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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBF7A6 it is the complementary color #240859. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBF7A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBF7A6 shade: #E0F7A1, #F1FFB4, #FFFFC7, #FFFFDA and #FFFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBF7A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBF7A6 shade: #DBF7A6, #CAE593, #B9D380, #A8C16D and #97AF5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBF7A6 shade: #DBF7A6, #F1F7A6, #F7E7A6, #F7D2A6 and #F7BCA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBF7A6 shade: #DBF7A6, #C5F7A6, #AFF7A6, #A6F7B2 and #A6F7C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBF7A6 shade matches the following richer shades: #DBF7A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBF7A6 shade: #DBF7A6, #D9EFAE, #D6E8B6, #D4E0BD and #D1D8C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBF7A6 shade: #F7E7A6, #F2F7A6, #DCF7A6, #C6F7A6 and #B1F7A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBF7A6 shade: #BDF15A, #CCF480, #DBF7A6, #EAFBCC and #FAFEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBF7A6 shade: #DBF7A6, #A6F7D1 and #F2A6F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBF7A6 shade: #DBF7A6, #A6DCF7 and #F7A6DC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBF7A6 shade: #DBF7A6, #A6F7D1, #C1A6F7 and #F7A6CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBF7A6 shade: #DBF7A6, #A6F7EA, #C1A6F7 and #F7A6B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

Complementary color

CMYK 60 / 91 / 0 / 65

HEX #240859

RGB 36 8 89

HSL 260.74, 0.84%, 0.19%

LAB 11.06, 34.34, -42.22

 

CMYK 9 / 0 / 35 / 3

HEX #E0F7A1

RGB 224 247 161

HSL 76.05, 0.84%, 0.8%

LAB 93.86, -21.06, 38.9

 

CMYK 5 / 0 / 29 / 0

HEX #F1FFB4

RGB 241 255 180

HSL 71.2, 1%, 0.85%

LAB 97.44, -16.33, 34.39

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 12 / 0 / 36 / 10

HEX #CAE593

RGB 202 229 147

HSL 79.76, 0.61%, 0.74%

LAB 87.34, -22.2, 37.1

 

CMYK 12 / 0 / 39 / 17

HEX #B9D380

RGB 185 211 128

HSL 78.8, 0.49%, 0.66%

LAB 80.99, -22.14, 38.23

 

CMYK 13 / 0 / 44 / 24

HEX #A8C16D

RGB 168 193 109

HSL 77.86, 0.4%, 0.59%

LAB 74.55, -22.04, 39.39

 

CMYK 14 / 0 / 49 / 31

HEX #97AF5A

RGB 151 175 90

HSL 76.94, 0.35%, 0.52%

LAB 68, -21.89, 40.57

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 2 / 0 / 33 / 3

HEX #F1F7A6

RGB 241 247 166

HSL 64.44, 0.84%, 0.81%

LAB 95.15, -14.16, 38.34

 

CMYK 0 / 6 / 33 / 3

HEX #F7E7A6

RGB 247 231 166

HSL 48.15, 0.84%, 0.81%

LAB 91.54, -3.94, 33.66

 

CMYK 0 / 15 / 33 / 3

HEX #F7D2A6

RGB 247 210 166

HSL 32.59, 0.84%, 0.81%

LAB 86.32, 6.8, 26.64

 

CMYK 0 / 24 / 33 / 3

HEX #F7BCA6

RGB 247 188 166

HSL 16.3, 0.84%, 0.81%

LAB 81.01, 18.31, 19.36

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 20 / 0 / 33 / 3

HEX #C5F7A6

RGB 197 247 166

HSL 97.04, 0.84%, 0.81%

LAB 92.2, -30.02, 33.9

 

CMYK 29 / 0 / 33 / 3

HEX #AFF7A6

RGB 175 247 166

HSL 113.33, 0.84%, 0.81%

LAB 90.96, -37.36, 32.03

 

CMYK 33 / 0 / 28 / 3

HEX #A6F7B2

RGB 166 247 178

HSL 128.89, 0.84%, 0.81%

LAB 90.71, -38.25, 25.53

 

CMYK 33 / 0 / 19 / 3

HEX #A6F7C8

RGB 166 247 200

HSL 145.19, 0.84%, 0.81%

LAB 91.14, -34.31, 14.85

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 9 / 0 / 27 / 6

HEX #D9EFAE

RGB 217 239 174

HSL 80.31, 0.67%, 0.81%

LAB 91.48, -18.01, 29.12

 

CMYK 8 / 0 / 22 / 9

HEX #D6E8B6

RGB 214 232 182

HSL 81.6, 0.52%, 0.81%

LAB 89.57, -14.47, 22.38

 

CMYK 5 / 0 / 16 / 12

HEX #D4E0BD

RGB 212 224 189

HSL 80.57, 0.36%, 0.81%

LAB 87.48, -10.09, 15.79

 

CMYK 3 / 0 / 9 / 15

HEX #D1D8C5

RGB 209 216 197

HSL 82.11, 0.2%, 0.81%

LAB 85.35, -5.74, 8.54

 

CMYK 0 / 6 / 33 / 3

HEX #F7E7A6

RGB 247 231 166

HSL 48.15, 0.84%, 0.81%

LAB 91.54, -3.94, 33.66

 

CMYK 2 / 0 / 33 / 3

HEX #F2F7A6

RGB 242 247 166

HSL 63.7, 0.84%, 0.81%

LAB 95.22, -13.79, 38.45

 

CMYK 11 / 0 / 33 / 3

HEX #DCF7A6

RGB 220 247 166

HSL 80, 0.84%, 0.81%

LAB 93.66, -21.89, 36.11

 

CMYK 20 / 0 / 33 / 3

HEX #C6F7A6

RGB 198 247 166

HSL 96.3, 0.84%, 0.81%

LAB 92.26, -29.68, 33.99

 

CMYK 28 / 0 / 33 / 3

HEX #B1F7A6

RGB 177 247 166

HSL 111.85, 0.84%, 0.81%

LAB 91.06, -36.71, 32.19

 

CMYK 22 / 0 / 63 / 5

HEX #BDF15A

RGB 189 241 90

HSL 80.66, 0.84%, 0.65%

LAB 89.14, -38.35, 65.39

 

CMYK 16 / 0 / 48 / 4

HEX #CCF480

RGB 204 244 128

HSL 80.69, 0.84%, 0.73%

LAB 91.28, -30.77, 51.35

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 7 / 0 / 19 / 2

HEX #EAFBCC

RGB 234 251 204

HSL 81.7, 0.85%, 0.89%

LAB 96.35, -13.49, 20.69

 

CMYK 2 / 0 / 5 / 0

HEX #FAFEF2

RGB 250 254 242

HSL 80, 0.86%, 0.97%

LAB 99.07, -3.39, 5.26

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 33 / 0 / 15 / 3

HEX #A6F7D1

RGB 166 247 209

HSL 151.85, 0.84%, 0.81%

LAB 91.34, -32.57, 10.48

 

CMYK 2 / 33 / 0 / 3

HEX #F2A6F7

RGB 242 166 247

HSL 296.3, 0.84%, 0.81%

LAB 77.8, 40.79, -29.17

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 33 / 11 / 0 / 3

HEX #A6DCF7

RGB 166 220 247

HSL 200, 0.84%, 0.81%

LAB 85, -10.99, -18.75

 

CMYK 0 / 33 / 11 / 3

HEX #F7A6DC

RGB 247 166 220

HSL 320, 0.84%, 0.81%

LAB 77.41, 37.69, -15.08

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 33 / 0 / 15 / 3

HEX #A6F7D1

RGB 166 247 209

HSL 151.85, 0.84%, 0.81%

LAB 91.34, -32.57, 10.48

 

CMYK 22 / 33 / 0 / 3

HEX #C1A6F7

RGB 193 166 247

HSL 260, 0.84%, 0.81%

LAB 73.11, 25.95, -36.79

 

CMYK 0 / 33 / 17 / 3

HEX #F7A6CC

RGB 247 166 204

HSL 331.85, 0.84%, 0.81%

LAB 76.92, 35.17, -7.09

 

CMYK 11 / 0 / 33 / 3

HEX #DBF7A6

RGB 219 247 166

HSL 80.74, 0.84%, 0.81%

LAB 93.6, -22.25, 36.01

 

CMYK 33 / 0 / 5 / 3

HEX #A6F7EA

RGB 166 247 234

HSL 170.37, 0.84%, 0.81%

LAB 91.94, -27.38, -1.61

 

CMYK 22 / 33 / 0 / 3

HEX #C1A6F7

RGB 193 166 247

HSL 260, 0.84%, 0.81%

LAB 73.11, 25.95, -36.79

 

CMYK 0 / 33 / 28 / 3

HEX #F7A6B3

RGB 247 166 179

HSL 350.37, 0.84%, 0.81%

LAB 76.25, 31.58, 5.6

 

Description

Color code: HEX #DBF7A6 | qconv.com Color code: HEX #DBF7A6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 247 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 247 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 33 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 33% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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