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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB80AC it is the complementary color #247F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB80AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB80AC shade: #E080A7, #F192BA, #FFA4CD, #FFB6E0 and #FFC8F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB80AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB80AC shade: #DB80AC, #CA6E99, #B95C86, #A84A73 and #973860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB80AC shade: #DB80AC, #DB8093 and #DB8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB80AC shade: #DB80AC, #DB80C5, #D980DB, #C080DB and #A880DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB80AC shade matches the following richer shades: #DB80AC, #E873AB and #F665AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB80AC shade: #DB80AC, #CE8DAC, #C19AAD, #B3A7AD and #A6B5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB80AC shade: #D880DB, #DB80C6, #DB80AD, #DB8095 and #DB8380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB80AC shade: #C93F82, #D26097, #DB80AC, #E4A0C1 and #EDC0D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB80AC shade: #DB80AC, #DBC080 and #80D2DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB80AC shade: #DB80AC, #ADDB80 and #80ADDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB80AC shade: #DB80AC, #DBC080, #80DBAD and #809BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB80AC shade: #DB80AC, #DBDB80, #80DBAD and #8080DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

Complementary color

CMYK 72 / 0 / 35 / 50

HEX #247F53

RGB 36 127 83

HSL 150.99, 0.56%, 0.32%

LAB 47.21, -37.37, 16.44

 

CMYK 0 / 43 / 25 / 12

HEX #E080A7

RGB 224 128 167

HSL 335.63, 0.61%, 0.69%

LAB 65.02, 41.71, -4.43

 

CMYK 0 / 39 / 23 / 5

HEX #F192BA

RGB 241 146 186

HSL 334.74, 0.77%, 0.76%

LAB 71.42, 40.89, -5.4

 

CMYK 0 / 36 / 20 / 0

HEX #FFA4CD

RGB 255 164 205

HSL 332.97, 1%, 0.82%

LAB 77.41, 39.09, -6.81

 

CMYK 0 / 29 / 12 / 0

HEX #FFB6E0

RGB 255 182 224

HSL 325.48, 1%, 0.86%

LAB 81.89, 32.63, -10.45

 

CMYK 0 / 22 / 5 / 0

HEX #FFC8F3

RGB 255 200 243

HSL 313.09, 1%, 0.89%

LAB 86.52, 26.35, -13.68

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 46 / 24 / 21

HEX #CA6E99

RGB 202 110 153

HSL 331.96, 0.46%, 0.61%

LAB 58.04, 41.54, -7.05

 

CMYK 0 / 50 / 28 / 27

HEX #B95C86

RGB 185 92 134

HSL 332.9, 0.4%, 0.54%

LAB 51.48, 42.36, -5.91

 

CMYK 0 / 56 / 32 / 34

HEX #A84A73

RGB 168 74 115

HSL 333.83, 0.39%, 0.47%

LAB 44.89, 43.12, -4.52

 

CMYK 0 / 63 / 36 / 41

HEX #973860

RGB 151 56 96

HSL 334.74, 0.46%, 0.41%

LAB 38.29, 43.71, -2.78

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 42 / 33 / 14

HEX #DB8093

RGB 219 128 147

HSL 347.47, 0.56%, 0.68%

LAB 63.84, 37.3, 5.14

 

CMYK 0 / 42 / 42 / 14

HEX #DB8080

RGB 219 128 128

HSL 0, 0.56%, 0.68%

LAB 63.39, 35.07, 15.3

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 42 / 10 / 14

HEX #DB80C5

RGB 219 128 197

HSL 314.51, 0.56%, 0.68%

LAB 65.38, 44.64, -20.89

 

CMYK 1 / 42 / 0 / 14

HEX #D980DB

RGB 217 128 219

HSL 298.68, 0.56%, 0.68%

LAB 65.99, 47.86, -32.28

 

CMYK 12 / 42 / 0 / 14

HEX #C080DB

RGB 192 128 219

HSL 282.2, 0.56%, 0.68%

LAB 63.14, 40.44, -36.91

 

CMYK 23 / 42 / 0 / 14

HEX #A880DB

RGB 168 128 219

HSL 266.37, 0.56%, 0.68%

LAB 60.67, 33.45, -40.96

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 50 / 26 / 9

HEX #E873AB

RGB 232 115 171

HSL 331.28, 0.72%, 0.68%

LAB 63.64, 51.45, -8.64

 

CMYK 0 / 59 / 30 / 4

HEX #F665AB

RGB 246 101 171

HSL 331.03, 0.89%, 0.68%

LAB 63.21, 62.23, -9.06

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 32 / 17 / 19

HEX #CE8DAC

RGB 206 141 172

HSL 331.38, 0.4%, 0.68%

LAB 65.87, 29.25, -6.24

 

CMYK 0 / 20 / 10 / 24

HEX #C19AAD

RGB 193 154 173

HSL 330.77, 0.24%, 0.68%

LAB 67.63, 17.62, -4.35

 

CMYK 0 / 7 / 3 / 30

HEX #B3A7AD

RGB 179 167 173

HSL 330, 0.07%, 0.68%

LAB 69.64, 5.41, -1.54

 

CMYK 8 / 0 / 4 / 29

HEX #A6B5AE

RGB 166 181 174

HSL 152, 0.09%, 0.68%

LAB 72.37, -6.55, 1.77

 

CMYK 1 / 42 / 0 / 14

HEX #D880DB

RGB 216 128 219

HSL 298.02, 0.56%, 0.68%

LAB 65.87, 47.56, -32.47

 

CMYK 0 / 42 / 10 / 14

HEX #DB80C6

RGB 219 128 198

HSL 313.85, 0.56%, 0.68%

LAB 65.42, 44.8, -21.39

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AD

RGB 219 128 173

HSL 330.33, 0.56%, 0.68%

LAB 64.58, 40.87, -8.56

 

CMYK 0 / 42 / 32 / 14

HEX #DB8095

RGB 219 128 149

HSL 346.15, 0.56%, 0.68%

LAB 63.89, 37.56, 4.07

 

CMYK 0 / 40 / 42 / 14

HEX #DB8380

RGB 219 131 128

HSL 1.98, 0.56%, 0.68%

LAB 64.04, 33.48, 16.21

 

CMYK 0 / 69 / 35 / 21

HEX #C93F82

RGB 201 63 130

HSL 330.87, 0.56%, 0.52%

LAB 48.99, 59.91, -6.96

 

CMYK 0 / 54 / 28 / 18

HEX #D26097

RGB 210 96 151

HSL 331.05, 0.56%, 0.6%

LAB 56.39, 50.9, -8.24

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 30 / 15 / 11

HEX #E4A0C1

RGB 228 160 193

HSL 330.88, 0.56%, 0.76%

LAB 73.21, 30.08, -6.79

 

CMYK 0 / 19 / 10 / 7

HEX #EDC0D6

RGB 237 192 214

HSL 330.67, 0.56%, 0.84%

LAB 82.14, 19.55, -4.9

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 42 / 4 / 0 / 14

HEX #80D2DB

RGB 128 210 219

HSL 185.93, 0.56%, 0.68%

LAB 79.5, -22.7, -12.31

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 21 / 0 / 42 / 14

HEX #ADDB80

RGB 173 219 128

HSL 90.33, 0.56%, 0.68%

LAB 82.44, -30.42, 39.91

 

CMYK 42 / 21 / 0 / 14

HEX #80ADDB

RGB 128 173 219

HSL 210.33, 0.56%, 0.68%

LAB 69.18, -3.27, -27.97

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 12 / 42 / 14

HEX #DBC080

RGB 219 192 128

HSL 42.2, 0.56%, 0.68%

LAB 78.65, 0.87, 35.75

 

CMYK 42 / 0 / 21 / 14

HEX #80DBAD

RGB 128 219 173

HSL 149.67, 0.56%, 0.68%

LAB 80.89, -37.46, 14.22

 

CMYK 42 / 29 / 0 / 14

HEX #809BDB

RGB 128 155 219

HSL 222.2, 0.56%, 0.68%

LAB 64.28, 6.84, -35.55

 

CMYK 0 / 42 / 21 / 14

HEX #DB80AC

RGB 219 128 172

HSL 330.99, 0.56%, 0.68%

LAB 64.55, 40.72, -8.04

 

CMYK 0 / 0 / 42 / 14

HEX #DBDB80

RGB 219 219 128

HSL 60, 0.56%, 0.68%

LAB 85.65, -12.96, 44.64

 

CMYK 42 / 0 / 21 / 14

HEX #80DBAD

RGB 128 219 173

HSL 149.67, 0.56%, 0.68%

LAB 80.89, -37.46, 14.22

 

CMYK 42 / 42 / 0 / 14

HEX #8080DB

RGB 128 128 219

HSL 240, 0.56%, 0.68%

LAB 57.21, 22.6, -46.65

 

Description

Color code: HEX #DB80AC | qconv.com Color code: HEX #DB80AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 128 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 128 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 21 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 21% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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