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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAE917 it is the complementary color #2516E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAE917. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAE917 shade: #DFE912, #F0FB25, #FFFF38, #FFFF4B and #FFFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAE917. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAE917 shade: #DAE917, #C9D704, #B8C500, #A7B300 and #96A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAE917 shade: #DAE916, #E9BF16, #E98616, #E94D16 and #E91616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAE917 shade: #DAE916, #A1E916, #68E916, #2FE916 and #16E935

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAE917 shade matches the following richer shades: #DAE916 and #ECFE01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAE917 shade: #DAE916, #C9D52A, #B7C03F, #A5AB54 and #939768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAE917 shade: #E98716, #E9BF16, #DBE916, #A3E916 and #6AE916

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAE917 shade: #949E0F, #B7C412, #DAE916, #E0ED3B and #E6F061

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAE917 shade: #DAE917, #16E94E and #A316E9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAE917 shade: #DAE917, #16DBE9 and #E916DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAE917 shade: #DAE917, #16E94E, #2416E9 and #E916B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAE917 shade: #DAE917, #16E98E, #2416E9 and #E91671

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 90 / 9

HEX #DAE917

RGB 218 233 23

HSL 64.29, 0.83%, 0.5%

LAB 88.56, -26.11, 84.71

 

Complementary color

CMYK 84 / 91 / 0 / 9

HEX #2516E8

RGB 37 22 232

HSL 244.29, 0.83%, 0.5%

LAB 31.33, 69.83, -96.45

 

CMYK 4 / 0 / 92 / 9

HEX #DFE912

RGB 223 233 18

HSL 62.79, 0.86%, 0.49%

LAB 88.93, -24.12, 85.79

 

CMYK 4 / 0 / 85 / 2

HEX #F0FB25

RGB 240 251 37

HSL 63.08, 0.96%, 0.56%

LAB 95.01, -25.34, 88.25

 

CMYK 0 / 0 / 78 / 0

HEX #FFFF38

RGB 255 255 56

HSL 60, 1%, 0.61%

LAB 97.25, -20.62, 86.3

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 6 / 0 / 90 / 9

HEX #DAE917

RGB 218 233 23

HSL 64.29, 0.83%, 0.5%

LAB 88.56, -26.11, 84.71

 

CMYK 7 / 0 / 98 / 16

HEX #C9D704

RGB 201 215 4

HSL 63.98, 0.96%, 0.43%

LAB 82.39, -24.81, 81.43

 

CMYK 7 / 0 / 100 / 23

HEX #B8C500

RGB 184 197 0

HSL 63.96, 1%, 0.39%

LAB 76.14, -23.31, 76.59

 

CMYK 7 / 0 / 100 / 30

HEX #A7B300

RGB 167 179 0

HSL 64.02, 1%, 0.35%

LAB 69.79, -21.76, 71.31

 

CMYK 7 / 0 / 100 / 37

HEX #96A100

RGB 150 161 0

HSL 64.1, 1%, 0.32%

LAB 63.32, -20.17, 65.93

 

CMYK 6 / 0 / 91 / 9

HEX #DAE916

RGB 218 233 22

HSL 64.27, 0.83%, 0.5%

LAB 88.56, -26.12, 84.85

 

CMYK 0 / 18 / 91 / 9

HEX #E9BF16

RGB 233 191 22

HSL 48.06, 0.83%, 0.5%

LAB 78.84, 1.16, 77.88

 

CMYK 0 / 42 / 91 / 9

HEX #E98616

RGB 233 134 22

HSL 31.85, 0.83%, 0.5%

LAB 65.3, 31.22, 67.72

 

CMYK 0 / 67 / 91 / 9

HEX #E94D16

RGB 233 77 22

HSL 15.64, 0.83%, 0.5%

LAB 54.75, 58.15, 60.14

 

CMYK 0 / 91 / 91 / 9

HEX #E91616

RGB 233 22 22

HSL 0, 0.83%, 0.5%

LAB 49.44, 72.98, 56.51

 

CMYK 6 / 0 / 91 / 9

HEX #DAE916

RGB 218 233 22

HSL 64.27, 0.83%, 0.5%

LAB 88.56, -26.12, 84.85

 

CMYK 31 / 0 / 91 / 9

HEX #A1E916

RGB 161 233 22

HSL 80.47, 0.83%, 0.5%

LAB 84.95, -48.4, 80.45

 

CMYK 55 / 0 / 91 / 9

HEX #68E916

RGB 104 233 22

HSL 96.68, 0.83%, 0.5%

LAB 82.53, -66.33, 77.46

 

CMYK 80 / 0 / 91 / 9

HEX #2FE916

RGB 47 233 22

HSL 112.89, 0.83%, 0.5%

LAB 81.26, -77.07, 75.88

 

CMYK 91 / 0 / 77 / 9

HEX #16E935

RGB 22 233 53

HSL 128.82, 0.83%, 0.5%

LAB 81.13, -77.8, 68.7

 

CMYK 6 / 0 / 91 / 9

HEX #DAE916

RGB 218 233 22

HSL 64.27, 0.83%, 0.5%

LAB 88.56, -26.12, 84.85

 

CMYK 7 / 0 / 100 / 0

HEX #ECFE01

RGB 236 254 1

HSL 64.27, 0.99%, 0.5%

LAB 95.46, -28.82, 92.54

 

CMYK 6 / 0 / 91 / 9

HEX #DAE916

RGB 218 233 22

HSL 64.27, 0.83%, 0.5%

LAB 88.56, -26.12, 84.85

 

CMYK 6 / 0 / 80 / 16

HEX #C9D52A

RGB 201 213 42

HSL 64.21, 0.67%, 0.5%

LAB 81.93, -23.12, 74.97

 

CMYK 5 / 0 / 67 / 25

HEX #B7C03F

RGB 183 192 63

HSL 64.19, 0.51%, 0.5%

LAB 74.9, -19.41, 61.05

 

CMYK 4 / 0 / 51 / 33

HEX #A5AB54

RGB 165 171 84

HSL 64.14, 0.34%, 0.5%

LAB 67.85, -14.74, 43.6

 

CMYK 3 / 0 / 31 / 41

HEX #939768

RGB 147 151 104

HSL 65.11, 0.18%, 0.5%

LAB 61.08, -9.33, 24.34

 

CMYK 0 / 42 / 91 / 9

HEX #E98716

RGB 233 135 22

HSL 32.13, 0.83%, 0.5%

LAB 65.52, 30.7, 67.88

 

CMYK 0 / 18 / 91 / 9

HEX #E9BF16

RGB 233 191 22

HSL 48.06, 0.83%, 0.5%

LAB 78.84, 1.16, 77.88

 

CMYK 6 / 0 / 91 / 9

HEX #DBE916

RGB 219 233 22

HSL 63.98, 0.83%, 0.5%

LAB 88.64, -25.71, 84.94

 

CMYK 30 / 0 / 91 / 9

HEX #A3E916

RGB 163 233 22

HSL 79.91, 0.83%, 0.5%

LAB 85.06, -47.67, 80.58

 

CMYK 55 / 0 / 91 / 9

HEX #6AE916

RGB 106 233 22

HSL 96.11, 0.83%, 0.5%

LAB 82.59, -65.81, 77.54

 

CMYK 6 / 0 / 91 / 38

HEX #949E0F

RGB 148 158 15

HSL 64.2, 0.83%, 0.34%

LAB 62.32, -19.29, 62.94

 

CMYK 7 / 0 / 91 / 23

HEX #B7C412

RGB 183 196 18

HSL 64.38, 0.83%, 0.42%

LAB 75.82, -23.02, 74.3

 

CMYK 6 / 0 / 91 / 9

HEX #DAE916

RGB 218 233 22

HSL 64.27, 0.83%, 0.5%

LAB 88.56, -26.12, 84.85

 

CMYK 5 / 0 / 75 / 7

HEX #E0ED3B

RGB 224 237 59

HSL 64.38, 0.83%, 0.58%

LAB 90.2, -24.55, 78.25

 

CMYK 4 / 0 / 60 / 6

HEX #E6F061

RGB 230 240 97

HSL 64.2, 0.83%, 0.66%

LAB 91.69, -21.52, 66.08

 

CMYK 6 / 0 / 90 / 9

HEX #DAE917

RGB 218 233 23

HSL 64.29, 0.83%, 0.5%

LAB 88.56, -26.11, 84.71

 

CMYK 91 / 0 / 67 / 9

HEX #16E94E

RGB 22 233 78

HSL 135.92, 0.83%, 0.5%

LAB 81.29, -75.76, 60.11

 

CMYK 30 / 91 / 0 / 9

HEX #A316E9

RGB 163 22 233

HSL 280.09, 0.83%, 0.5%

LAB 44.58, 79.69, -74.7

 

CMYK 6 / 0 / 90 / 9

HEX #DAE917

RGB 218 233 23

HSL 64.29, 0.83%, 0.5%

LAB 88.56, -26.11, 84.71

 

CMYK 91 / 6 / 0 / 9

HEX #16DBE9

RGB 22 219 233

HSL 183.98, 0.83%, 0.5%

LAB 80.02, -38.03, -19.26

 

CMYK 0 / 91 / 6 / 9

HEX #E916DB

RGB 233 22 219

HSL 303.98, 0.83%, 0.5%

LAB 55.08, 88.08, -49.23

 

CMYK 6 / 0 / 90 / 9

HEX #DAE917

RGB 218 233 23

HSL 64.29, 0.83%, 0.5%

LAB 88.56, -26.11, 84.71

 

CMYK 91 / 0 / 67 / 9

HEX #16E94E

RGB 22 233 78

HSL 135.92, 0.83%, 0.5%

LAB 81.29, -75.76, 60.11

 

CMYK 85 / 91 / 0 / 9

HEX #2416E9

RGB 36 22 233

HSL 243.98, 0.83%, 0.5%

LAB 31.42, 70.07, -96.87

 

CMYK 0 / 91 / 24 / 9

HEX #E916B1

RGB 233 22 177

HSL 315.92, 0.83%, 0.5%

LAB 53.03, 82.78, -28.24

 

CMYK 6 / 0 / 90 / 9

HEX #DAE917

RGB 218 233 23

HSL 64.29, 0.83%, 0.5%

LAB 88.56, -26.11, 84.71

 

CMYK 91 / 0 / 39 / 9

HEX #16E98E

RGB 22 233 142

HSL 154.12, 0.83%, 0.5%

LAB 82.06, -66.5, 31.49

 

CMYK 85 / 91 / 0 / 9

HEX #2416E9

RGB 36 22 233

HSL 243.98, 0.83%, 0.5%

LAB 31.42, 70.07, -96.87

 

CMYK 0 / 91 / 52 / 9

HEX #E91671

RGB 233 22 113

HSL 334.12, 0.83%, 0.5%

LAB 50.79, 76.76, 6.7

 

Description

Color code: HEX #DAE917 | qconv.com Color code: HEX #DAE917 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 233 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 233 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 90 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 90% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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