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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DDA5DF it is the complementary color #225A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DDA5DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DDA5DF shade: #E2A5DA, #F3B7ED, #FFC9FF, #FFDBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DDA5DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DDA5DF shade: #DDA5DF, #CC93CC, #BB81B9, #AA6FA6 and #995D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DDA5DF shade: #DDA4DF, #DFA4D1, #DFA4C2, #DFA4B2 and #DFA4A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DDA5DF shade: #DDA4DF, #CDA4DF, #BDA4DF, #AEA4DF and #A4A4DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DDA5DF shade matches the following richer shades: #DDA4DF, #E69BE9, #F091F3 and #F987FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DDA5DF shade: #DDA4DF, #D4AED5, #CBB8CB, #C1C2C1 and #B8CCB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DDA5DF shade: #BDA4DF, #CDA4DF, #DCA4DF, #DFA4D2 and #DFA4C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DDA5DF shade: #C667CA, #D286D4, #DDA4DF, #E9C3EA and #F4E1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DDA5DF shade: #DDA5DF, #DFADA4 and #A4DFC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DDA5DF shade: #DDA5DF, #DFDCA4 and #A4DFDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DDA5DF shade: #DDA5DF, #DFADA4, #A7DFA4 and #A4D6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DDA5DF shade: #DDA5DF, #DFBFA4, #A7DFA4 and #A4C5DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 26 / 0 / 13

HEX #DDA5DF

RGB 221 165 223

HSL 297.93, 0.48%, 0.76%

LAB 74.58, 30.22, -21.26

 

Complementary color

CMYK 62 / 0 / 64 / 65

HEX #225A20

RGB 34 90 32

HSL 117.93, 0.48%, 0.24%

LAB 33.47, -31.34, 27.54

 

CMYK 0 / 27 / 4 / 11

HEX #E2A5DA

RGB 226 165 218

HSL 307.87, 0.51%, 0.77%

LAB 74.91, 30.94, -17.97

 

CMYK 0 / 25 / 2 / 5

HEX #F3B7ED

RGB 243 183 237

HSL 306, 0.71%, 0.84%

LAB 81.31, 30.32, -18.43

 

CMYK 0 / 21 / 0 / 0

HEX #FFC9FF

RGB 255 201 255

HSL 300, 1%, 0.89%

LAB 87.12, 27.95, -19.13

 

CMYK 0 / 14 / 0 / 0

HEX #FFDBFF

RGB 255 219 255

HSL 300, 1%, 0.93%

LAB 91.3, 18.51, -12.86

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 1 / 26 / 0 / 13

HEX #DDA5DF

RGB 221 165 223

HSL 297.93, 0.48%, 0.76%

LAB 74.58, 30.22, -21.26

 

CMYK 0 / 28 / 0 / 20

HEX #CC93CC

RGB 204 147 204

HSL 300, 0.36%, 0.69%

LAB 68.07, 30.87, -20.86

 

CMYK 0 / 31 / 1 / 27

HEX #BB81B9

RGB 187 129 185

HSL 302.07, 0.3%, 0.62%

LAB 61.45, 31.56, -20.44

 

CMYK 0 / 35 / 2 / 33

HEX #AA6FA6

RGB 170 111 166

HSL 304.07, 0.26%, 0.55%

LAB 54.73, 32.3, -19.99

 

CMYK 0 / 39 / 4 / 40

HEX #995D93

RGB 153 93 147

HSL 306, 0.24%, 0.48%

LAB 47.89, 33.08, -19.48

 

CMYK 1 / 26 / 0 / 13

HEX #DDA4DF

RGB 221 164 223

HSL 297.97, 0.48%, 0.76%

LAB 74.35, 30.76, -21.6

 

CMYK 0 / 26 / 6 / 13

HEX #DFA4D1

RGB 223 164 209

HSL 314.24, 0.48%, 0.76%

LAB 74.09, 28.89, -14.32

 

CMYK 0 / 26 / 13 / 13

HEX #DFA4C2

RGB 223 164 194

HSL 329.49, 0.48%, 0.76%

LAB 73.63, 26.34, -6.77

 

CMYK 0 / 26 / 20 / 13

HEX #DFA4B2

RGB 223 164 178

HSL 345.76, 0.48%, 0.76%

LAB 73.19, 23.83, 1.38

 

CMYK 0 / 26 / 26 / 13

HEX #DFA4A4

RGB 223 164 164

HSL 0, 0.48%, 0.76%

LAB 72.84, 21.8, 8.59

 

CMYK 1 / 26 / 0 / 13

HEX #DDA4DF

RGB 221 164 223

HSL 297.97, 0.48%, 0.76%

LAB 74.35, 30.76, -21.6

 

CMYK 8 / 26 / 0 / 13

HEX #CDA4DF

RGB 205 164 223

HSL 281.69, 0.48%, 0.76%

LAB 72.8, 25.59, -24.11

 

CMYK 15 / 26 / 0 / 13

HEX #BDA4DF

RGB 189 164 223

HSL 265.42, 0.48%, 0.76%

LAB 71.35, 20.51, -26.46

 

CMYK 22 / 26 / 0 / 13

HEX #AEA4DF

RGB 174 164 223

HSL 250.17, 0.48%, 0.76%

LAB 70.09, 15.86, -28.5

 

CMYK 26 / 26 / 0 / 13

HEX #A4A4DF

RGB 164 164 223

HSL 240, 0.48%, 0.76%

LAB 69.31, 12.85, -29.77

 

CMYK 1 / 26 / 0 / 13

HEX #DDA4DF

RGB 221 164 223

HSL 297.97, 0.48%, 0.76%

LAB 74.35, 30.76, -21.6

 

CMYK 1 / 33 / 0 / 9

HEX #E69BE9

RGB 230 155 233

HSL 297.69, 0.64%, 0.76%

LAB 73.64, 40.28, -28.06

 

CMYK 1 / 40 / 0 / 5

HEX #F091F3

RGB 240 145 243

HSL 298.16, 0.8%, 0.76%

LAB 73.05, 50.33, -34.33

 

CMYK 2 / 47 / 0 / 1

HEX #F987FD

RGB 249 135 253

HSL 297.97, 0.97%, 0.76%

LAB 72.6, 59.65, -40.39

 

CMYK 1 / 26 / 0 / 13

HEX #DDA4DF

RGB 221 164 223

HSL 297.97, 0.48%, 0.76%

LAB 74.35, 30.76, -21.6

 

CMYK 0 / 18 / 0 / 16

HEX #D4AED5

RGB 212 174 213

HSL 298.46, 0.32%, 0.76%

LAB 75.5, 20.49, -14.5

 

CMYK 0 / 9 / 0 / 20

HEX #CBB8CB

RGB 203 184 203

HSL 300, 0.15%, 0.76%

LAB 76.85, 10.14, -7.12

 

CMYK 1 / 0 / 1 / 24

HEX #C1C2C1

RGB 193 194 193

HSL 120, 0.01%, 0.76%

LAB 78.33, -0.53, 0.37

 

CMYK 10 / 0 / 10 / 20

HEX #B8CCB8

RGB 184 204 184

HSL 120, 0.16%, 0.76%

LAB 80.09, -10.51, 7.67

 

CMYK 15 / 26 / 0 / 13

HEX #BDA4DF

RGB 189 164 223

HSL 265.42, 0.48%, 0.76%

LAB 71.35, 20.51, -26.46

 

CMYK 8 / 26 / 0 / 13

HEX #CDA4DF

RGB 205 164 223

HSL 281.69, 0.48%, 0.76%

LAB 72.8, 25.59, -24.11

 

CMYK 1 / 26 / 0 / 13

HEX #DCA4DF

RGB 220 164 223

HSL 296.95, 0.48%, 0.76%

LAB 74.25, 30.43, -21.76

 

CMYK 0 / 26 / 6 / 13

HEX #DFA4D2

RGB 223 164 210

HSL 313.22, 0.48%, 0.76%

LAB 74.12, 29.06, -14.82

 

CMYK 0 / 26 / 13 / 13

HEX #DFA4C3

RGB 223 164 195

HSL 328.47, 0.48%, 0.76%

LAB 73.66, 26.51, -7.28

 

CMYK 2 / 49 / 0 / 21

HEX #C667CA

RGB 198 103 202

HSL 297.58, 0.48%, 0.6%

LAB 58.01, 51.9, -35.31

 

CMYK 1 / 37 / 0 / 17

HEX #D286D4

RGB 210 134 212

HSL 298.46, 0.48%, 0.68%

LAB 66.14, 41.3, -28.21

 

CMYK 1 / 26 / 0 / 13

HEX #DDA4DF

RGB 221 164 223

HSL 297.97, 0.48%, 0.76%

LAB 74.35, 30.76, -21.6

 

CMYK 0 / 17 / 0 / 8

HEX #E9C3EA

RGB 233 195 234

HSL 298.46, 0.48%, 0.84%

LAB 83.07, 20.1, -14.27

 

CMYK 0 / 8 / 0 / 4

HEX #F4E1F5

RGB 244 225 245

HSL 297, 0.5%, 0.92%

LAB 91.54, 9.96, -7.37

 

CMYK 1 / 26 / 0 / 13

HEX #DDA5DF

RGB 221 165 223

HSL 297.93, 0.48%, 0.76%

LAB 74.58, 30.22, -21.26

 

CMYK 0 / 22 / 26 / 13

HEX #DFADA4

RGB 223 173 164

HSL 9.15, 0.48%, 0.76%

LAB 74.99, 16.96, 11.64

 

CMYK 26 / 0 / 12 / 13

HEX #A4DFC5

RGB 164 223 197

HSL 153.56, 0.48%, 0.76%

LAB 84.33, -24.1, 6.69

 

CMYK 1 / 26 / 0 / 13

HEX #DDA5DF

RGB 221 165 223

HSL 297.93, 0.48%, 0.76%

LAB 74.58, 30.22, -21.26

 

CMYK 0 / 1 / 26 / 13

HEX #DFDCA4

RGB 223 220 164

HSL 56.95, 0.48%, 0.76%

LAB 86.78, -7.69, 27.96

 

CMYK 26 / 0 / 1 / 13

HEX #A4DFDC

RGB 164 223 220

HSL 176.95, 0.48%, 0.76%

LAB 84.91, -19.28, -4.61

 

CMYK 1 / 26 / 0 / 13

HEX #DDA5DF

RGB 221 165 223

HSL 297.93, 0.48%, 0.76%

LAB 74.58, 30.22, -21.26

 

CMYK 0 / 22 / 26 / 13

HEX #DFADA4

RGB 223 173 164

HSL 9.15, 0.48%, 0.76%

LAB 74.99, 16.96, 11.64

 

CMYK 25 / 0 / 26 / 13

HEX #A7DFA4

RGB 167 223 164

HSL 116.95, 0.48%, 0.76%

LAB 83.79, -29.16, 23.27

 

CMYK 26 / 4 / 0 / 13

HEX #A4D6DF

RGB 164 214 223

HSL 189.15, 0.48%, 0.76%

LAB 82.55, -14.07, -9.71

 

CMYK 1 / 26 / 0 / 13

HEX #DDA5DF

RGB 221 165 223

HSL 297.93, 0.48%, 0.76%

LAB 74.58, 30.22, -21.26

 

CMYK 0 / 14 / 26 / 13

HEX #DFBFA4

RGB 223 191 164

HSL 27.46, 0.48%, 0.76%

LAB 79.4, 7.36, 17.84

 

CMYK 25 / 0 / 26 / 13

HEX #A7DFA4

RGB 167 223 164

HSL 116.95, 0.48%, 0.76%

LAB 83.79, -29.16, 23.27

 

CMYK 26 / 12 / 0 / 13

HEX #A4C5DF

RGB 164 197 223

HSL 206.44, 0.48%, 0.76%

LAB 77.97, -5.21, -16.57

 

Description

Color code: HEX #DDA5DF | qconv.com Color code: HEX #DDA5DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 165 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 165 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 26 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 26% 0% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

36% - Dara – Dry Cleaner A...
Link: https://www.dara.news

Verification of their color palette as a manufacturer!

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