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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC9FBC it is the complementary color #236043. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC9FBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC9FBC shade: #E19FB7, #F2B1CA, #FFC3DD, #FFD5F0 and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC9FBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC9FBC shade: #DC9FBC, #CB8DA9, #BA7B96, #A96983 and #985770

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC9FBC shade: #DC9EBB, #DC9EAA and #DC9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC9FBC shade: #DC9EBB, #DC9ECC, #DB9EDC, #CA9EDC and #B99EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC9FBC shade matches the following richer shades: #DC9EBB, #E793BB, #F188BA and #FC7DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC9FBC shade: #DC9EBB, #D1A8BC, #C6B3BC, #BCBEBD and #B1C8BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC9FBC shade: #DB9EDC, #DC9ECC, #DC9EBC, #DC9EAB and #DCA19E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC9FBC shade: #C66191, #D17FA6, #DC9EBB, #E7BCD0 and #F2DAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC9FBC shade: #DC9FBC, #DCCA9E and #9ED5DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC9FBC shade: #DC9FBC, #BCDC9E and #9EBCDC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC9FBC shade: #DC9FBC, #DCCA9E, #9EDCBE and #9EAFDC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC9FBC shade: #DC9FBC, #DBDC9E, #9EDCBE and #9F9EDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 15 / 14

HEX #DC9FBC

RGB 220 159 188

HSL 331.48, 0.47%, 0.74%

LAB 71.99, 27.01, -5.93

 

Complementary color

CMYK 64 / 0 / 30 / 62

HEX #236043

RGB 35 96 67

HSL 151.48, 0.47%, 0.26%

LAB 36.23, -27.28, 10.85

 

CMYK 0 / 29 / 19 / 12

HEX #E19FB7

RGB 225 159 183

HSL 338.18, 0.52%, 0.75%

LAB 72.38, 27.99, -2.54

 

CMYK 0 / 27 / 17 / 5

HEX #F2B1CA

RGB 242 177 202

HSL 336.92, 0.71%, 0.82%

LAB 78.8, 27.32, -3.29

 

CMYK 0 / 24 / 13 / 0

HEX #FFC3DD

RGB 255 195 221

HSL 334, 1%, 0.88%

LAB 84.75, 25.32, -4.61

 

CMYK 0 / 16 / 6 / 0

HEX #FFD5F0

RGB 255 213 240

HSL 321.43, 1%, 0.92%

LAB 89.46, 19.02, -7.72

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 28 / 15 / 14

HEX #DC9FBC

RGB 220 159 188

HSL 331.48, 0.47%, 0.74%

LAB 71.99, 27.01, -5.93

 

CMYK 0 / 31 / 17 / 20

HEX #CB8DA9

RGB 203 141 169

HSL 332.9, 0.37%, 0.67%

LAB 65.44, 27.7, -5.21

 

CMYK 0 / 34 / 19 / 27

HEX #BA7B96

RGB 186 123 150

HSL 334.29, 0.31%, 0.61%

LAB 58.8, 28.45, -4.43

 

CMYK 0 / 38 / 22 / 34

HEX #A96983

RGB 169 105 131

HSL 335.63, 0.27%, 0.54%

LAB 52.04, 29.26, -3.55

 

CMYK 0 / 43 / 26 / 40

HEX #985770

RGB 152 87 112

HSL 336.92, 0.27%, 0.47%

LAB 45.17, 30.14, -2.53

 

CMYK 0 / 28 / 15 / 14

HEX #DC9EBB

RGB 220 158 187

HSL 331.94, 0.47%, 0.74%

LAB 71.73, 27.39, -5.76

 

CMYK 0 / 28 / 23 / 14

HEX #DC9EAA

RGB 220 158 170

HSL 348.39, 0.47%, 0.74%

LAB 71.26, 24.78, 2.97

 

CMYK 0 / 28 / 28 / 14

HEX #DC9E9E

RGB 220 158 158

HSL 0, 0.47%, 0.74%

LAB 70.97, 23.08, 9.18

 

CMYK 0 / 28 / 15 / 14

HEX #DC9EBB

RGB 220 158 187

HSL 331.94, 0.47%, 0.74%

LAB 71.73, 27.39, -5.76

 

CMYK 0 / 28 / 7 / 14

HEX #DC9ECC

RGB 220 158 204

HSL 315.48, 0.47%, 0.74%

LAB 72.25, 30.23, -14.37

 

CMYK 0 / 28 / 0 / 14

HEX #DB9EDC

RGB 219 158 220

HSL 299.03, 0.47%, 0.74%

LAB 72.68, 32.78, -22.52

 

CMYK 8 / 28 / 0 / 14

HEX #CA9EDC

RGB 202 158 220

HSL 282.58, 0.47%, 0.74%

LAB 70.99, 27.31, -25.25

 

CMYK 16 / 28 / 0 / 14

HEX #B99EDC

RGB 185 158 220

HSL 266.13, 0.47%, 0.74%

LAB 69.42, 21.93, -27.79

 

CMYK 0 / 28 / 15 / 14

HEX #DC9EBB

RGB 220 158 187

HSL 331.94, 0.47%, 0.74%

LAB 71.73, 27.39, -5.76

 

CMYK 0 / 36 / 19 / 9

HEX #E793BB

RGB 231 147 187

HSL 331.43, 0.64%, 0.74%

LAB 70.49, 37.09, -7.47

 

CMYK 0 / 44 / 23 / 5

HEX #F188BA

RGB 241 136 186

HSL 331.43, 0.79%, 0.74%

LAB 69.37, 46.01, -8.45

 

CMYK 0 / 50 / 26 / 1

HEX #FC7DBA

RGB 252 125 186

HSL 331.18, 0.95%, 0.74%

LAB 68.68, 55, -9.31

 

CMYK 0 / 28 / 15 / 14

HEX #DC9EBB

RGB 220 158 187

HSL 331.94, 0.47%, 0.74%

LAB 71.73, 27.39, -5.76

 

CMYK 0 / 20 / 10 / 18

HEX #D1A8BC

RGB 209 168 188

HSL 330.73, 0.31%, 0.74%

LAB 73.02, 18.24, -4.53

 

CMYK 0 / 10 / 5 / 22

HEX #C6B3BC

RGB 198 179 188

HSL 331.58, 0.14%, 0.74%

LAB 74.75, 8.36, -2.11

 

CMYK 1 / 0 / 1 / 25

HEX #BCBEBD

RGB 188 190 189

HSL 150, 0.02%, 0.74%

LAB 76.8, -0.88, 0.25

 

CMYK 12 / 0 / 5 / 22

HEX #B1C8BD

RGB 177 200 189

HSL 151.3, 0.17%, 0.74%

LAB 78.65, -9.9, 2.86

 

CMYK 0 / 28 / 0 / 14

HEX #DB9EDC

RGB 219 158 220

HSL 299.03, 0.47%, 0.74%

LAB 72.68, 32.78, -22.52

 

CMYK 0 / 28 / 7 / 14

HEX #DC9ECC

RGB 220 158 204

HSL 315.48, 0.47%, 0.74%

LAB 72.25, 30.23, -14.37

 

CMYK 0 / 28 / 15 / 14

HEX #DC9EBC

RGB 220 158 188

HSL 330.97, 0.47%, 0.74%

LAB 71.76, 27.55, -6.27

 

CMYK 0 / 28 / 22 / 14

HEX #DC9EAB

RGB 220 158 171

HSL 347.42, 0.47%, 0.74%

LAB 71.29, 24.92, 2.45

 

CMYK 0 / 27 / 28 / 14

HEX #DCA19E

RGB 220 161 158

HSL 2.9, 0.47%, 0.74%

LAB 71.67, 21.46, 10.19

 

CMYK 0 / 51 / 27 / 22

HEX #C66191

RGB 198 97 145

HSL 331.49, 0.47%, 0.58%

LAB 54.66, 45.7, -7.49

 

CMYK 0 / 39 / 21 / 18

HEX #D17FA6

RGB 209 127 166

HSL 331.46, 0.47%, 0.66%

LAB 62.92, 36.91, -7.18

 

CMYK 0 / 28 / 15 / 14

HEX #DC9EBB

RGB 220 158 187

HSL 331.94, 0.47%, 0.74%

LAB 71.73, 27.39, -5.76

 

CMYK 0 / 19 / 10 / 9

HEX #E7BCD0

RGB 231 188 208

HSL 332.09, 0.47%, 0.82%

LAB 80.47, 18.59, -4.21

 

CMYK 0 / 10 / 5 / 5

HEX #F2DAE5

RGB 242 218 229

HSL 332.5, 0.48%, 0.9%

LAB 89.24, 10.11, -2.38

 

CMYK 0 / 28 / 15 / 14

HEX #DC9FBC

RGB 220 159 188

HSL 331.48, 0.47%, 0.74%

LAB 71.99, 27.01, -5.93

 

CMYK 0 / 8 / 28 / 14

HEX #DCCA9E

RGB 220 202 158

HSL 42.58, 0.47%, 0.74%

LAB 81.8, -0.37, 24.29

 

CMYK 28 / 3 / 0 / 14

HEX #9ED5DC

RGB 158 213 220

HSL 186.77, 0.47%, 0.74%

LAB 81.85, -15.97, -9.18

 

CMYK 0 / 28 / 15 / 14

HEX #DC9FBC

RGB 220 159 188

HSL 331.48, 0.47%, 0.74%

LAB 71.99, 27.01, -5.93

 

CMYK 15 / 0 / 28 / 14

HEX #BCDC9E

RGB 188 220 158

HSL 90.97, 0.47%, 0.74%

LAB 84.15, -21.41, 27.08

 

CMYK 28 / 15 / 0 / 14

HEX #9EBCDC

RGB 158 188 220

HSL 210.97, 0.47%, 0.74%

LAB 75.08, -2.88, -19.35

 

CMYK 0 / 28 / 15 / 14

HEX #DC9FBC

RGB 220 159 188

HSL 331.48, 0.47%, 0.74%

LAB 71.99, 27.01, -5.93

 

CMYK 0 / 8 / 28 / 14

HEX #DCCA9E

RGB 220 202 158

HSL 42.58, 0.47%, 0.74%

LAB 81.8, -0.37, 24.29

 

CMYK 28 / 0 / 14 / 14

HEX #9EDCBE

RGB 158 220 190

HSL 150.97, 0.47%, 0.74%

LAB 83.01, -25.86, 8.45

 

CMYK 28 / 20 / 0 / 14

HEX #9EAFDC

RGB 158 175 220

HSL 223.55, 0.47%, 0.74%

LAB 71.62, 4.22, -24.61

 

CMYK 0 / 28 / 15 / 14

HEX #DC9FBC

RGB 220 159 188

HSL 331.48, 0.47%, 0.74%

LAB 71.99, 27.01, -5.93

 

CMYK 0 / 0 / 28 / 14

HEX #DBDC9E

RGB 219 220 158

HSL 60.97, 0.47%, 0.74%

LAB 86.36, -9.98, 30.44

 

CMYK 28 / 0 / 14 / 14

HEX #9EDCBE

RGB 158 220 190

HSL 150.97, 0.47%, 0.74%

LAB 83.01, -25.86, 8.45

 

CMYK 28 / 28 / 0 / 14

HEX #9F9EDC

RGB 159 158 220

HSL 240.97, 0.47%, 0.74%

LAB 67.27, 14.02, -31.29

 

Description

Color code: HEX #DC9FBC | qconv.com Color code: HEX #DC9FBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 159 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 159 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 15 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 15% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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