

 

CMYK 0 / 16 / 38 / 10

HEX #E6C18E

RGB 230 193 142

HSL 34.77, 0.64%, 0.73%

LAB 80.13, 6.26, 30.6

 

CMYK 0 / 11 / 26 / 7

HEX #EED4B0

RGB 238 212 176

HSL 34.84, 0.65%, 0.81%

LAB 86.21, 3.65, 21.13

 

CMYK 0 / 21 / 50 / 13

HEX #DFB06F

RGB 223 176 111

HSL 34.82, 0.64%, 0.65%

LAB 74.75, 9.27, 39.63

 

CMYK 39 / 0 / 51 / 13

HEX #87DF6D

RGB 135 223 109

HSL 106.32, 0.64%, 0.65%

LAB 81.31, -47.44, 47.3

 

CMYK 43 / 51 / 0 / 13

HEX #806DDF

RGB 128 109 223

HSL 250, 0.64%, 0.65%

LAB 52.79, 34.95, -55.94

 

CMYK 0 / 21 / 50 / 13

HEX #DFB06F

RGB 223 176 111

HSL 34.82, 0.64%, 0.65%

LAB 74.75, 9.27, 39.63

 

CMYK 51 / 0 / 22 / 13

HEX #6DDFAD

RGB 109 223 173

HSL 153.68, 0.64%, 0.65%

LAB 81.32, -44.03, 14.72

 

CMYK 22 / 51 / 0 / 13

HEX #AD6DDF

RGB 173 109 223

HSL 273.68, 0.64%, 0.65%

LAB 57.22, 46.23, -48.62

 

CMYK 0 / 21 / 50 / 13

HEX #DFB06F

RGB 223 176 111

HSL 34.82, 0.64%, 0.65%

LAB 74.75, 9.27, 39.63

 

CMYK 39 / 0 / 51 / 13

HEX #87DF6D

RGB 135 223 109

HSL 106.32, 0.64%, 0.65%

LAB 81.31, -47.44, 47.3

 

CMYK 51 / 29 / 0 / 13

HEX #6D9EDF

RGB 109 158 223

HSL 214.21, 0.64%, 0.65%

LAB 64.19, 1.67, -37.99

 

CMYK 12 / 51 / 0 / 13

HEX #C46DDF

RGB 196 109 223

HSL 285.79, 0.64%, 0.65%

LAB 59.89, 52.37, -44.22

 

CMYK 0 / 21 / 50 / 13

HEX #DFB06F

RGB 223 176 111

HSL 34.82, 0.64%, 0.65%

LAB 74.75, 9.27, 39.63

 

CMYK 51 / 0 / 48 / 13

HEX #6DDF74

RGB 109 223 116

HSL 123.68, 0.64%, 0.65%

LAB 80.34, -54.01, 42.52

 

CMYK 51 / 29 / 0 / 13

HEX #6D9EDF

RGB 109 158 223

HSL 214.21, 0.64%, 0.65%

LAB 64.19, 1.67, -37.99

 

CMYK 0 / 51 / 4 / 13

HEX #DF6DD7

RGB 223 109 215

HSL 304.21, 0.64%, 0.65%

LAB 62.95, 58.31, -34.69

 

Description

Color code: HEX #DFB06F | qconv.com Color code: HEX #DFB06F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 176 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 176 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 50 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 50% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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