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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAEC5A it is the complementary color #2513A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAEC5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAEC5A shade: #DFEC55, #F0FE68, #FFFF7B, #FFFF8E and #FFFFA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAEC5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAEC5A shade: #DAEC5A, #C9DA47, #B8C834, #A7B621 and #96A40E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAEC5A shade: #DAEC5B, #ECD65B, #ECAF5B, #EC885B and #EC615B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAEC5A shade: #DAEC5B, #B3EC5B, #8CEC5B, #64EC5B and #5BEC78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAEC5A shade matches the following richer shades: #DAEC5B and #E5FB4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAEC5A shade: #DAEC5B, #CFDD6A, #C3CE78, #B8BF87 and #ADB096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAEC5A shade: #ECAF5B, #ECD65B, #DBEC5B, #B4EC5B and #8DEC5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAEC5A shade: #C3DA1A, #D1E736, #DAEC5B, #E2F080 and #EBF4A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAEC5A shade: #DAEC5A, #5BEC89 and #C35BEC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAEC5A shade: #DAEC5A, #5BDBEC and #EC5BDB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAEC5A shade: #DAEC5A, #5BEC89, #6C5BEC and #EC5BBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAEC5A shade: #DAEC5A, #5BECB4, #6C5BEC and #EC5B92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 62 / 7

HEX #DAEC5A

RGB 218 236 90

HSL 67.4, 0.79%, 0.64%

LAB 89.69, -24.85, 66.54

 

Complementary color

CMYK 78 / 88 / 0 / 35

HEX #2513A5

RGB 37 19 165

HSL 247.4, 0.79%, 0.36%

LAB 22.22, 52.44, -72.25

 

CMYK 6 / 0 / 64 / 7

HEX #DFEC55

RGB 223 236 85

HSL 65.17, 0.8%, 0.63%

LAB 90.01, -23.17, 68.99

 

CMYK 6 / 0 / 59 / 0

HEX #F0FE68

RGB 240 254 104

HSL 65.6, 0.99%, 0.7%

LAB 96.17, -23.76, 68.28

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 8 / 0 / 62 / 7

HEX #DAEC5A

RGB 218 236 90

HSL 67.4, 0.79%, 0.64%

LAB 89.69, -24.85, 66.54

 

CMYK 8 / 0 / 67 / 15

HEX #C9DA47

RGB 201 218 71

HSL 66.94, 0.67%, 0.57%

LAB 83.45, -24.24, 67.1

 

CMYK 8 / 0 / 74 / 22

HEX #B8C834

RGB 184 200 52

HSL 66.49, 0.59%, 0.49%

LAB 77.13, -23.5, 67.21

 

CMYK 8 / 0 / 82 / 29

HEX #A7B621

RGB 167 182 33

HSL 66.04, 0.69%, 0.42%

LAB 70.72, -22.59, 66.57

 

CMYK 9 / 0 / 91 / 36

HEX #96A40E

RGB 150 164 14

HSL 65.6, 0.84%, 0.35%

LAB 64.21, -21.46, 64.68

 

CMYK 8 / 0 / 61 / 7

HEX #DAEC5B

RGB 218 236 91

HSL 67.45, 0.79%, 0.64%

LAB 89.7, -24.78, 66.14

 

CMYK 0 / 9 / 61 / 7

HEX #ECD65B

RGB 236 214 91

HSL 50.9, 0.79%, 0.64%

LAB 85.34, -6.65, 61.84

 

CMYK 0 / 26 / 61 / 7

HEX #ECAF5B

RGB 236 175 91

HSL 34.76, 0.79%, 0.64%

LAB 75.61, 13.59, 50.94

 

CMYK 0 / 42 / 61 / 7

HEX #EC885B

RGB 236 136 91

HSL 18.62, 0.79%, 0.64%

LAB 66.67, 34.18, 40.41

 

CMYK 0 / 59 / 61 / 7

HEX #EC615B

RGB 236 97 91

HSL 2.48, 0.79%, 0.64%

LAB 59.1, 53.32, 31.03

 

CMYK 8 / 0 / 61 / 7

HEX #DAEC5B

RGB 218 236 91

HSL 67.45, 0.79%, 0.64%

LAB 89.7, -24.78, 66.14

 

CMYK 24 / 0 / 61 / 7

HEX #B3EC5B

RGB 179 236 91

HSL 83.59, 0.79%, 0.64%

LAB 87.16, -39.75, 62.65

 

CMYK 41 / 0 / 61 / 7

HEX #8CEC5B

RGB 140 236 91

HSL 99.72, 0.79%, 0.64%

LAB 85.16, -53.1, 59.88

 

CMYK 58 / 0 / 61 / 7

HEX #64EC5B

RGB 100 236 91

HSL 116.28, 0.79%, 0.64%

LAB 83.68, -64.12, 57.82

 

CMYK 61 / 0 / 49 / 7

HEX #5BEC78

RGB 91 236 120

HSL 132, 0.79%, 0.64%

LAB 83.74, -62.55, 44.71

 

CMYK 8 / 0 / 61 / 7

HEX #DAEC5B

RGB 218 236 91

HSL 67.45, 0.79%, 0.64%

LAB 89.7, -24.78, 66.14

 

CMYK 9 / 0 / 70 / 2

HEX #E5FB4C

RGB 229 251 76

HSL 67.54, 0.96%, 0.64%

LAB 94.39, -28.36, 76.86

 

CMYK 8 / 0 / 61 / 7

HEX #DAEC5B

RGB 218 236 91

HSL 67.45, 0.79%, 0.64%

LAB 89.7, -24.78, 66.14

 

CMYK 6 / 0 / 52 / 13

HEX #CFDD6A

RGB 207 221 106

HSL 67.3, 0.63%, 0.64%

LAB 85.01, -20.77, 54.14

 

CMYK 5 / 0 / 42 / 19

HEX #C3CE78

RGB 195 206 120

HSL 67.67, 0.47%, 0.64%

LAB 80.24, -16.73, 41.43

 

CMYK 4 / 0 / 29 / 25

HEX #B8BF87

RGB 184 191 135

HSL 67.5, 0.3%, 0.64%

LAB 75.58, -11.57, 27.51

 

CMYK 2 / 0 / 15 / 31

HEX #ADB096

RGB 173 176 150

HSL 66.92, 0.14%, 0.64%

LAB 70.97, -5.66, 12.97

 

CMYK 0 / 26 / 61 / 7

HEX #ECAF5B

RGB 236 175 91

HSL 34.76, 0.79%, 0.64%

LAB 75.61, 13.59, 50.94

 

CMYK 0 / 9 / 61 / 7

HEX #ECD65B

RGB 236 214 91

HSL 50.9, 0.79%, 0.64%

LAB 85.34, -6.65, 61.84

 

CMYK 7 / 0 / 61 / 7

HEX #DBEC5B

RGB 219 236 91

HSL 67.03, 0.79%, 0.64%

LAB 89.77, -24.39, 66.24

 

CMYK 24 / 0 / 61 / 7

HEX #B4EC5B

RGB 180 236 91

HSL 83.17, 0.79%, 0.64%

LAB 87.22, -39.38, 62.73

 

CMYK 40 / 0 / 61 / 7

HEX #8DEC5B

RGB 141 236 91

HSL 99.31, 0.79%, 0.64%

LAB 85.2, -52.78, 59.94

 

CMYK 11 / 0 / 88 / 15

HEX #C3DA1A

RGB 195 218 26

HSL 67.19, 0.79%, 0.48%

LAB 82.82, -28.42, 78.97

 

CMYK 10 / 0 / 77 / 9

HEX #D1E736

RGB 209 231 54

HSL 67.46, 0.79%, 0.56%

LAB 87.47, -27.99, 76.83

 

CMYK 8 / 0 / 61 / 7

HEX #DAEC5B

RGB 218 236 91

HSL 67.45, 0.79%, 0.64%

LAB 89.7, -24.78, 66.14

 

CMYK 6 / 0 / 47 / 6

HEX #E2F080

RGB 226 240 128

HSL 67.5, 0.79%, 0.72%

LAB 91.71, -20.55, 52.21

 

CMYK 4 / 0 / 32 / 4

HEX #EBF4A5

RGB 235 244 165

HSL 66.84, 0.78%, 0.8%

LAB 93.92, -15.05, 37.14

 

CMYK 8 / 0 / 62 / 7

HEX #DAEC5A

RGB 218 236 90

HSL 67.4, 0.79%, 0.64%

LAB 89.69, -24.85, 66.54

 

CMYK 61 / 0 / 42 / 7

HEX #5BEC89

RGB 91 236 137

HSL 139.03, 0.79%, 0.64%

LAB 83.98, -59.94, 36.72

 

CMYK 17 / 61 / 0 / 7

HEX #C35BEC

RGB 195 91 236

HSL 283.03, 0.79%, 0.64%

LAB 57.21, 63.41, -55.76

 

CMYK 8 / 0 / 62 / 7

HEX #DAEC5A

RGB 218 236 90

HSL 67.4, 0.79%, 0.64%

LAB 89.69, -24.85, 66.54

 

CMYK 61 / 7 / 0 / 7

HEX #5BDBEC

RGB 91 219 236

HSL 187.03, 0.79%, 0.64%

LAB 81.26, -30.15, -18.87

 

CMYK 0 / 61 / 7 / 7

HEX #EC5BDB

RGB 236 91 219

HSL 307.03, 0.79%, 0.64%

LAB 62.02, 70.31, -38.25

 

CMYK 8 / 0 / 62 / 7

HEX #DAEC5A

RGB 218 236 90

HSL 67.4, 0.79%, 0.64%

LAB 89.69, -24.85, 66.54

 

CMYK 61 / 0 / 42 / 7

HEX #5BEC89

RGB 91 236 137

HSL 139.03, 0.79%, 0.64%

LAB 83.98, -59.94, 36.72

 

CMYK 54 / 61 / 0 / 7

HEX #6C5BEC

RGB 108 91 236

HSL 247.03, 0.79%, 0.64%

LAB 47.91, 45.15, -71.22

 

CMYK 0 / 61 / 19 / 7

HEX #EC5BBE

RGB 236 91 190

HSL 319.03, 0.79%, 0.64%

LAB 60.81, 66.06, -23.71

 

CMYK 8 / 0 / 62 / 7

HEX #DAEC5A

RGB 218 236 90

HSL 67.4, 0.79%, 0.64%

LAB 89.69, -24.85, 66.54

 

CMYK 61 / 0 / 24 / 7

HEX #5BECB4

RGB 91 236 180

HSL 156.83, 0.79%, 0.64%

LAB 84.75, -51.76, 15.8

 

CMYK 54 / 61 / 0 / 7

HEX #6C5BEC

RGB 108 91 236

HSL 247.03, 0.79%, 0.64%

LAB 47.91, 45.15, -71.22

 

CMYK 0 / 61 / 38 / 7

HEX #EC5B92

RGB 236 91 146

HSL 337.24, 0.79%, 0.64%

LAB 59.33, 60.67, -0.53

 

Description

Color code: HEX #DAEC5A | qconv.com Color code: HEX #DAEC5A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 236 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 236 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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