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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAD2C6 it is the complementary color #252D39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAD2C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DAD2C6: #DFD2C1, #F0E4D4, #FFF6E7, #FFFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAD2C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DAD2C6: #DAD2C6, #C9C0B3, #B8AEA0, #A79C8D and #968A7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

Complementary color

CMYK 35 / 21 / 0 / 78

HEX #252D39

RGB 37 45 57

HSL 216, 0.21%, 0.18%

LAB 18.21, 0.03, -8.79

 

CMYK 0 / 6 / 13 / 13

HEX #DFD2C1

RGB 223 210 193

HSL 34, 0.32%, 0.82%

LAB 84.81, 1.67, 10.03

 

CMYK 0 / 5 / 12 / 6

HEX #F0E4D4

RGB 240 228 212

HSL 34.29, 0.48%, 0.89%

LAB 91.13, 1.43, 9.25

 

CMYK 0 / 4 / 9 / 0

HEX #FFF6E7

RGB 255 246 231

HSL 37.5, 1%, 0.95%

LAB 97.2, 0.52, 8.27

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFA

RGB 255 255 250

HSL 60, 1%, 0.99%

LAB 99.88, -0.86, 2.37

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 0 / 4 / 11 / 21

HEX #C9C0B3

RGB 201 192 179

HSL 35.45, 0.17%, 0.75%

LAB 78.09, 0.92, 7.67

 

CMYK 0 / 5 / 13 / 28

HEX #B8AEA0

RGB 184 174 160

HSL 35, 0.14%, 0.67%

LAB 71.56, 1.16, 8.46

 

CMYK 0 / 7 / 16 / 35

HEX #A79C8D

RGB 167 156 141

HSL 34.62, 0.13%, 0.6%

LAB 64.9, 1.43, 9.3

 

CMYK 0 / 8 / 19 / 41

HEX #968A7A

RGB 150 138 122

HSL 34.29, 0.12%, 0.53%

LAB 58.1, 1.73, 10.19

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 0 / 2 / 9 / 15

HEX #DAD6C7

RGB 218 214 199

HSL 47.37, 0.2%, 0.82%

LAB 85.57, -1.21, 7.88

 

CMYK 0 / 0 / 9 / 15

HEX #DAD9C7

RGB 218 217 199

HSL 56.84, 0.2%, 0.82%

LAB 86.33, -2.76, 8.98

 

CMYK 1 / 0 / 9 / 15

HEX #D8DAC7

RGB 216 218 199

HSL 66.32, 0.2%, 0.82%

LAB 86.44, -3.98, 9.11

 

CMYK 2 / 0 / 9 / 15

HEX #D5DAC7

RGB 213 218 199

HSL 75.79, 0.2%, 0.82%

LAB 86.21, -5.03, 8.76

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 0 / 7 / 7 / 95

HEX #0E0D0D

RGB 14 13 13

HSL 0, 0.04%, 0.05%

LAB 3.71, 0.32, 0.11

 

CMYK 0 / 3 / 9 / 75

HEX #413F3B

RGB 65 63 59

HSL 40, 0.05%, 0.24%

LAB 26.72, -0, 2.75

 

CMYK 0 / 3 / 9 / 55

HEX #747069

RGB 116 112 105

HSL 38.18, 0.05%, 0.43%

LAB 47.39, 0.2, 4.43

 

CMYK 0 / 4 / 9 / 35

HEX #A7A198

RGB 167 161 152

HSL 36, 0.08%, 0.63%

LAB 66.5, 0.55, 5.45

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 7 / 0 / 9 / 15

HEX #CBDAC7

RGB 203 218 199

HSL 107.37, 0.2%, 0.82%

LAB 85.49, -8.5, 7.62

 

CMYK 7 / 9 / 0 / 15

HEX #CBC7DA

RGB 203 199 218

HSL 252.63, 0.2%, 0.82%

LAB 81.07, 4.96, -8.95

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 9 / 0 / 3 / 15

HEX #C7DAD3

RGB 199 218 211

HSL 157.89, 0.2%, 0.82%

LAB 85.5, -7.66, 1.26

 

CMYK 3 / 9 / 0 / 15

HEX #D3C7DA

RGB 211 199 218

HSL 277.89, 0.2%, 0.82%

LAB 81.71, 7.63, -7.94

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 7 / 0 / 9 / 15

HEX #CBDAC7

RGB 203 218 199

HSL 107.37, 0.2%, 0.82%

LAB 85.49, -8.5, 7.62

 

CMYK 9 / 5 / 0 / 15

HEX #C7CFDA

RGB 199 207 218

HSL 214.74, 0.2%, 0.82%

LAB 82.82, -0.6, -6.39

 

CMYK 2 / 9 / 0 / 15

HEX #D6C7DA

RGB 214 199 218

HSL 287.37, 0.2%, 0.82%

LAB 81.95, 8.64, -7.55

 

CMYK 0 / 4 / 9 / 15

HEX #DAD2C6

RGB 218 210 198

HSL 36, 0.21%, 0.82%

LAB 84.52, 0.7, 6.91

SW® 9590

CMYK 9 / 0 / 8 / 15

HEX #C7DAC9

RGB 199 218 201

HSL 126.32, 0.2%, 0.82%

LAB 85.25, -9.51, 6.19

 

CMYK 9 / 5 / 0 / 15

HEX #C7CFDA

RGB 199 207 218

HSL 214.74, 0.2%, 0.82%

LAB 82.82, -0.6, -6.39

 

CMYK 0 / 9 / 1 / 15

HEX #DAC7D8

RGB 218 199 216

HSL 306.32, 0.2%, 0.82%

LAB 82.22, 9.63, -6.04

 

Description

Color code: HEX #DAD2C6 | qconv.com Color code: HEX #DAD2C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 210 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 210 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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