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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA931D it is the complementary color #256CE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA931D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA931D shade: #DF9318, #F0A52B, #FFB73E, #FFC951 and #FFDB64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA931D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA931D shade: #DA931D, #C9810A, #B86F00, #A75D00 and #964B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA931D shade: #D9921C, #D95F1C, #D92C1C and #D91C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA931D shade: #D9921C, #D9C51C, #BAD91C, #87D91C and #54D91C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA931D shade matches the following richer shades: #D9921C and #EC9708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA931D shade: #D9921C, #C58D30, #B18844, #9D8358 and #897E6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA931D shade: #D92C1C, #D95E1C, #D9901C, #D9C31C and #BCD91C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA931D shade: #906113, #B47917, #D9921C, #E5A439 and #EAB55D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA931D shade: #DA931D, #3FD91C and #451CD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA931D shade: #DA931D, #1CD990 and #901CD9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA931D shade: #DA931D, #3FD91C, #1C64D9 and #B61CD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA931D shade: #DA931D, #1CD932, #1C64D9 and #D91CC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 87 / 15

HEX #DA931D

RGB 218 147 29

HSL 37.46, 0.77%, 0.48%

LAB 66.41, 18.11, 65.99

 

Complementary color

CMYK 84 / 52 / 0 / 11

HEX #256CE2

RGB 37 108 226

HSL 217.46, 0.77%, 0.52%

LAB 47.76, 21.82, -65.99

 

CMYK 0 / 34 / 89 / 13

HEX #DF9318

RGB 223 147 24

HSL 37.09, 0.81%, 0.48%

LAB 66.99, 20.16, 67.97

 

CMYK 0 / 31 / 82 / 6

HEX #F0A52B

RGB 240 165 43

HSL 37.16, 0.87%, 0.55%

LAB 73.29, 18.28, 68.6

 

CMYK 0 / 28 / 76 / 0

HEX #FFB73E

RGB 255 183 62

HSL 37.62, 1%, 0.62%

LAB 79.31, 15.79, 68.04

 

CMYK 0 / 21 / 68 / 0

HEX #FFC951

RGB 255 201 81

HSL 41.38, 1%, 0.66%

LAB 83.77, 7.31, 64.93

 

CMYK 0 / 14 / 61 / 0

HEX #FFDB64

RGB 255 219 100

HSL 46.06, 1%, 0.7%

LAB 88.37, -0.79, 61.73

 

CMYK 0 / 33 / 87 / 15

HEX #DA931D

RGB 218 147 29

HSL 37.46, 0.77%, 0.48%

LAB 66.41, 18.11, 65.99

 

CMYK 0 / 36 / 95 / 21

HEX #C9810A

RGB 201 129 10

HSL 37.38, 0.91%, 0.41%

LAB 60.01, 20.16, 64.39

 

CMYK 0 / 40 / 100 / 28

HEX #B86F00

RGB 184 111 0

HSL 36.2, 1%, 0.36%

LAB 53.56, 22.47, 60.75

 

CMYK 0 / 44 / 100 / 35

HEX #A75D00

RGB 167 93 0

HSL 33.41, 1%, 0.33%

LAB 47.03, 24.96, 55.47

 

CMYK 0 / 50 / 100 / 41

HEX #964B00

RGB 150 75 0

HSL 30, 1%, 0.29%

LAB 40.44, 27.5, 50.15

 

CMYK 0 / 33 / 87 / 15

HEX #D9921C

RGB 217 146 28

HSL 37.46, 0.77%, 0.48%

LAB 66.05, 18.19, 65.92

 

CMYK 0 / 56 / 87 / 15

HEX #D95F1C

RGB 217 95 28

HSL 21.27, 0.77%, 0.48%

LAB 55.09, 44.69, 57.18

 

CMYK 0 / 80 / 87 / 15

HEX #D92C1C

RGB 217 44 28

HSL 5.08, 0.77%, 0.48%

LAB 47.8, 64.39, 51.37

 

CMYK 0 / 87 / 87 / 15

HEX #D91C1C

RGB 217 28 28

HSL 0, 0.77%, 0.48%

LAB 46.53, 67.99, 50.36

 

CMYK 0 / 33 / 87 / 15

HEX #D9921C

RGB 217 146 28

HSL 37.46, 0.77%, 0.48%

LAB 66.05, 18.19, 65.92

 

CMYK 0 / 9 / 87 / 15

HEX #D9C51C

RGB 217 197 28

HSL 53.65, 0.77%, 0.48%

LAB 78.91, -8.74, 76.2

 

CMYK 14 / 0 / 87 / 15

HEX #BAD91C

RGB 186 217 28

HSL 69.84, 0.77%, 0.48%

LAB 81.92, -31.58, 77.63

 

CMYK 38 / 0 / 87 / 15

HEX #87D91C

RGB 135 217 28

HSL 86.03, 0.77%, 0.48%

LAB 78.96, -50.88, 73.97

 

CMYK 61 / 0 / 87 / 15

HEX #54D91C

RGB 84 217 28

HSL 102.22, 0.77%, 0.48%

LAB 77.04, -65.67, 71.56

 

CMYK 0 / 33 / 87 / 15

HEX #D9921C

RGB 217 146 28

HSL 37.46, 0.77%, 0.48%

LAB 66.05, 18.19, 65.92

 

CMYK 0 / 36 / 97 / 7

HEX #EC9708

RGB 236 151 8

HSL 37.63, 0.93%, 0.48%

LAB 69.46, 23.36, 73.24

 

CMYK 0 / 33 / 87 / 15

HEX #D9921C

RGB 217 146 28

HSL 37.46, 0.77%, 0.48%

LAB 66.05, 18.19, 65.92

 

CMYK 0 / 28 / 76 / 23

HEX #C58D30

RGB 197 141 48

HSL 37.45, 0.61%, 0.48%

LAB 62.62, 12.84, 55.2

 

CMYK 0 / 23 / 62 / 31

HEX #B18844

RGB 177 136 68

HSL 37.43, 0.44%, 0.48%

LAB 59.32, 7.96, 41.85

 

CMYK 0 / 17 / 44 / 38

HEX #9D8358

RGB 157 131 88

HSL 37.39, 0.28%, 0.48%

LAB 56.19, 3.89, 26.93

 

CMYK 0 / 8 / 22 / 46

HEX #897E6B

RGB 137 126 107

HSL 38, 0.12%, 0.48%

LAB 53.28, 0.91, 11.87

 

CMYK 0 / 80 / 87 / 15

HEX #D92C1C

RGB 217 44 28

HSL 5.08, 0.77%, 0.48%

LAB 47.8, 64.39, 51.37

 

CMYK 0 / 57 / 87 / 15

HEX #D95E1C

RGB 217 94 28

HSL 20.95, 0.77%, 0.48%

LAB 54.91, 45.17, 57.03

 

CMYK 0 / 34 / 87 / 15

HEX #D9901C

RGB 217 144 28

HSL 36.83, 0.77%, 0.48%

LAB 65.58, 19.27, 65.54

 

CMYK 0 / 10 / 87 / 15

HEX #D9C31C

RGB 217 195 28

HSL 53.02, 0.77%, 0.48%

LAB 78.38, -7.71, 75.78

 

CMYK 13 / 0 / 87 / 15

HEX #BCD91C

RGB 188 217 28

HSL 69.21, 0.77%, 0.48%

LAB 82.06, -30.77, 77.8

 

CMYK 0 / 33 / 87 / 44

HEX #906113

RGB 144 97 19

HSL 37.44, 0.77%, 0.32%

LAB 44.98, 12.63, 47.67

 

CMYK 0 / 33 / 87 / 29

HEX #B47917

RGB 180 121 23

HSL 37.45, 0.77%, 0.4%

LAB 55.52, 15.51, 56.97

 

CMYK 0 / 33 / 87 / 15

HEX #D9921C

RGB 217 146 28

HSL 37.46, 0.77%, 0.48%

LAB 66.05, 18.19, 65.92

 

CMYK 0 / 28 / 75 / 10

HEX #E5A439

RGB 229 164 57

HSL 37.33, 0.77%, 0.56%

LAB 71.9, 14.63, 61.83

 

CMYK 0 / 23 / 60 / 8

HEX #EAB55D

RGB 234 181 93

HSL 37.45, 0.77%, 0.64%

LAB 76.88, 9.73, 51.4

 

CMYK 0 / 33 / 87 / 15

HEX #DA931D

RGB 218 147 29

HSL 37.46, 0.77%, 0.48%

LAB 66.41, 18.11, 65.99

 

CMYK 71 / 0 / 87 / 15

HEX #3FD91C

RGB 63 217 28

HSL 108.89, 0.77%, 0.48%

LAB 76.54, -69.89, 70.93

 

CMYK 68 / 87 / 0 / 15

HEX #451CD9

RGB 69 28 217

HSL 253.02, 0.77%, 0.48%

LAB 32.05, 65.45, -86.6

 

CMYK 0 / 33 / 87 / 15

HEX #DA931D

RGB 218 147 29

HSL 37.46, 0.77%, 0.48%

LAB 66.41, 18.11, 65.99

 

CMYK 87 / 0 / 34 / 15

HEX #1CD990

RGB 28 217 144

HSL 156.83, 0.77%, 0.48%

LAB 77.21, -60.12, 23.97

 

CMYK 34 / 87 / 0 / 15

HEX #901CD9

RGB 144 28 217

HSL 276.83, 0.77%, 0.48%

LAB 40.85, 72.92, -71.78

 

CMYK 0 / 33 / 87 / 15

HEX #DA931D

RGB 218 147 29

HSL 37.46, 0.77%, 0.48%

LAB 66.41, 18.11, 65.99

 

CMYK 71 / 0 / 87 / 15

HEX #3FD91C

RGB 63 217 28

HSL 108.89, 0.77%, 0.48%

LAB 76.54, -69.89, 70.93

 

CMYK 87 / 54 / 0 / 15

HEX #1C64D9

RGB 28 100 217

HSL 217.14, 0.77%, 0.48%

LAB 44.76, 22.88, -65.77

 

CMYK 16 / 87 / 0 / 15

HEX #B61CD9

RGB 182 28 217

HSL 288.89, 0.77%, 0.48%

LAB 46.69, 78.45, -62.02

 

CMYK 0 / 33 / 87 / 15

HEX #DA931D

RGB 218 147 29

HSL 37.46, 0.77%, 0.48%

LAB 66.41, 18.11, 65.99

 

CMYK 87 / 0 / 77 / 15

HEX #1CD932

RGB 28 217 50

HSL 126.98, 0.77%, 0.48%

LAB 76.13, -73.1, 64.79

 

CMYK 87 / 54 / 0 / 15

HEX #1C64D9

RGB 28 100 217

HSL 217.14, 0.77%, 0.48%

LAB 44.76, 22.88, -65.77

 

CMYK 0 / 87 / 10 / 15

HEX #D91CC3

RGB 217 28 195

HSL 306.98, 0.77%, 0.48%

LAB 51.29, 81.11, -41.65

 

Description

Color code: HEX #DA931D | qconv.com Color code: HEX #DA931D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 147 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 147 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 87 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 87% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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