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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DABD4E it is the complementary color #2542B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DABD4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DABD4E shade: #DFBD49, #F0CF5C, #FFE16F, #FFF382 and #FFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DABD4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DABD4E shade: #DABD4E, #C9AB3B, #B89928, #A78715 and #967502

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DABD4E shade: #DABD4E, #DA974E, #DA724E and #DA4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DABD4E shade: #DABD4E, #D1DA4E, #ABDA4E, #86DA4E and #60DA4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DABD4E shade matches the following richer shades: #DABD4E, #EBC73D and #FCD12C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DABD4E shade: #DABD4E, #C8B360, #B7A871, #A69E82 and #949494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DABD4E shade: #DA714E, #DA964E, #DABB4E, #D3DA4E and #ADDA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DABD4E shade: #B09325, #D2B02D, #DABD4E, #E1C970 and #E8D692

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DABD4E shade: #DABD4E, #51DA4E and #844EDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DABD4E shade: #DABD4E, #4EDABB and #BB4EDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DABD4E shade: #DABD4E, #51DA4E, #4E6CDA and #D74EDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DABD4E shade: #DABD4E, #4EDA76, #4E6CDA and #DA4EB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

Complementary color

CMYK 79 / 63 / 0 / 31

HEX #2542B1

RGB 37 66 177

HSL 227.57, 0.65%, 0.42%

LAB 32.84, 30.51, -61.93

 

CMYK 0 / 15 / 67 / 13

HEX #DFBD49

RGB 223 189 73

HSL 46.4, 0.7%, 0.58%

LAB 77.62, -0.35, 60.89

 

CMYK 0 / 14 / 62 / 6

HEX #F0CF5C

RGB 240 207 92

HSL 46.62, 0.83%, 0.65%

LAB 83.93, -1.37, 59.95

 

CMYK 0 / 12 / 56 / 0

HEX #FFE16F

RGB 255 225 111

HSL 47.5, 1%, 0.72%

LAB 89.98, -3.06, 58.62

 

CMYK 0 / 5 / 49 / 0

HEX #FFF382

RGB 255 243 130

HSL 54.24, 1%, 0.75%

LAB 94.73, -10.52, 55.45

 

CMYK 0 / 0 / 42 / 0

HEX #FFFF95

RGB 255 255 149

HSL 60, 1%, 0.79%

LAB 98.01, -14.63, 50.51

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 0 / 15 / 71 / 21

HEX #C9AB3B

RGB 201 171 59

HSL 47.32, 0.57%, 0.51%

LAB 70.77, -1.09, 58.96

 

CMYK 0 / 17 / 78 / 28

HEX #B89928

RGB 184 153 40

HSL 47.08, 0.64%, 0.44%

LAB 64.26, 0.21, 59.27

 

CMYK 0 / 19 / 87 / 35

HEX #A78715

RGB 167 135 21

HSL 46.85, 0.78%, 0.37%

LAB 57.65, 1.76, 58.63

 

CMYK 0 / 22 / 99 / 41

HEX #967502

RGB 150 117 2

HSL 46.62, 0.97%, 0.3%

LAB 50.93, 3.59, 56.6

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 0 / 31 / 64 / 15

HEX #DA974E

RGB 218 151 78

HSL 31.29, 0.65%, 0.58%

LAB 67.72, 18.03, 47.7

 

CMYK 0 / 48 / 64 / 15

HEX #DA724E

RGB 218 114 78

HSL 15.43, 0.65%, 0.58%

LAB 59.43, 37.68, 38.04

 

CMYK 0 / 64 / 64 / 15

HEX #DA4E4E

RGB 218 78 78

HSL 0, 0.65%, 0.58%

LAB 52.84, 54.72, 29.98

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 4 / 0 / 64 / 15

HEX #D1DA4E

RGB 209 218 78

HSL 63.86, 0.65%, 0.58%

LAB 84.09, -20.57, 65.24

 

CMYK 22 / 0 / 64 / 15

HEX #ABDA4E

RGB 171 218 78

HSL 80.14, 0.65%, 0.58%

LAB 81.48, -35.64, 61.7

 

CMYK 39 / 0 / 64 / 15

HEX #86DA4E

RGB 134 218 78

HSL 96, 0.65%, 0.58%

LAB 79.48, -48.85, 58.95

 

CMYK 56 / 0 / 64 / 15

HEX #60DA4E

RGB 96 218 78

HSL 112.29, 0.65%, 0.58%

LAB 77.98, -59.92, 56.88

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 0 / 15 / 74 / 8

HEX #EBC73D

RGB 235 199 61

HSL 47.59, 0.81%, 0.58%

LAB 81.21, -1.01, 69.5

 

CMYK 0 / 17 / 83 / 1

HEX #FCD12C

RGB 252 209 44

HSL 47.6, 0.97%, 0.58%

LAB 85.24, 0.49, 79

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 0 / 11 / 52 / 22

HEX #C8B360

RGB 200 179 96

HSL 47.88, 0.49%, 0.58%

LAB 73.13, -3.19, 44.71

 

CMYK 0 / 8 / 38 / 28

HEX #B7A871

RGB 183 168 113

HSL 47.14, 0.33%, 0.58%

LAB 68.94, -2.66, 30.39

 

CMYK 0 / 5 / 22 / 35

HEX #A69E82

RGB 166 158 130

HSL 46.67, 0.17%, 0.58%

LAB 65.1, -1.8, 15.7

 

CMYK 0 / 0 / 0 / 42

HEX #949494

RGB 148 148 148

HSL 0, 0%, 0.58%

LAB 61.32, 0, -0.01

 

CMYK 0 / 48 / 64 / 15

HEX #DA714E

RGB 218 113 78

HSL 15, 0.65%, 0.58%

LAB 59.22, 38.19, 37.79

 

CMYK 0 / 31 / 64 / 15

HEX #DA964E

RGB 218 150 78

HSL 30.86, 0.65%, 0.58%

LAB 67.48, 18.57, 47.43

 

CMYK 0 / 14 / 64 / 15

HEX #DABB4E

RGB 218 187 78

HSL 46.71, 0.65%, 0.58%

LAB 76.68, -1.13, 57.61

 

CMYK 3 / 0 / 64 / 15

HEX #D3DA4E

RGB 211 218 78

HSL 63, 0.65%, 0.58%

LAB 84.25, -19.75, 65.45

 

CMYK 21 / 0 / 64 / 15

HEX #ADDA4E

RGB 173 218 78

HSL 79.29, 0.65%, 0.58%

LAB 81.61, -34.87, 61.87

 

CMYK 0 / 16 / 79 / 31

HEX #B09325

RGB 176 147 37

HSL 47.48, 0.65%, 0.42%

LAB 61.85, -0.24, 57.81

 

CMYK 0 / 16 / 79 / 18

HEX #D2B02D

RGB 210 176 45

HSL 47.64, 0.65%, 0.5%

LAB 72.85, -0.41, 66.36

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 0 / 11 / 50 / 12

HEX #E1C970

RGB 225 201 112

HSL 47.26, 0.65%, 0.66%

LAB 81.26, -2.93, 47.19

 

CMYK 0 / 8 / 37 / 9

HEX #E8D692

RGB 232 214 146

HSL 47.44, 0.65%, 0.74%

LAB 85.67, -3.4, 35.86

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 63 / 0 / 64 / 15

HEX #51DA4E

RGB 81 218 78

HSL 118.71, 0.65%, 0.58%

LAB 77.54, -63.38, 56.28

 

CMYK 39 / 64 / 0 / 15

HEX #844EDA

RGB 132 78 218

HSL 263.14, 0.65%, 0.58%

LAB 46.2, 51.81, -63.71

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 64 / 0 / 14 / 15

HEX #4EDABB

RGB 78 218 187

HSL 166.71, 0.65%, 0.58%

LAB 79.24, -44.85, 4.22

 

CMYK 14 / 64 / 0 / 15

HEX #BB4EDA

RGB 187 78 218

HSL 286.71, 0.65%, 0.58%

LAB 53.03, 63.78, -52.36

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 63 / 0 / 64 / 15

HEX #51DA4E

RGB 81 218 78

HSL 118.71, 0.65%, 0.58%

LAB 77.54, -63.38, 56.28

 

CMYK 64 / 50 / 0 / 15

HEX #4E6CDA

RGB 78 108 218

HSL 227.14, 0.65%, 0.58%

LAB 48.77, 23.86, -59.76

 

CMYK 1 / 64 / 0 / 15

HEX #D74EDA

RGB 215 78 218

HSL 298.71, 0.65%, 0.58%

LAB 57.03, 70.23, -45.75

 

CMYK 0 / 13 / 64 / 15

HEX #DABD4E

RGB 218 189 78

HSL 47.57, 0.65%, 0.58%

LAB 77.19, -2.18, 58.17

 

CMYK 64 / 0 / 46 / 15

HEX #4EDA76

RGB 78 218 118

HSL 137.14, 0.65%, 0.58%

LAB 77.92, -58.86, 38.29

 

CMYK 64 / 50 / 0 / 15

HEX #4E6CDA

RGB 78 108 218

HSL 227.14, 0.65%, 0.58%

LAB 48.77, 23.86, -59.76

 

CMYK 0 / 64 / 18 / 15

HEX #DA4EB2

RGB 218 78 178

HSL 317.14, 0.65%, 0.58%

LAB 55.65, 64.82, -24.97

 

Description

Color code: HEX #DABD4E | qconv.com Color code: HEX #DABD4E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 189 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 189 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 64 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 64% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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