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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB6C7E33 it is the complementary color #24938133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB6C7E33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DB6C7E33 shade: #E06C7933, #F17E8C33, #FF909F33, #FFA2B233 and #FFB4C533

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB6C7E33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DB6C7E33 shade: #DB6C7E33, #CA5A6B33, #B9485833, #A8364533 and #97243233

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DB6C7E33 shade: #DB6B7D and #DB6B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DB6C7E33 shade: #DB6B7D, #DB6B9C, #DB6BBA, #DB6BD8 and #C06BDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DB6C7E33 shade matches the following richer shades: #DB6B7D, #EA5C73 and #F94D69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DB6C7E33 shade: #DB6B7D, #CC7A87, #BD8991, #AF989B and #A0A7A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DB6C7E33 shade: #DB6BBA, #DB6B9C, #DB6B7E, #DB766B and #DB946B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DB6C7E33 shade: #C43048, #D34A60, #DB6B7D, #E38C9A and #EBAEB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DB6C7E33 shade: #DB6C7E, #D7DB6B and #6BABDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DB6C7E33 shade: #DB6C7E, #7EDB6B and #6B7EDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DB6C7E33 shade: #DB6C7E, #D7DB6B, #6BDBC9 and #6F6BDB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DB6C7E33 shade: #DB6C7E, #B6DB6B, #6BDBC9 and #916BDB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 8 / 3

HEX #DB6C7E33

RGBA 219 108 126 0.2

HSLA 350.27, 0.61%, 0.64%, 0.2

LABA 59.24, 45.12, 10.64, 0.2

 

Complementary color

CMYK 15 / 0 / 2 / 8

HEX #24938133

RGBA 36 147 129 0.2

HSLA 170.27, 0.61%, 0.36%, 0.2

LABA 54.89, -34.64, 0.79, 0.2

 

CMYK 0 / 10 / 9 / 2

HEX #E06C7933

RGBA 224 108 121 0.2

HSLA 353.28, 0.65%, 0.65%, 0.2

LABA 59.85, 46.37, 14.49, 0.2

 

CMYK 0 / 10 / 8 / 1

HEX #F17E8C33

RGBA 241 126 140 0.2

HSLA 352.7, 0.8%, 0.72%, 0.2

LABA 66.15, 45.38, 12.79, 0.2

 

CMYK 0 / 9 / 8 / 0

HEX #FF909F33

RGBA 255 144 159 0.2

HSLA 351.89, 1%, 0.78%, 0.2

LABA 72.03, 43.35, 10.71, 0.2

 

CMYK 0 / 7 / 6 / 0

HEX #FFA2B233

RGBA 255 162 178 0.2

HSLA 349.68, 1%, 0.82%, 0.2

LABA 76.26, 36.41, 6.28, 0.2

 

CMYK 0 / 6 / 5 / 0

HEX #FFB4C533

RGBA 255 180 197 0.2

HSLA 346.4, 1%, 0.85%, 0.2

LABA 80.7, 29.58, 2.36, 0.2

 

CMYK 0 / 10 / 8 / 3

HEX #DB6C7E33

RGBA 219 108 126 0.2

HSLA 350.27, 0.61%, 0.64%, 0.2

LABA 59.24, 45.12, 10.64, 0.2

 

CMYK 0 / 11 / 9 / 4

HEX #CA5A6B33

RGBA 202 90 107 0.2

HSLA 350.89, 0.51%, 0.57%, 0.2

LABA 52.87, 46.07, 12.48, 0.2

 

CMYK 0 / 12 / 10 / 5

HEX #B9485833

RGBA 185 72 88 0.2

HSLA 351.5, 0.45%, 0.5%, 0.2

LABA 46.52, 46.94, 14.68, 0.2

 

CMYK 0 / 14 / 12 / 7

HEX #A8364533

RGBA 168 54 69 0.2

HSLA 352.11, 0.51%, 0.44%, 0.2

LABA 40.23, 47.59, 17.4, 0.2

 

CMYK 0 / 15 / 13 / 8

HEX #97243233

RGBA 151 36 50 0.2

HSLA 352.7, 0.61%, 0.37%, 0.2

LABA 34.13, 47.78, 20.85, 0.2

 

CMYK 0 / 51 / 43 / 14

HEX #DB6B7D

RGB 219 107 125

HSL 350.36, 0.61%, 0.64%

LAB 59.03, 45.51, 10.92

 

CMYK 0 / 51 / 51 / 14

HEX #DB6B6B

RGB 219 107 107

HSL 0, 0.61%, 0.64%

LAB 58.64, 43.78, 20.79

 

CMYK 0 / 51 / 43 / 14

HEX #DB6B7D

RGB 219 107 125

HSL 350.36, 0.61%, 0.64%

LAB 59.03, 45.51, 10.92

 

CMYK 0 / 51 / 29 / 14

HEX #DB6B9C

RGB 219 107 156

HSL 333.75, 0.61%, 0.64%

LAB 59.87, 49.15, -5.83

 

CMYK 0 / 51 / 15 / 14

HEX #DB6BBA

RGB 219 107 186

HSL 317.68, 0.61%, 0.64%

LAB 60.89, 53.41, -21.52

 

CMYK 0 / 51 / 1 / 14

HEX #DB6BD8

RGB 219 107 216

HSL 301.61, 0.61%, 0.64%

LAB 62.11, 58.32, -36.6

 

CMYK 12 / 51 / 0 / 14

HEX #C06BDB

RGB 192 107 219

HSL 285.54, 0.61%, 0.64%

LAB 58.82, 51.5, -43.69

 

CMYK 0 / 51 / 43 / 14

HEX #DB6B7D

RGB 219 107 125

HSL 350.36, 0.61%, 0.64%

LAB 59.03, 45.51, 10.92

 

CMYK 0 / 61 / 51 / 8

HEX #EA5C73

RGB 234 92 115

HSL 350.28, 0.77%, 0.64%

LAB 58.4, 56.65, 16.2

 

CMYK 0 / 69 / 58 / 2

HEX #F94D69

RGB 249 77 105

HSL 350.23, 0.93%, 0.64%

LAB 58.48, 66.55, 22.56

 

CMYK 0 / 51 / 43 / 14

HEX #DB6B7D

RGB 219 107 125

HSL 350.36, 0.61%, 0.64%

LAB 59.03, 45.51, 10.92

 

CMYK 0 / 40 / 34 / 20

HEX #CC7A87

RGB 204 122 135

HSL 350.49, 0.45%, 0.64%

LAB 60.34, 33.48, 6.73

 

CMYK 0 / 28 / 23 / 26

HEX #BD8991

RGB 189 137 145

HSL 350.77, 0.28%, 0.64%

LAB 62.3, 21.03, 3.6

 

CMYK 0 / 13 / 11 / 31

HEX #AF989B

RGB 175 152 155

HSL 352.17, 0.13%, 0.64%

LAB 64.91, 9.02, 1.56

 

CMYK 4 / 0 / 1 / 35

HEX #A0A7A6

RGB 160 167 166

HSL 171.43, 0.04%, 0.64%

LAB 67.92, -2.67, -0.35

 

CMYK 0 / 51 / 15 / 14

HEX #DB6BBA

RGB 219 107 186

HSL 317.68, 0.61%, 0.64%

LAB 60.89, 53.41, -21.52

 

CMYK 0 / 51 / 29 / 14

HEX #DB6B9C

RGB 219 107 156

HSL 333.75, 0.61%, 0.64%

LAB 59.87, 49.15, -5.83

 

CMYK 0 / 51 / 42 / 14

HEX #DB6B7E

RGB 219 107 126

HSL 349.82, 0.61%, 0.64%

LAB 59.05, 45.62, 10.37

 

CMYK 0 / 46 / 51 / 14

HEX #DB766B

RGB 219 118 107

HSL 5.89, 0.61%, 0.64%

LAB 60.85, 38.2, 23.76

 

CMYK 0 / 32 / 51 / 14

HEX #DB946B

RGB 219 148 107

HSL 21.96, 0.61%, 0.64%

LAB 67.5, 22.29, 32.46

 

CMYK 0 / 76 / 63 / 23

HEX #C43048

RGB 196 48 72

HSL 350.27, 0.61%, 0.48%

LAB 44.68, 58.75, 22.36

 

CMYK 0 / 65 / 55 / 17

HEX #D34A60

RGB 211 74 96

HSL 350.36, 0.61%, 0.56%

LAB 51.37, 55.34, 17.19

 

CMYK 0 / 51 / 43 / 14

HEX #DB6B7D

RGB 219 107 125

HSL 350.36, 0.61%, 0.64%

LAB 59.03, 45.51, 10.92

 

CMYK 0 / 38 / 32 / 11

HEX #E38C9A

RGB 227 140 154

HSL 350.34, 0.61%, 0.72%

LAB 67.59, 34.77, 6.7

 

CMYK 0 / 26 / 22 / 8

HEX #EBAEB8

RGB 235 174 184

HSL 350.16, 0.6%, 0.8%

LAB 76.92, 23.71, 3.66

 

CMYK 0 / 51 / 42 / 14

HEX #DB6C7E

RGB 219 108 126

HSL 350.27, 0.61%, 0.64%

LAB 59.24, 45.12, 10.64

 

CMYK 2 / 0 / 51 / 14

HEX #D7DB6B

RGB 215 219 107

HSL 62.14, 0.61%, 0.64%

LAB 85.08, -16.52, 53.92

 

CMYK 51 / 22 / 0 / 14

HEX #6BABDB

RGB 107 171 219

HSL 205.71, 0.61%, 0.64%

LAB 67.55, -7.25, -30.57

 

CMYK 0 / 51 / 42 / 14

HEX #DB6C7E

RGB 219 108 126

HSL 350.27, 0.61%, 0.64%

LAB 59.24, 45.12, 10.64

 

CMYK 42 / 0 / 51 / 14

HEX #7EDB6B

RGB 126 219 107

HSL 109.82, 0.61%, 0.64%

LAB 79.7, -48.79, 46.21

 

CMYK 51 / 42 / 0 / 14

HEX #6B7EDB

RGB 107 126 219

HSL 229.82, 0.61%, 0.64%

LAB 55.24, 18.8, -49.87

 

CMYK 0 / 51 / 42 / 14

HEX #DB6C7E

RGB 219 108 126

HSL 350.27, 0.61%, 0.64%

LAB 59.24, 45.12, 10.64

 

CMYK 2 / 0 / 51 / 14

HEX #D7DB6B

RGB 215 219 107

HSL 62.14, 0.61%, 0.64%

LAB 85.08, -16.52, 53.92

 

CMYK 51 / 0 / 8 / 14

HEX #6BDBC9

RGB 107 219 201

HSL 170.36, 0.61%, 0.64%

LAB 80.74, -36.34, -0.95

 

CMYK 49 / 51 / 0 / 14

HEX #6F6BDB

RGB 111 107 219

HSL 242.14, 0.61%, 0.64%

LAB 50.7, 31.15, -57.11

 

CMYK 0 / 51 / 42 / 14

HEX #DB6C7E

RGB 219 108 126

HSL 350.27, 0.61%, 0.64%

LAB 59.24, 45.12, 10.64

 

CMYK 17 / 0 / 51 / 14

HEX #B6DB6B

RGB 182 219 107

HSL 79.82, 0.61%, 0.64%

LAB 82.74, -29.43, 50.57

 

CMYK 51 / 0 / 8 / 14

HEX #6BDBC9

RGB 107 219 201

HSL 170.36, 0.61%, 0.64%

LAB 80.74, -36.34, -0.95

 

CMYK 34 / 51 / 0 / 14

HEX #916BDB

RGB 145 107 219

HSL 260.36, 0.61%, 0.64%

LAB 53.65, 39.14, -52.22

 

Description

Color code: HEX #DB6C7E33 | qconv.com Color code: HEX #DB6C7E33 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 108 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 108 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 8 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 8% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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