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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4DDC it is the complementary color #20B223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4DDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4DDC shade: #E44DD7, #F55FEA, #FF71FD, #FF83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4DDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4DDC shade: #DF4DDC, #CE3BC9, #BD29B6, #AC17A3 and #9B0590

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4DDC shade: #E04DDD, #E04DB5, #E04D8E, #E04D66 and #E04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4DDC shade: #E04DDD, #BB4DE0, #944DE0, #6C4DE0 and #4D4DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4DDC shade matches the following richer shades: #E04DDD and #F13CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4DDC shade: #E04DDD, #CF5ECC, #BE6FBC, #AD80AC and #9C919C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4DDC shade: #944DE0, #BB4DE0, #E04DDD, #E04DB6 and #E04D8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4DDC shade: #BA21B6, #D92AD6, #E04DDD, #E670E3 and #EC93EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4DDC shade: #DF4DDC, #E06D4D and #4DE0A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4DDC shade: #DF4DDC, #DDE04D and #4DDDE0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4DDC shade: #DF4DDC, #E06D4D, #4DE050 and #4DC0E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4DDC shade: #DF4DDC, #E0994D, #4DE050 and #4D94E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 1 / 13

HEX #DF4DDC

RGB 223 77 220

HSL 301.23, 0.7%, 0.59%

LAB 58.19, 72.78, -44.97

 

Complementary color

CMYK 82 / 0 / 80 / 30

HEX #20B223

RGB 32 178 35

HSL 121.23, 0.7%, 0.41%

LAB 63.56, -62.24, 57.32

 

CMYK 0 / 66 / 6 / 11

HEX #E44DD7

RGB 228 77 215

HSL 305.17, 0.74%, 0.6%

LAB 58.7, 73.15, -41.29

 

CMYK 0 / 61 / 4 / 4

HEX #F55FEA

RGB 245 95 234

HSL 304.4, 0.88%, 0.67%

LAB 64.59, 73.27, -42.51

 

CMYK 0 / 56 / 1 / 0

HEX #FF71FD

RGB 255 113 253

HSL 300.85, 1%, 0.72%

LAB 69.58, 71.33, -45.05

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDC

RGB 223 77 220

HSL 301.23, 0.7%, 0.59%

LAB 58.19, 72.78, -44.97

 

CMYK 0 / 71 / 2 / 19

HEX #CE3BC9

RGB 206 59 201

HSL 302.04, 0.6%, 0.52%

LAB 52.36, 72.26, -43.54

 

CMYK 0 / 78 / 4 / 26

HEX #BD29B6

RGB 189 41 182

HSL 302.84, 0.64%, 0.45%

LAB 46.69, 71.07, -41.67

 

CMYK 0 / 87 / 5 / 33

HEX #AC17A3

RGB 172 23 163

HSL 303.62, 0.76%, 0.38%

LAB 41.26, 68.91, -39.2

 

CMYK 0 / 97 / 7 / 39

HEX #9B0590

RGB 155 5 144

HSL 304.4, 0.94%, 0.31%

LAB 36.16, 65.5, -35.97

 

CMYK 0 / 66 / 1 / 12

HEX #E04DDD

RGB 224 77 221

HSL 301.22, 0.7%, 0.59%

LAB 58.39, 73.17, -45.21

 

CMYK 0 / 66 / 19 / 12

HEX #E04DB5

RGB 224 77 181

HSL 317.55, 0.7%, 0.59%

LAB 56.58, 67.21, -25.2

 

CMYK 0 / 66 / 37 / 12

HEX #E04D8E

RGB 224 77 142

HSL 333.47, 0.7%, 0.59%

LAB 55.18, 62.41, -4.5

 

CMYK 0 / 66 / 54 / 12

HEX #E04D66

RGB 224 77 102

HSL 349.8, 0.7%, 0.59%

LAB 54.15, 58.7, 17.76

 

CMYK 0 / 66 / 66 / 12

HEX #E04D4D

RGB 224 77 77

HSL 0, 0.7%, 0.59%

LAB 53.7, 57.05, 31.85

 

CMYK 0 / 66 / 1 / 12

HEX #E04DDD

RGB 224 77 221

HSL 301.22, 0.7%, 0.59%

LAB 58.39, 73.17, -45.21

 

CMYK 17 / 66 / 0 / 12

HEX #BB4DE0

RGB 187 77 224

HSL 284.9, 0.7%, 0.59%

LAB 53.23, 65.38, -55.44

 

CMYK 34 / 66 / 0 / 12

HEX #944DE0

RGB 148 77 224

HSL 268.98, 0.7%, 0.59%

LAB 48.24, 57.06, -63.73

 

CMYK 52 / 66 / 0 / 12

HEX #6C4DE0

RGB 108 77 224

HSL 252.65, 0.7%, 0.59%

LAB 44.06, 49.48, -70.72

 

CMYK 66 / 66 / 0 / 12

HEX #4D4DE0

RGB 77 77 224

HSL 240, 0.7%, 0.59%

LAB 41.64, 44.78, -74.77

 

CMYK 0 / 66 / 1 / 12

HEX #E04DDD

RGB 224 77 221

HSL 301.22, 0.7%, 0.59%

LAB 58.39, 73.17, -45.21

 

CMYK 0 / 75 / 2 / 5

HEX #F13CED

RGB 241 60 237

HSL 301.33, 0.87%, 0.59%

LAB 59.93, 84.71, -51.59

 

CMYK 0 / 66 / 1 / 12

HEX #E04DDD

RGB 224 77 221

HSL 301.22, 0.7%, 0.59%

LAB 58.39, 73.17, -45.21

 

CMYK 0 / 55 / 1 / 19

HEX #CF5ECC

RGB 207 94 204

HSL 301.59, 0.54%, 0.59%

LAB 57.68, 59.06, -36.86

 

CMYK 0 / 42 / 1 / 25

HEX #BE6FBC

RGB 190 111 188

HSL 301.52, 0.38%, 0.59%

LAB 57.99, 42.84, -27.44

 

CMYK 0 / 26 / 1 / 32

HEX #AD80AC

RGB 173 128 172

HSL 301.33, 0.22%, 0.59%

LAB 59.25, 24.91, -16.52

 

CMYK 0 / 7 / 0 / 39

HEX #9C919C

RGB 156 145 156

HSL 300, 0.05%, 0.59%

LAB 61.41, 6.14, -4.34

 

CMYK 34 / 66 / 0 / 12

HEX #944DE0

RGB 148 77 224

HSL 268.98, 0.7%, 0.59%

LAB 48.24, 57.06, -63.73

 

CMYK 17 / 66 / 0 / 12

HEX #BB4DE0

RGB 187 77 224

HSL 284.9, 0.7%, 0.59%

LAB 53.23, 65.38, -55.44

 

CMYK 0 / 66 / 1 / 12

HEX #E04DDD

RGB 224 77 221

HSL 301.22, 0.7%, 0.59%

LAB 58.39, 73.17, -45.21

 

CMYK 0 / 66 / 19 / 12

HEX #E04DB6

RGB 224 77 182

HSL 317.14, 0.7%, 0.59%

LAB 56.62, 67.34, -25.72

 

CMYK 0 / 66 / 36 / 12

HEX #E04D8F

RGB 224 77 143

HSL 333.06, 0.7%, 0.59%

LAB 55.21, 62.52, -5.05

 

CMYK 0 / 82 / 2 / 27

HEX #BA21B6

RGB 186 33 182

HSL 301.57, 0.7%, 0.43%

LAB 45.5, 72.42, -43.59

 

CMYK 0 / 81 / 1 / 15

HEX #D92AD6

RGB 217 42 214

HSL 301.03, 0.7%, 0.51%

LAB 53.24, 81.14, -49.49

 

CMYK 0 / 66 / 1 / 12

HEX #E04DDD

RGB 224 77 221

HSL 301.22, 0.7%, 0.59%

LAB 58.39, 73.17, -45.21

 

CMYK 0 / 51 / 1 / 10

HEX #E670E3

RGB 230 112 227

HSL 301.53, 0.7%, 0.67%

LAB 64.93, 60.87, -38.24

 

CMYK 0 / 38 / 1 / 7

HEX #EC93EA

RGB 236 147 234

HSL 301.35, 0.7%, 0.75%

LAB 72.65, 46.49, -30.07

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDC

RGB 223 77 220

HSL 301.23, 0.7%, 0.59%

LAB 58.19, 72.78, -44.97

 

CMYK 0 / 51 / 66 / 12

HEX #E06D4D

RGB 224 109 77

HSL 13.06, 0.7%, 0.59%

LAB 59.27, 42.44, 38.6

 

CMYK 66 / 0 / 25 / 12

HEX #4DE0A8

RGB 77 224 168

HSL 157.14, 0.7%, 0.59%

LAB 80.58, -51.93, 16.18

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDC

RGB 223 77 220

HSL 301.23, 0.7%, 0.59%

LAB 58.19, 72.78, -44.97

 

CMYK 1 / 0 / 66 / 12

HEX #DDE04D

RGB 221 224 77

HSL 61.22, 0.7%, 0.59%

LAB 86.61, -18.65, 68.52

 

CMYK 66 / 1 / 0 / 12

HEX #4DDDE0

RGB 77 221 224

HSL 181.22, 0.7%, 0.59%

LAB 81.11, -36.63, -12.75

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDC

RGB 223 77 220

HSL 301.23, 0.7%, 0.59%

LAB 58.19, 72.78, -44.97

 

CMYK 0 / 51 / 66 / 12

HEX #E06D4D

RGB 224 109 77

HSL 13.06, 0.7%, 0.59%

LAB 59.27, 42.44, 38.6

 

CMYK 66 / 0 / 64 / 12

HEX #4DE050

RGB 77 224 80

HSL 121.22, 0.7%, 0.59%

LAB 79.31, -66.04, 57.37

 

CMYK 66 / 14 / 0 / 12

HEX #4DC0E0

RGB 77 192 224

HSL 193.06, 0.7%, 0.59%

LAB 72.67, -22.56, -25.53

 

CMYK 0 / 65 / 1 / 13

HEX #DF4DDC

RGB 223 77 220

HSL 301.23, 0.7%, 0.59%

LAB 58.19, 72.78, -44.97

 

CMYK 0 / 32 / 66 / 12

HEX #E0994D

RGB 224 153 77

HSL 31.02, 0.7%, 0.59%

LAB 68.87, 19.41, 49.67

 

CMYK 66 / 0 / 64 / 12

HEX #4DE050

RGB 77 224 80

HSL 121.22, 0.7%, 0.59%

LAB 79.31, -66.04, 57.37

 

CMYK 66 / 34 / 0 / 12

HEX #4D94E0

RGB 77 148 224

HSL 211.02, 0.7%, 0.59%

LAB 60.01, 1.46, -45.2

 

Description

Color code: HEX #DF4DDC | qconv.com Color code: HEX #DF4DDC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 77 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 77 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 1 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 1% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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