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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD75B5 it is the complementary color #228A4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD75B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DD75B5 shade: #E275B0, #F387C3, #FF99D6, #FFABE9 and #FFBDFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD75B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DD75B5 shade: #DD75B5, #CC63A2, #BB518F, #AA3F7C and #992D69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DD75B5 shade: #DC74B4, #DC7498, #DC747C and #DC7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DD75B5 shade: #DC74B4, #DC74D0, #CC74DC, #B074DC and #9474DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DD75B5 shade matches the following richer shades: #DC74B4, #EA66B8 and #F858BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DD75B5 shade: #DC74B4, #CE82B1, #C090AE, #B29EAB and #A4ACA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DD75B5 shade: #CD74DC, #DC74D0, #DC74B4, #DC7499 and #DC747D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DD75B5 shade: #CB3391, #D453A3, #DC74B4, #E595C6 and #EDB6D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DD75B5 shade: #DD75B5, #DCB174 and #74DCDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DD75B5 shade: #DD75B5, #B4DC74 and #74B4DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DD75B5 shade: #DD75B5, #DCB174, #74DC9C and #74A0DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DD75B5 shade: #DD75B5, #DCD074, #74DC9C and #7480DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 18 / 13

HEX #DD75B5

RGB 221 117 181

HSL 323.08, 0.6%, 0.66%

LAB 62.87, 48.35, -15.63

 

Complementary color

CMYK 75 / 0 / 46 / 46

HEX #228A4A

RGB 34 138 74

HSL 143.08, 0.6%, 0.34%

LAB 50.7, -43.96, 26.08

 

CMYK 0 / 48 / 22 / 11

HEX #E275B0

RGB 226 117 176

HSL 327.52, 0.65%, 0.67%

LAB 63.36, 49.23, -11.98

 

CMYK 0 / 44 / 20 / 5

HEX #F387C3

RGB 243 135 195

HSL 326.67, 0.82%, 0.74%

LAB 69.7, 48.46, -12.95

 

CMYK 0 / 40 / 16 / 0

HEX #FF99D6

RGB 255 153 214

HSL 324.12, 1%, 0.8%

LAB 75.39, 46.08, -14.76

 

CMYK 0 / 33 / 9 / 0

HEX #FFABE9

RGB 255 171 233

HSL 315.71, 1%, 0.84%

LAB 79.77, 39.84, -18.49

 

CMYK 0 / 26 / 1 / 0

HEX #FFBDFC

RGB 255 189 252

HSL 302.73, 1%, 0.87%

LAB 84.32, 33.71, -21.78

 

CMYK 0 / 47 / 18 / 13

HEX #DD75B5

RGB 221 117 181

HSL 323.08, 0.6%, 0.66%

LAB 62.87, 48.35, -15.63

 

CMYK 0 / 51 / 21 / 20

HEX #CC63A2

RGB 204 99 162

HSL 324, 0.51%, 0.59%

LAB 56.46, 49.07, -14.63

 

CMYK 0 / 57 / 24 / 27

HEX #BB518F

RGB 187 81 143

HSL 324.91, 0.44%, 0.53%

LAB 50.02, 49.69, -13.43

 

CMYK 0 / 63 / 27 / 33

HEX #AA3F7C

RGB 170 63 124

HSL 325.79, 0.46%, 0.46%

LAB 43.59, 50.11, -11.94

 

CMYK 0 / 71 / 31 / 40

HEX #992D69

RGB 153 45 105

HSL 326.67, 0.55%, 0.39%

LAB 37.24, 50.14, -9.99

 

CMYK 0 / 47 / 18 / 14

HEX #DC74B4

RGB 220 116 180

HSL 323.08, 0.6%, 0.66%

LAB 62.51, 48.38, -15.62

 

CMYK 0 / 47 / 31 / 14

HEX #DC7498

RGB 220 116 152

HSL 339.23, 0.6%, 0.66%

LAB 61.63, 44.48, -0.91

 

CMYK 0 / 47 / 44 / 14

HEX #DC747C

RGB 220 116 124

HSL 355.38, 0.6%, 0.66%

LAB 60.92, 41.24, 14.17

 

CMYK 0 / 47 / 47 / 14

HEX #DC7474

RGB 220 116 116

HSL 0, 0.6%, 0.66%

LAB 60.75, 40.44, 18.52

 

CMYK 0 / 47 / 18 / 14

HEX #DC74B4

RGB 220 116 180

HSL 323.08, 0.6%, 0.66%

LAB 62.51, 48.38, -15.62

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D0

RGB 220 116 208

HSL 306.92, 0.6%, 0.66%

LAB 63.56, 52.88, -29.86

 

CMYK 7 / 47 / 0 / 14

HEX #CC74DC

RGB 204 116 220

HSL 290.77, 0.6%, 0.66%

LAB 62.08, 50.43, -39.04

 

CMYK 20 / 47 / 0 / 14

HEX #B074DC

RGB 176 116 220

HSL 274.62, 0.6%, 0.66%

LAB 58.87, 42.59, -44.3

 

CMYK 33 / 47 / 0 / 14

HEX #9474DC

RGB 148 116 220

HSL 258.46, 0.6%, 0.66%

LAB 56.04, 35.04, -48.96

 

CMYK 0 / 47 / 18 / 14

HEX #DC74B4

RGB 220 116 180

HSL 323.08, 0.6%, 0.66%

LAB 62.51, 48.38, -15.62

 

CMYK 0 / 56 / 21 / 8

HEX #EA66B8

RGB 234 102 184

HSL 322.73, 0.76%, 0.66%

LAB 62.05, 59.92, -18.42

 

CMYK 0 / 65 / 25 / 3

HEX #F858BB

RGB 248 88 187

HSL 322.88, 0.92%, 0.66%

LAB 62.1, 70.1, -19.85

 

CMYK 0 / 47 / 18 / 14

HEX #DC74B4

RGB 220 116 180

HSL 323.08, 0.6%, 0.66%

LAB 62.51, 48.38, -15.62

 

CMYK 0 / 37 / 14 / 19

HEX #CE82B1

RGB 206 130 177

HSL 322.89, 0.44%, 0.66%

LAB 63.56, 36.01, -12.51

 

CMYK 0 / 25 / 9 / 25

HEX #C090AE

RGB 192 144 174

HSL 322.5, 0.28%, 0.66%

LAB 65.13, 22.97, -8.63

 

CMYK 0 / 11 / 4 / 30

HEX #B29EAB

RGB 178 158 171

HSL 321, 0.11%, 0.66%

LAB 67.17, 9.64, -4.06

 

CMYK 5 / 0 / 3 / 33

HEX #A4ACA7

RGB 164 172 167

HSL 142.5, 0.05%, 0.66%

LAB 69.6, -3.77, 1.58

 

CMYK 7 / 47 / 0 / 14

HEX #CD74DC

RGB 205 116 220

HSL 291.35, 0.6%, 0.66%

LAB 62.2, 50.71, -38.84

 

CMYK 0 / 47 / 5 / 14

HEX #DC74D0

RGB 220 116 208

HSL 306.92, 0.6%, 0.66%

LAB 63.56, 52.88, -29.86

 

CMYK 0 / 47 / 18 / 14

HEX #DC74B4

RGB 220 116 180

HSL 323.08, 0.6%, 0.66%

LAB 62.51, 48.38, -15.62

 

CMYK 0 / 47 / 30 / 14

HEX #DC7499

RGB 220 116 153

HSL 338.65, 0.6%, 0.66%

LAB 61.66, 44.61, -1.44

 

CMYK 0 / 47 / 43 / 14

HEX #DC747D

RGB 220 116 125

HSL 354.81, 0.6%, 0.66%

LAB 60.95, 41.34, 13.63

 

CMYK 0 / 75 / 29 / 20

HEX #CB3391

RGB 203 51 145

HSL 322.89, 0.6%, 0.5%

LAB 48.4, 66.32, -16.85

 

CMYK 0 / 61 / 23 / 17

HEX #D453A3

RGB 212 83 163

HSL 322.79, 0.6%, 0.58%

LAB 54.89, 59.03, -17.48

 

CMYK 0 / 47 / 18 / 14

HEX #DC74B4

RGB 220 116 180

HSL 323.08, 0.6%, 0.66%

LAB 62.51, 48.38, -15.62

 

CMYK 0 / 35 / 14 / 10

HEX #E595C6

RGB 229 149 198

HSL 323.25, 0.61%, 0.74%

LAB 71.03, 37.07, -12.79

 

CMYK 0 / 23 / 9 / 7

HEX #EDB6D8

RGB 237 182 216

HSL 322.91, 0.6%, 0.82%

LAB 79.85, 25.2, -9.37

 

CMYK 0 / 47 / 18 / 13

HEX #DD75B5

RGB 221 117 181

HSL 323.08, 0.6%, 0.66%

LAB 62.87, 48.35, -15.63

 

CMYK 0 / 20 / 47 / 14

HEX #DCB174

RGB 220 177 116

HSL 35.19, 0.6%, 0.66%

LAB 74.77, 7.98, 37.02

 

CMYK 47 / 0 / 0 / 14

HEX #74DCDB

RGB 116 220 219

HSL 179.42, 0.6%, 0.66%

LAB 81.85, -30.38, -8.87

 

CMYK 0 / 47 / 18 / 13

HEX #DD75B5

RGB 221 117 181

HSL 323.08, 0.6%, 0.66%

LAB 62.87, 48.35, -15.63

 

CMYK 18 / 0 / 47 / 14

HEX #B4DC74

RGB 180 220 116

HSL 83.08, 0.6%, 0.66%

LAB 82.99, -29.72, 46.58

 

CMYK 47 / 18 / 0 / 14

HEX #74B4DC

RGB 116 180 220

HSL 203.08, 0.6%, 0.66%

LAB 70.54, -9.78, -26.48

 

CMYK 0 / 47 / 18 / 13

HEX #DD75B5

RGB 221 117 181

HSL 323.08, 0.6%, 0.66%

LAB 62.87, 48.35, -15.63

 

CMYK 0 / 20 / 47 / 14

HEX #DCB174

RGB 220 177 116

HSL 35.19, 0.6%, 0.66%

LAB 74.77, 7.98, 37.02

 

CMYK 47 / 0 / 29 / 14

HEX #74DC9C

RGB 116 220 156

HSL 143.08, 0.6%, 0.66%

LAB 80.35, -44.39, 22.32

 

CMYK 47 / 27 / 0 / 14

HEX #74A0DC

RGB 116 160 220

HSL 214.62, 0.6%, 0.66%

LAB 64.98, 1.27, -35.07

 

CMYK 0 / 47 / 18 / 13

HEX #DD75B5

RGB 221 117 181

HSL 323.08, 0.6%, 0.66%

LAB 62.87, 48.35, -15.63

 

CMYK 0 / 5 / 47 / 14

HEX #DCD074

RGB 220 208 116

HSL 53.08, 0.6%, 0.66%

LAB 82.69, -8.19, 46.88

 

CMYK 47 / 0 / 29 / 14

HEX #74DC9C

RGB 116 220 156

HSL 143.08, 0.6%, 0.66%

LAB 80.35, -44.39, 22.32

 

CMYK 47 / 42 / 0 / 14

HEX #7480DC

RGB 116 128 220

HSL 233.08, 0.6%, 0.66%

LAB 56.41, 19.96, -48.54

 

Description

Color code: HEX #DD75B5 | qconv.com Color code: HEX #DD75B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 117 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 117 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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