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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB1E30 it is the complementary color #24E1CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB1E30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DB1E30: #E01E2B, #F1303E, #FF4251, #FF5464 and #FF6677

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB1E30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DB1E30: #DB1E30, #CA0C1D, #B9000A, #A80000 and #970000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

Complementary color

CMYK 84 / 0 / 8 / 12

HEX #24E1CF

RGB 36 225 207

HSL 174.29, 0.76%, 0.51%

LAB 81.14, -47.44, -3.73

 

CMYK 0 / 87 / 81 / 12

HEX #E01E2B

RGB 224 30 43

HSL 355.98, 0.76%, 0.5%

LAB 48.2, 69.82, 44.82

 

CMYK 0 / 80 / 74 / 5

HEX #F1303E

RGB 241 48 62

HSL 355.65, 0.87%, 0.57%

LAB 53.13, 71.03, 40.51

 

CMYK 0 / 74 / 68 / 0

HEX #FF4251

RGB 255 66 81

HSL 355.24, 1%, 0.63%

LAB 57.8, 70.65, 35.82

 

CMYK 0 / 67 / 61 / 0

HEX #FF5464

RGB 255 84 100

HSL 354.39, 1%, 0.66%

LAB 60.36, 65.45, 28.13

 

CMYK 0 / 60 / 53 / 0

HEX #FF6677

RGB 255 102 119

HSL 353.33, 1%, 0.7%

LAB 63.42, 59.46, 21.29

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 0 / 94 / 86 / 21

HEX #CA0C1D

RGB 202 12 29

HSL 354.63, 0.89%, 0.42%

LAB 42.62, 66.42, 45.38

 

CMYK 0 / 100 / 95 / 27

HEX #B9000A

RGB 185 0 10

HSL 356.76, 1%, 0.36%

LAB 38.44, 63.05, 49.05

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 0 / 81 / 87 / 14

HEX #DB2A1D

RGB 219 42 29

HSL 4.11, 0.77%, 0.49%

LAB 48.01, 65.51, 51.26

 

CMYK 0 / 66 / 87 / 14

HEX #DB4A1D

RGB 219 74 29

HSL 14.21, 0.77%, 0.49%

LAB 51.89, 54.79, 54.37

 

CMYK 0 / 52 / 87 / 14

HEX #DB691D

RGB 219 105 29

HSL 24, 0.77%, 0.49%

LAB 57.32, 40.59, 58.74

 

CMYK 0 / 37 / 87 / 14

HEX #DB891D

RGB 219 137 29

HSL 34.11, 0.77%, 0.49%

LAB 64.19, 23.91, 64.26

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 0 / 87 / 80 / 94

HEX #0F0203

RGB 15 2 3

HSL 355.38, 0.76%, 0.03%

LAB 1.37, 3.73, 0.89

 

CMYK 0 / 86 / 79 / 74

HEX #42090E

RGB 66 9 14

HSL 354.74, 0.76%, 0.15%

LAB 11.86, 27.08, 12.51

 

CMYK 0 / 86 / 78 / 54

HEX #75101A

RGB 117 16 26

HSL 354.06, 0.76%, 0.26%

LAB 24.41, 42.25, 22.96

 

CMYK 0 / 86 / 78 / 34

HEX #A81725

RGB 168 23 37

HSL 354.21, 0.76%, 0.37%

LAB 36.12, 55.88, 32.15

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 9 / 0 / 87 / 14

HEX #C8DB1D

RGB 200 219 29

HSL 66, 0.77%, 0.49%

LAB 83.46, -26.77, 79.11

 

CMYK 87 / 43 / 0 / 14

HEX #1D7CDB

RGB 29 124 219

HSL 210, 0.77%, 0.49%

LAB 51.6, 8.48, -55.86

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 78 / 0 / 87 / 14

HEX #30DB1D

RGB 48 219 29

HSL 114, 0.77%, 0.49%

LAB 76.91, -72.71, 70.96

 

CMYK 87 / 78 / 0 / 14

HEX #1D30DB

RGB 29 48 219

HSL 234, 0.77%, 0.49%

LAB 32.9, 55.48, -86.4

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 9 / 0 / 87 / 14

HEX #C8DB1D

RGB 200 219 29

HSL 66, 0.77%, 0.49%

LAB 83.46, -26.77, 79.11

 

CMYK 87 / 0 / 9 / 14

HEX #1DDBC8

RGB 29 219 200

HSL 174, 0.77%, 0.49%

LAB 79.1, -47.25, -3.02

 

CMYK 78 / 87 / 0 / 14

HEX #301DDB

RGB 48 29 219

HSL 246, 0.77%, 0.49%

LAB 30.93, 64.54, -89.65

 

CMYK 0 / 86 / 78 / 14

HEX #DB1E30

RGB 219 30 48

HSL 354.29, 0.76%, 0.49%

LAB 47.24, 68.65, 40.76

 

CMYK 35 / 0 / 87 / 14

HEX #8FDB1D

RGB 143 219 29

HSL 84, 0.77%, 0.49%

LAB 79.95, -48.88, 74.77

 

CMYK 87 / 0 / 9 / 14

HEX #1DDBC8

RGB 29 219 200

HSL 174, 0.77%, 0.49%

LAB 79.1, -47.25, -3.02

 

CMYK 52 / 87 / 0 / 14

HEX #691DDB

RGB 105 29 219

HSL 264, 0.77%, 0.49%

LAB 35.98, 68.58, -81.13

 

Description

Color code: HEX #DB1E30 | qconv.com Color code: HEX #DB1E30 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 30 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 30 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 78 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 78% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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