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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFAD8C it is the complementary color #205273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFAD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFAD8C shade: #E4AD87, #F5BF9A, #FFD1AD, #FFE3C0 and #FFF5D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFAD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFAD8C shade: #DFAD8C, #CE9B79, #BD8966, #AC7753 and #9B6540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFAD8C shade: #DEAD8C, #DE968C and #DE8C8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFAD8C shade: #DEAD8C, #DEC38C, #DED98C, #CDDE8C and #B7DE8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFAD8C shade matches the following richer shades: #DEAD8C, #EAAA80 and #F6A874

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFAD8C shade: #DEAD8C, #D2AF98, #C7B1A4, #BBB4B0 and #AFB6BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFAD8C shade: #DE8C98, #DE958C, #DEAB8C, #DEC18C and #DED88C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFAD8C shade: #CC7F4B, #D5966B, #DEAD8C, #E8C4AC and #F1DBCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFAD8C shade: #DFAD8C, #AEDE8C and #8C8DDE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFAD8C shade: #DFAD8C, #8CDEAB and #AB8CDE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFAD8C shade: #DFAD8C, #AEDE8C, #8CBFDE and #BC8CDE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFAD8C shade: #DFAD8C, #95DE8C, #8CBFDE and #D58CDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 37 / 13

HEX #DFAD8C

RGB 223 173 140

HSL 23.86, 0.56%, 0.71%

LAB 74.49, 13.88, 23.97

 

Complementary color

CMYK 72 / 29 / 0 / 55

HEX #205273

RGB 32 82 115

HSL 203.86, 0.56%, 0.29%

LAB 33.09, -4.98, -23.74

 

CMYK 0 / 24 / 41 / 11

HEX #E4AD87

RGB 228 173 135

HSL 24.52, 0.63%, 0.71%

LAB 74.91, 15.29, 27.31

 

CMYK 0 / 22 / 37 / 4

HEX #F5BF9A

RGB 245 191 154

HSL 24.4, 0.82%, 0.78%

LAB 81.3, 14.53, 26.1

 

CMYK 0 / 18 / 32 / 0

HEX #FFD1AD

RGB 255 209 173

HSL 26.34, 1%, 0.84%

LAB 86.94, 11.22, 23.95

 

CMYK 0 / 11 / 25 / 0

HEX #FFE3C0

RGB 255 227 192

HSL 33.33, 1%, 0.88%

LAB 91.69, 4.4, 20.62

 

CMYK 0 / 4 / 17 / 0

HEX #FFF5D3

RGB 255 245 211

HSL 46.36, 1%, 0.91%

LAB 96.52, -2.05, 17.58

 

CMYK 0 / 22 / 37 / 13

HEX #DFAD8C

RGB 223 173 140

HSL 23.86, 0.56%, 0.71%

LAB 74.49, 13.88, 23.97

 

CMYK 0 / 25 / 41 / 19

HEX #CE9B79

RGB 206 155 121

HSL 24, 0.46%, 0.64%

LAB 67.98, 14.66, 25.21

 

CMYK 0 / 28 / 46 / 26

HEX #BD8966

RGB 189 137 102

HSL 24.14, 0.4%, 0.57%

LAB 61.37, 15.55, 26.56

 

CMYK 0 / 31 / 52 / 33

HEX #AC7753

RGB 172 119 83

HSL 24.27, 0.35%, 0.5%

LAB 54.65, 16.58, 28.05

 

CMYK 0 / 35 / 59 / 39

HEX #9B6540

RGB 155 101 64

HSL 24.4, 0.42%, 0.43%

LAB 47.81, 17.8, 29.68

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 0 / 32 / 37 / 13

HEX #DE968C

RGB 222 150 140

HSL 7.32, 0.55%, 0.71%

LAB 68.92, 25.85, 16.32

 

CMYK 0 / 37 / 37 / 13

HEX #DE8C8C

RGB 222 140 140

HSL 0, 0.55%, 0.71%

LAB 66.66, 31.2, 13.15

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 0 / 12 / 37 / 13

HEX #DEC38C

RGB 222 195 140

HSL 40.24, 0.55%, 0.71%

LAB 79.87, 1.83, 31.17

 

CMYK 0 / 2 / 37 / 13

HEX #DED98C

RGB 222 217 140

HSL 56.34, 0.55%, 0.71%

LAB 85.53, -9.49, 38.56

 

CMYK 8 / 0 / 37 / 13

HEX #CDDE8C

RGB 205 222 140

HSL 72.44, 0.55%, 0.71%

LAB 85.56, -18.52, 38.35

 

CMYK 18 / 0 / 37 / 13

HEX #B7DE8C

RGB 183 222 140

HSL 88.54, 0.55%, 0.71%

LAB 84.07, -26.69, 36.13

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 0 / 27 / 45 / 8

HEX #EAAA80

RGB 234 170 128

HSL 23.77, 0.72%, 0.71%

LAB 74.7, 18.53, 30.89

 

CMYK 0 / 32 / 53 / 4

HEX #F6A874

RGB 246 168 116

HSL 24, 0.88%, 0.71%

LAB 75.36, 23.25, 38.33

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 0 / 17 / 28 / 18

HEX #D2AF98

RGB 210 175 152

HSL 23.79, 0.39%, 0.71%

LAB 73.95, 9.27, 16.54

 

CMYK 0 / 11 / 18 / 22

HEX #C7B1A4

RGB 199 177 164

HSL 22.29, 0.24%, 0.71%

LAB 73.72, 5.78, 9.53

 

CMYK 0 / 4 / 6 / 27

HEX #BBB4B0

RGB 187 180 176

HSL 21.82, 0.07%, 0.71%

LAB 73.77, 1.76, 2.91

 

CMYK 6 / 3 / 0 / 27

HEX #AFB6BB

RGB 175 182 187

HSL 205, 0.08%, 0.71%

LAB 73.65, -1.46, -3.39

 

CMYK 0 / 37 / 32 / 13

HEX #DE8C98

RGB 222 140 152

HSL 351.22, 0.55%, 0.71%

LAB 66.94, 32.69, 6.81

 

CMYK 0 / 33 / 37 / 13

HEX #DE958C

RGB 222 149 140

HSL 6.59, 0.55%, 0.71%

LAB 68.69, 26.39, 16

 

CMYK 0 / 23 / 37 / 13

HEX #DEAB8C

RGB 222 171 140

HSL 22.68, 0.55%, 0.71%

LAB 73.9, 14.56, 23.16

 

CMYK 0 / 13 / 37 / 13

HEX #DEC18C

RGB 222 193 140

HSL 38.78, 0.55%, 0.71%

LAB 79.36, 2.88, 30.5

 

CMYK 0 / 3 / 37 / 13

HEX #DED88C

RGB 222 216 140

HSL 55.61, 0.55%, 0.71%

LAB 85.27, -8.99, 38.22

 

CMYK 0 / 38 / 63 / 20

HEX #CC7F4B

RGB 204 127 75

HSL 24.19, 0.56%, 0.55%

LAB 60.36, 24.97, 40.28

 

CMYK 0 / 30 / 50 / 16

HEX #D5966B

RGB 213 150 107

HSL 24.34, 0.56%, 0.63%

LAB 67.29, 18.77, 32.05

 

CMYK 0 / 22 / 37 / 13

HEX #DEAD8C

RGB 222 173 140

HSL 24.15, 0.55%, 0.71%

LAB 74.39, 13.49, 23.82

 

CMYK 0 / 16 / 26 / 9

HEX #E8C4AC

RGB 232 196 172

HSL 24, 0.57%, 0.79%

LAB 81.63, 9.21, 16.8

 

CMYK 0 / 9 / 15 / 5

HEX #F1DBCC

RGB 241 219 204

HSL 24.32, 0.57%, 0.87%

LAB 88.79, 5.17, 10.11

 

CMYK 0 / 22 / 37 / 13

HEX #DFAD8C

RGB 223 173 140

HSL 23.86, 0.56%, 0.71%

LAB 74.49, 13.88, 23.97

 

CMYK 22 / 0 / 37 / 13

HEX #AEDE8C

RGB 174 222 140

HSL 95.12, 0.55%, 0.71%

LAB 83.51, -29.91, 35.29

 

CMYK 37 / 36 / 0 / 13

HEX #8C8DDE

RGB 140 141 222

HSL 239.27, 0.55%, 0.71%

LAB 61.57, 18.93, -41.4

 

CMYK 0 / 22 / 37 / 13

HEX #DFAD8C

RGB 223 173 140

HSL 23.86, 0.56%, 0.71%

LAB 74.49, 13.88, 23.97

 

CMYK 37 / 0 / 23 / 13

HEX #8CDEAB

RGB 140 222 171

HSL 142.68, 0.55%, 0.71%

LAB 82.25, -35.86, 17.26

 

CMYK 23 / 37 / 0 / 13

HEX #AB8CDE

RGB 171 140 222

HSL 262.68, 0.55%, 0.71%

LAB 63.91, 28.25, -37.55

 

CMYK 0 / 22 / 37 / 13

HEX #DFAD8C

RGB 223 173 140

HSL 23.86, 0.56%, 0.71%

LAB 74.49, 13.88, 23.97

 

CMYK 22 / 0 / 37 / 13

HEX #AEDE8C

RGB 174 222 140

HSL 95.12, 0.55%, 0.71%

LAB 83.51, -29.91, 35.29

 

CMYK 37 / 14 / 0 / 13

HEX #8CBFDE

RGB 140 191 222

HSL 202.68, 0.55%, 0.71%

LAB 74.89, -9.05, -20.81

 

CMYK 15 / 37 / 0 / 13

HEX #BC8CDE

RGB 188 140 222

HSL 275.12, 0.55%, 0.71%

LAB 65.53, 33.31, -34.89

 

CMYK 0 / 22 / 37 / 13

HEX #DFAD8C

RGB 223 173 140

HSL 23.86, 0.56%, 0.71%

LAB 74.49, 13.88, 23.97

 

CMYK 33 / 0 / 37 / 13

HEX #95DE8C

RGB 149 222 140

HSL 113.41, 0.55%, 0.71%

LAB 82.12, -38.37, 33.21

 

CMYK 37 / 14 / 0 / 13

HEX #8CBFDE

RGB 140 191 222

HSL 202.68, 0.55%, 0.71%

LAB 74.89, -9.05, -20.81

 

CMYK 4 / 37 / 0 / 13

HEX #D58CDE

RGB 213 140 222

HSL 293.41, 0.55%, 0.71%

LAB 68.15, 40.92, -30.63

 

Description

Color code: HEX #DFAD8C | qconv.com Color code: HEX #DFAD8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 173 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 173 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 37 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 37% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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