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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DD3333 it is the complementary color #22CCCC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DD3333. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DD3333: #E2332E, #F34541, #FF5754, #FF6967 and #FF7B7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DD3333. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DD3333: #DD3333, #CC2120, #BB0F0D, #AA0000 and #990000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

Complementary color

CMYK 83 / 0 / 0 / 20

HEX #22CCCC

RGB 34 204 204

HSL 180, 0.71%, 0.47%

LAB 74.75, -39.22, -11.61

 

CMYK 0 / 77 / 80 / 11

HEX #E2332E

RGB 226 51 46

HSL 1.67, 0.76%, 0.53%

LAB 50.37, 65.47, 45.5

 

CMYK 0 / 72 / 73 / 5

HEX #F34541

RGB 243 69 65

HSL 1.35, 0.88%, 0.6%

LAB 55.78, 65.44, 41.91

 

CMYK 0 / 66 / 67 / 0

HEX #FF5754

RGB 255 87 84

HSL 1.05, 1%, 0.66%

LAB 60.53, 63.4, 37.43

 

CMYK 0 / 59 / 60 / 0

HEX #FF6967

RGB 255 105 103

HSL 0.79, 1%, 0.7%

LAB 63.62, 57, 30.64

 

CMYK 0 / 52 / 52 / 0

HEX #FF7B7A

RGB 255 123 122

HSL 0.45, 1%, 0.74%

LAB 67.15, 50.1, 24.62

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 0 / 84 / 84 / 20

HEX #CC2120

RGB 204 33 32

HSL 0.35, 0.73%, 0.46%

LAB 44.28, 63.54, 45.46

 

CMYK 0 / 92 / 93 / 27

HEX #BB0F0D

RGB 187 15 13

HSL 0.69, 0.87%, 0.39%

LAB 39.47, 61.9, 48.8

 

CMYK 0 / 100 / 100 / 33

HEX #AA0000

RGB 170 0 0

HSL 0, 1%, 0.33%

LAB 35.1, 59.12, 49.41

 

CMYK 0 / 100 / 100 / 40

HEX #990000

RGB 153 0 0

HSL 0, 1%, 0.3%

LAB 31.28, 54.71, 45.14

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 0 / 65 / 77 / 14

HEX #DC4E32

RGB 220 78 50

HSL 9.88, 0.71%, 0.53%

LAB 52.83, 54.07, 45.56

 

CMYK 0 / 52 / 77 / 14

HEX #DC6A32

RGB 220 106 50

HSL 19.76, 0.71%, 0.53%

LAB 57.8, 41.1, 50.59

 

CMYK 0 / 39 / 77 / 14

HEX #DC8732

RGB 220 135 50

HSL 30, 0.71%, 0.53%

LAB 63.98, 26.04, 56.64

 

CMYK 0 / 26 / 77 / 14

HEX #DCA332

RGB 220 163 50

HSL 39.88, 0.71%, 0.53%

LAB 70.62, 11.02, 62.95

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 0 / 76 / 76 / 93

HEX #110404

RGB 17 4 4

HSL 0, 0.62%, 0.04%

LAB 1.94, 3.78, 1.33

 

CMYK 0 / 76 / 76 / 73

HEX #441010

RGB 68 16 16

HSL 0, 0.62%, 0.16%

LAB 13.45, 24.9, 13.67

 

CMYK 0 / 77 / 77 / 53

HEX #771B1B

RGB 119 27 27

HSL 0, 0.63%, 0.29%

LAB 26.11, 39.39, 24.36

 

CMYK 0 / 77 / 77 / 33

HEX #AA2727

RGB 170 39 39

HSL 0, 0.63%, 0.41%

LAB 38.1, 52.18, 33.23

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 15 / 0 / 77 / 14

HEX #BADC32

RGB 186 220 50

HSL 72, 0.71%, 0.53%

LAB 82.84, -32.27, 73.18

 

CMYK 77 / 46 / 0 / 14

HEX #3276DC

RGB 50 118 220

HSL 216, 0.71%, 0.53%

LAB 50.46, 14.44, -58.24

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 77 / 0 / 77 / 14

HEX #32DC32

RGB 50 220 50

HSL 120, 0.71%, 0.53%

LAB 77.34, -71.68, 66.05

 

CMYK 77 / 77 / 0 / 14

HEX #3232DC

RGB 50 50 220

HSL 240, 0.71%, 0.53%

LAB 34.25, 55.86, -84.72

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 15 / 0 / 77 / 14

HEX #BADC32

RGB 186 220 50

HSL 72, 0.71%, 0.53%

LAB 82.84, -32.27, 73.18

 

CMYK 77 / 0 / 0 / 14

HEX #32DCDC

RGB 50 220 220

HSL 180, 0.71%, 0.53%

LAB 80.2, -40.49, -12.03

 

CMYK 62 / 77 / 0 / 14

HEX #5432DC

RGB 84 50 220

HSL 252, 0.71%, 0.53%

LAB 36.62, 58.81, -80.72

 

CMYK 0 / 77 / 77 / 13

HEX #DD3333

RGB 221 51 51

HSL 0, 0.71%, 0.53%

LAB 49.47, 64.18, 41.56

 

CMYK 39 / 0 / 77 / 14

HEX #87DC32

RGB 135 220 50

HSL 90, 0.71%, 0.53%

LAB 79.94, -51.22, 69.44

 

CMYK 77 / 0 / 0 / 14

HEX #32DCDC

RGB 50 220 220

HSL 180, 0.71%, 0.53%

LAB 80.2, -40.49, -12.03

 

CMYK 39 / 77 / 0 / 14

HEX #8732DC

RGB 135 50 220

HSL 270, 0.71%, 0.53%

LAB 42.15, 65.59, -71.42

 

Description

Color code: HEX #DD3333 | qconv.com Color code: HEX #DD3333 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 51 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 51 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 77 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 77% 13% C M Y K



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