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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4E2B it is the complementary color #20B1D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4E2B shade: #E44E26, #F56039, #FF724C, #FF845F and #FF9672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4E2B shade: #DF4E2B, #CE3C18, #BD2A05, #AC1800 and #9B0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4E2B shade: #DF4D2A and #DF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4E2B shade: #DF4D2A, #DF7E2A, #DFAF2A, #DFDF2A and #AEDF2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4E2B shade matches the following richer shades: #DF4D2A and #F34116

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4E2B shade: #DF4D2A, #CB593E, #B86552, #A47265 and #907E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4E2B shade: #DF2A69, #DF2A39, #DF4B2A, #DF7C2A and #DFAC2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4E2B shade: #9F3218, #C33D1D, #DF4D2A, #E56B4E and #EA8972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4E2B shade: #DF4E2B, #9ADF2A and #2A51DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4E2B shade: #DF4E2B, #2ADF4B and #4B2ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4E2B shade: #DF4E2B, #9ADF2A, #2ABEDF and #6F2ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4E2B shade: #DF4E2B, #63DF2A, #2ABEDF and #A62ADF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 81 / 13

HEX #DF4E2B

RGB 223 78 43

HSL 11.67, 0.74%, 0.52%

LAB 53.29, 54.85, 49.66

 

Complementary color

CMYK 85 / 17 / 0 / 17

HEX #20B1D4

RGB 32 177 212

HSL 191.67, 0.74%, 0.48%

LAB 66.9, -23.86, -27.89

 

CMYK 0 / 66 / 83 / 11

HEX #E44E26

RGB 228 78 38

HSL 12.63, 0.78%, 0.52%

LAB 54.11, 56.4, 53.06

 

CMYK 0 / 61 / 77 / 4

HEX #F56039

RGB 245 96 57

HSL 12.45, 0.9%, 0.59%

LAB 59.96, 55.18, 50.66

 

CMYK 0 / 55 / 70 / 0

HEX #FF724C

RGB 255 114 76

HSL 12.74, 1%, 0.65%

LAB 64.82, 51.37, 46.74

 

CMYK 0 / 48 / 63 / 0

HEX #FF845F

RGB 255 132 95

HSL 13.88, 1%, 0.69%

LAB 68.45, 43.76, 41.05

 

CMYK 0 / 41 / 55 / 0

HEX #FF9672

RGB 255 150 114

HSL 15.32, 1%, 0.72%

LAB 72.42, 36, 35.88

 

CMYK 0 / 65 / 81 / 13

HEX #DF4E2B

RGB 223 78 43

HSL 11.67, 0.74%, 0.52%

LAB 53.29, 54.85, 49.66

 

CMYK 0 / 71 / 88 / 19

HEX #CE3C18

RGB 206 60 24

HSL 11.87, 0.79%, 0.45%

LAB 47.52, 55.84, 51.94

 

CMYK 0 / 78 / 97 / 26

HEX #BD2A05

RGB 189 42 5

HSL 12.07, 0.95%, 0.38%

LAB 41.98, 56.35, 53.08

 

CMYK 0 / 86 / 100 / 33

HEX #AC1800

RGB 172 24 0

HSL 8.37, 1%, 0.34%

LAB 36.79, 56.04, 50.48

 

CMYK 0 / 96 / 100 / 39

HEX #9B0600

RGB 155 6 0

HSL 2.32, 1%, 0.3%

LAB 32.03, 54.38, 45.87

 

CMYK 0 / 65 / 81 / 13

HEX #DF4D2A

RGB 223 77 42

HSL 11.6, 0.74%, 0.52%

LAB 53.13, 55.24, 49.99

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 0 / 65 / 81 / 13

HEX #DF4D2A

RGB 223 77 42

HSL 11.6, 0.74%, 0.52%

LAB 53.13, 55.24, 49.99

 

CMYK 0 / 43 / 81 / 13

HEX #DF7E2A

RGB 223 126 42

HSL 27.85, 0.74%, 0.52%

LAB 62.32, 31.76, 58.45

 

CMYK 0 / 22 / 81 / 13

HEX #DFAF2A

RGB 223 175 42

HSL 44.09, 0.74%, 0.52%

LAB 73.88, 5.67, 68.71

 

CMYK 0 / 0 / 81 / 13

HEX #DFDF2A

RGB 223 223 42

HSL 60, 0.74%, 0.52%

LAB 86.32, -18.81, 79.42

 

CMYK 22 / 0 / 81 / 13

HEX #AEDF2A

RGB 174 223 42

HSL 76.24, 0.74%, 0.52%

LAB 82.88, -38.66, 75.1

 

CMYK 0 / 65 / 81 / 13

HEX #DF4D2A

RGB 223 77 42

HSL 11.6, 0.74%, 0.52%

LAB 53.13, 55.24, 49.99

 

CMYK 0 / 73 / 91 / 5

HEX #F34116

RGB 243 65 22

HSL 11.67, 0.9%, 0.52%

LAB 54.96, 65.67, 61.13

 

CMYK 0 / 65 / 81 / 13

HEX #DF4D2A

RGB 223 77 42

HSL 11.6, 0.74%, 0.52%

LAB 53.13, 55.24, 49.99

 

CMYK 0 / 56 / 69 / 20

HEX #CB593E

RGB 203 89 62

HSL 11.49, 0.58%, 0.52%

LAB 52.05, 43.56, 37.51

 

CMYK 0 / 45 / 55 / 28

HEX #B86552

RGB 184 101 82

HSL 11.18, 0.42%, 0.52%

LAB 51.96, 31.42, 25.46

 

CMYK 0 / 30 / 38 / 36

HEX #A47265

RGB 164 114 101

HSL 12.38, 0.26%, 0.52%

LAB 52.8, 18.04, 15.12

 

CMYK 0 / 13 / 16 / 44

HEX #907E79

RGB 144 126 121

HSL 13.04, 0.09%, 0.52%

LAB 54.27, 6.01, 5.24

 

CMYK 0 / 81 / 53 / 13

HEX #DF2A69

RGB 223 42 105

HSL 339.12, 0.74%, 0.52%

LAB 49.93, 70.07, 10.1

 

CMYK 0 / 81 / 74 / 13

HEX #DF2A39

RGB 223 42 57

HSL 355.03, 0.74%, 0.52%

LAB 49.06, 67.42, 37.84

 

CMYK 0 / 66 / 81 / 13

HEX #DF4B2A

RGB 223 75 42

HSL 10.94, 0.74%, 0.52%

LAB 52.83, 56.05, 49.7

 

CMYK 0 / 44 / 81 / 13

HEX #DF7C2A

RGB 223 124 42

HSL 27.18, 0.74%, 0.52%

LAB 61.89, 32.81, 58.06

 

CMYK 0 / 23 / 81 / 13

HEX #DFAC2A

RGB 223 172 42

HSL 43.09, 0.74%, 0.52%

LAB 73.13, 7.25, 68.05

 

CMYK 0 / 69 / 85 / 38

HEX #9F3218

RGB 159 50 24

HSL 11.56, 0.74%, 0.36%

LAB 37.33, 43.9, 39.92

 

CMYK 0 / 69 / 85 / 24

HEX #C33D1D

RGB 195 61 29

HSL 11.57, 0.74%, 0.44%

LAB 45.67, 51.93, 47.46

 

CMYK 0 / 65 / 81 / 13

HEX #DF4D2A

RGB 223 77 42

HSL 11.6, 0.74%, 0.52%

LAB 53.13, 55.24, 49.99

 

CMYK 0 / 53 / 66 / 10

HEX #E56B4E

RGB 229 107 78

HSL 11.52, 0.74%, 0.6%

LAB 59.64, 45.35, 38.68

 

CMYK 0 / 41 / 51 / 8

HEX #EA8972

RGB 234 137 114

HSL 11.5, 0.74%, 0.68%

LAB 66.97, 34.67, 28.31

 

CMYK 0 / 65 / 81 / 13

HEX #DF4E2B

RGB 223 78 43

HSL 11.67, 0.74%, 0.52%

LAB 53.29, 54.85, 49.66

 

CMYK 31 / 0 / 81 / 13

HEX #9ADF2A

RGB 154 223 42

HSL 82.87, 0.74%, 0.52%

LAB 81.74, -46.17, 73.64

 

CMYK 81 / 64 / 0 / 13

HEX #2A51DF

RGB 42 81 223

HSL 227.07, 0.74%, 0.52%

LAB 40.74, 38.32, -75.73

 

CMYK 0 / 65 / 81 / 13

HEX #DF4E2B

RGB 223 78 43

HSL 11.67, 0.74%, 0.52%

LAB 53.29, 54.85, 49.66

 

CMYK 81 / 0 / 66 / 13

HEX #2ADF4B

RGB 42 223 75

HSL 130.94, 0.74%, 0.52%

LAB 78.33, -71.5, 58.15

 

CMYK 66 / 81 / 0 / 13

HEX #4B2ADF

RGB 75 42 223

HSL 250.94, 0.74%, 0.52%

LAB 34.96, 62.32, -85.2

 

CMYK 0 / 65 / 81 / 13

HEX #DF4E2B

RGB 223 78 43

HSL 11.67, 0.74%, 0.52%

LAB 53.29, 54.85, 49.66

 

CMYK 31 / 0 / 81 / 13

HEX #9ADF2A

RGB 154 223 42

HSL 82.87, 0.74%, 0.52%

LAB 81.74, -46.17, 73.64

 

CMYK 81 / 15 / 0 / 13

HEX #2ABEDF

RGB 42 190 223

HSL 190.94, 0.74%, 0.52%

LAB 71.31, -26.05, -27.12

 

CMYK 50 / 81 / 0 / 13

HEX #6F2ADF

RGB 111 42 223

HSL 262.87, 0.74%, 0.52%

LAB 38.49, 65.98, -79.26

 

CMYK 0 / 65 / 81 / 13

HEX #DF4E2B

RGB 223 78 43

HSL 11.67, 0.74%, 0.52%

LAB 53.29, 54.85, 49.66

 

CMYK 56 / 0 / 81 / 13

HEX #63DF2A

RGB 99 223 42

HSL 101.1, 0.74%, 0.52%

LAB 79.38, -63.47, 70.64

 

CMYK 81 / 15 / 0 / 13

HEX #2ABEDF

RGB 42 190 223

HSL 190.94, 0.74%, 0.52%

LAB 71.31, -26.05, -27.12

 

CMYK 26 / 81 / 0 / 13

HEX #A62ADF

RGB 166 42 223

HSL 281.1, 0.74%, 0.52%

LAB 45.76, 73.75, -67.07

 

Description

Color code: HEX #DF4E2B | qconv.com Color code: HEX #DF4E2B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 78 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 78 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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CMYK to PANTONE®

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HEX to CMYK

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HEX to RAL®

convert from #RRGGBB to RAL®-number (RAL 0000)

HEX to HKS®

convert from #RRGGBB to HKS®-number (HKS 00)

HEX to PANTONE®

convert from #RRGGBB to Pantone®-number (Pantone 0000)

HEX to Sherwin Williams®

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RAL® to RGBA

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RAL® to CMYK

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RAL® to HEX

convert from RAL®-number (RAL 0000) to #RRGGBB

RAL® to HKS®

convert from RAL®-number (RAL 0000) to HKS®-number (HKS 00)

RAL® to PANTONE®

convert from RAL®-number (RAL 0000) to Pantone®-number (Pantone 0000)

RAL® to Sherwin Williams®

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RAL® to NCS®

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HKS® to RGB

convert from HKS®-number (HKS 00) to RGB red green blue

HKS® to RGBA

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HKS® to CMYK

convert from HKS®-number (HKS 00) to CMYK cyan / magenta / yellow / black

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HKS® to HEX

convert from HKS®-number (HKS 00) to #RRGGBB

HKS® to RAL®

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HKS® to PANTONE®

convert from HKS®-number (HKS 00) to Pantone®-number (Pantone 0000)

HKS® to Sherwin Williams®

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HKS® to NCS®

convert from HKS®-number (HKS 00) to NCS-number (S0000-X00X)

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PANTONE® to RGB

convert from Pantone®-number (Pantone 0000) to RGB red green blue

PANTONE® to RGBA

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PANTONE® to CMYK

convert from Pantone®-number (Pantone 0000) to CMYK cyan / magenta / yellow / black

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

PANTONE® to RAL®

convert from Pantone®-number (Pantone 0000) to RAL®-number (RAL 0000)

PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

convert from Sherwin Williams®-number (SW 0000) to CMYK cyan / magenta / yellow / black

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Sherwin Williams® to HEX

convert from Sherwin Williams®-number (SW 0000) to #RRGGBB

Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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Sherwin Williams® to PANTONE®

convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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