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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD6C6D it is the complementary color #229392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD6C6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DD6C6D: #E26C68, #F37E7B, #FF908E, #FFA2A1 and #FFB4B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD6C6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DD6C6D: #DD6C6D, #CC5A5A, #BB4847, #AA3634 and #992421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

Complementary color

CMYK 77 / 0 / 1 / 42

HEX #229392

RGB 34 147 146

HSL 179.47, 0.62%, 0.35%

LAB 55.36, -29.91, -8.29

 

CMYK 0 / 52 / 54 / 11

HEX #E26C68

RGB 226 108 104

HSL 1.97, 0.68%, 0.65%

LAB 59.79, 45.57, 24.24

 

CMYK 0 / 48 / 49 / 5

HEX #F37E7B

RGB 243 126 123

HSL 1.5, 0.83%, 0.72%

LAB 66.06, 44.44, 22.3

 

CMYK 0 / 44 / 44 / 0

HEX #FF908E

RGB 255 144 142

HSL 1.06, 1%, 0.78%

LAB 71.66, 41.55, 19.62

 

CMYK 0 / 36 / 37 / 0

HEX #FFA2A1

RGB 255 162 161

HSL 0.64, 1%, 0.82%

LAB 75.87, 34.34, 15.02

 

CMYK 0 / 29 / 29 / 0

HEX #FFB4B4

RGB 255 180 180

HSL 0, 1%, 0.85%

LAB 80.29, 27.27, 10.95

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 0 / 56 / 56 / 20

HEX #CC5A5A

RGB 204 90 90

HSL 0, 0.53%, 0.58%

LAB 52.83, 45.29, 22.51

 

CMYK 0 / 61 / 62 / 27

HEX #BB4847

RGB 187 72 71

HSL 0.52, 0.46%, 0.51%

LAB 46.52, 46.33, 25.01

 

CMYK 0 / 68 / 69 / 33

HEX #AA3634

RGB 170 54 52

HSL 1.02, 0.53%, 0.44%

LAB 40.3, 47.18, 28.02

 

CMYK 0 / 76 / 78 / 40

HEX #992421

RGB 153 36 33

HSL 1.5, 0.65%, 0.36%

LAB 34.28, 47.6, 31.64

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 0 / 43 / 50 / 13

HEX #DD7F6E

RGB 221 127 110

HSL 9.19, 0.62%, 0.65%

LAB 63.07, 34.55, 25.07

 

CMYK 0 / 34 / 50 / 13

HEX #DD916E

RGB 221 145 110

HSL 18.92, 0.62%, 0.65%

LAB 67.09, 24.98, 30.35

 

CMYK 0 / 26 / 50 / 13

HEX #DDA36E

RGB 221 163 110

HSL 28.65, 0.62%, 0.65%

LAB 71.35, 15.31, 35.81

 

CMYK 0 / 18 / 50 / 13

HEX #DDB66E

RGB 221 182 110

HSL 38.92, 0.62%, 0.65%

LAB 76.04, 5.17, 41.7

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 0 / 53 / 53 / 93

HEX #110808

RGB 17 8 8

HSL 0, 0.36%, 0.05%

LAB 2.8, 2.74, 0.96

 

CMYK 0 / 51 / 50 / 73

HEX #442122

RGB 68 33 34

HSL 358.29, 0.35%, 0.2%

LAB 17.61, 16.86, 6.87

 

CMYK 0 / 51 / 50 / 53

HEX #773A3B

RGB 119 58 59

HSL 359.02, 0.34%, 0.35%

LAB 32.4, 26.71, 11.75

 

CMYK 0 / 51 / 51 / 33

HEX #AA5354

RGB 170 83 84

HSL 359.31, 0.34%, 0.5%

LAB 46.14, 35.72, 16.21

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 10 / 0 / 50 / 13

HEX #C8DD6E

RGB 200 221 110

HSL 71.35, 0.62%, 0.65%

LAB 84.54, -23.16, 51.62

 

CMYK 50 / 29 / 0 / 13

HEX #6E9CDD

RGB 110 156 221

HSL 215.14, 0.62%, 0.65%

LAB 63.6, 2.43, -37.8

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 49 / 0 / 50 / 13

HEX #70DD6E

RGB 112 221 110

HSL 118.92, 0.62%, 0.65%

LAB 79.77, -53.24, 44.73

 

CMYK 50 / 49 / 0 / 13

HEX #6E70DD

RGB 110 112 221

HSL 238.92, 0.62%, 0.65%

LAB 51.98, 28.53, -56.2

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 10 / 0 / 50 / 13

HEX #C8DD6E

RGB 200 221 110

HSL 71.35, 0.62%, 0.65%

LAB 84.54, -23.16, 51.62

 

CMYK 50 / 0 / 1 / 13

HEX #6EDDDB

RGB 110 221 219

HSL 178.92, 0.62%, 0.65%

LAB 81.92, -32.14, -8.79

 

CMYK 41 / 50 / 0 / 13

HEX #826EDD

RGB 130 110 221

HSL 250.81, 0.62%, 0.65%

LAB 53.08, 34.28, -54.34

 

CMYK 0 / 51 / 51 / 13

HEX #DD6C6D

RGB 221 108 109

HSL 359.47, 0.62%, 0.65%

LAB 59.16, 44.19, 20.4

 

CMYK 24 / 0 / 50 / 13

HEX #A7DD6E

RGB 167 221 110

HSL 89.19, 0.62%, 0.65%

LAB 82.41, -35.61, 48.55

 

CMYK 50 / 0 / 1 / 13

HEX #6EDDDB

RGB 110 221 219

HSL 178.92, 0.62%, 0.65%

LAB 81.92, -32.14, -8.79

 

CMYK 26 / 50 / 0 / 13

HEX #A36EDD

RGB 163 110 221

HSL 268.65, 0.62%, 0.65%

LAB 56.25, 42.59, -49.11

 

Description

Color code: HEX #DD6C6D | qconv.com Color code: HEX #DD6C6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 108 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 108 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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