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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA86A0 it is the complementary color #25795F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA86A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA86A0 shade: #DF869B, #F098AE, #FFAAC1, #FFBCD4 and #FFCEE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA86A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA86A0 shade: #DA86A0, #C9748D, #B8627A, #A75067 and #963E54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA86A0 shade: #DA86A0, #DA8689 and #DA8686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA86A0 shade: #DA86A0, #DA86B7, #DA86CD, #D086DA and #B986DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA86A0 shade matches the following richer shades: #DA86A0, #E7799B and #F36C96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA86A0 shade: #DA86A0, #CD93A5, #C0A0AA, #B3ACAF and #A7B9B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA86A0 shade: #DA86CD, #DA86B7, #DA86A1, #DA868A and #DA9886

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA86A0 shade: #C6476E, #D06687, #DA86A0, #E4A6B9 and #EDC5D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA86A0 shade: #DA86A0, #DAD086 and #86C2DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA86A0 shade: #DA86A0, #A1DA86 and #86A1DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA86A0 shade: #DA86A0, #DAD086, #86DABF and #8690DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA86A0 shade: #DA86A0, #CADA86, #86DABF and #9586DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

Complementary color

CMYK 69 / 0 / 21 / 53

HEX #25795F

RGB 37 121 95

HSL 161.43, 0.53%, 0.31%

LAB 45.49, -31.66, 7.05

 

CMYK 0 / 40 / 30 / 13

HEX #DF869B

RGB 223 134 155

HSL 345.84, 0.58%, 0.7%

LAB 65.83, 36.61, 3.54

 

CMYK 0 / 37 / 28 / 6

HEX #F098AE

RGB 240 152 174

HSL 345, 0.75%, 0.77%

LAB 72.25, 35.76, 2.47

 

CMYK 0 / 33 / 24 / 0

HEX #FFAAC1

RGB 255 170 193

HSL 343.76, 1%, 0.83%

LAB 78.38, 34.25, 1.15

 

CMYK 0 / 26 / 17 / 0

HEX #FFBCD4

RGB 255 188 212

HSL 338.51, 1%, 0.87%

LAB 82.9, 27.6, -2.5

 

CMYK 0 / 19 / 9 / 0

HEX #FFCEE7

RGB 255 206 231

HSL 329.39, 1%, 0.9%

LAB 87.57, 21.17, -5.76

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 42 / 30 / 21

HEX #C9748D

RGB 201 116 141

HSL 342.35, 0.44%, 0.62%

LAB 58.82, 36.37, 1.02

 

CMYK 0 / 47 / 34 / 28

HEX #B8627A

RGB 184 98 122

HSL 343.26, 0.38%, 0.55%

LAB 52.21, 37.29, 2.27

 

CMYK 0 / 52 / 38 / 35

HEX #A75067

RGB 167 80 103

HSL 344.14, 0.35%, 0.48%

LAB 45.54, 38.22, 3.75

 

CMYK 0 / 59 / 44 / 41

HEX #963E54

RGB 150 62 84

HSL 345, 0.42%, 0.42%

LAB 38.85, 39.1, 5.58

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 39 / 37 / 15

HEX #DA8689

RGB 218 134 137

HSL 357.86, 0.53%, 0.69%

LAB 64.77, 32.54, 12.12

 

CMYK 0 / 39 / 39 / 15

HEX #DA8686

RGB 218 134 134

HSL 0, 0.53%, 0.69%

LAB 64.71, 32.19, 13.72

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 39 / 16 / 15

HEX #DA86B7

RGB 218 134 183

HSL 325, 0.53%, 0.69%

LAB 66.04, 38.91, -12.03

 

CMYK 0 / 39 / 6 / 15

HEX #DA86CD

RGB 218 134 205

HSL 309.29, 0.53%, 0.69%

LAB 66.8, 42.55, -23.22

 

CMYK 5 / 39 / 0 / 15

HEX #D086DA

RGB 208 134 218

HSL 292.86, 0.53%, 0.69%

LAB 66.15, 41.82, -31.54

 

CMYK 15 / 39 / 0 / 15

HEX #B986DA

RGB 185 134 218

HSL 276.43, 0.53%, 0.69%

LAB 63.69, 34.86, -35.55

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 48 / 33 / 9

HEX #E7799B

RGB 231 121 155

HSL 341.45, 0.7%, 0.69%

LAB 64.19, 46.11, 1.28

 

CMYK 0 / 56 / 38 / 5

HEX #F36C96

RGB 243 108 150

HSL 341.33, 0.85%, 0.69%

LAB 63.33, 55.77, 3.1

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 28 / 20 / 20

HEX #CD93A5

RGB 205 147 165

HSL 341.38, 0.37%, 0.69%

LAB 66.95, 24.51, -0.73

 

CMYK 0 / 17 / 11 / 25

HEX #C0A0AA

RGB 192 160 170

HSL 341.25, 0.2%, 0.69%

LAB 68.93, 13.43, -0.77

 

CMYK 0 / 4 / 2 / 30

HEX #B3ACAF

RGB 179 172 175

HSL 334.29, 0.04%, 0.69%

LAB 71, 3.05, -0.65

 

CMYK 10 / 0 / 3 / 27

HEX #A7B9B3

RGB 167 185 179

HSL 160, 0.11%, 0.69%

LAB 73.65, -7.36, 0.92

 

CMYK 0 / 39 / 6 / 15

HEX #DA86CD

RGB 218 134 205

HSL 309.29, 0.53%, 0.69%

LAB 66.8, 42.55, -23.22

 

CMYK 0 / 39 / 16 / 15

HEX #DA86B7

RGB 218 134 183

HSL 325, 0.53%, 0.69%

LAB 66.04, 38.91, -12.03

 

CMYK 0 / 39 / 26 / 15

HEX #DA86A1

RGB 218 134 161

HSL 340.71, 0.53%, 0.69%

LAB 65.38, 35.64, -0.59

 

CMYK 0 / 39 / 37 / 15

HEX #DA868A

RGB 218 134 138

HSL 357.14, 0.53%, 0.69%

LAB 64.8, 32.66, 11.59

 

CMYK 0 / 30 / 39 / 15

HEX #DA9886

RGB 218 152 134

HSL 12.86, 0.53%, 0.69%

LAB 68.81, 22.52, 19.41

 

CMYK 0 / 64 / 44 / 22

HEX #C6476E

RGB 198 71 110

HSL 341.57, 0.53%, 0.53%

LAB 49.05, 53.69, 5.19

 

CMYK 0 / 51 / 35 / 18

HEX #D06687

RGB 208 102 135

HSL 341.32, 0.53%, 0.61%

LAB 56.74, 45.3, 1.61

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 27 / 19 / 11

HEX #E4A6B9

RGB 228 166 185

HSL 341.61, 0.53%, 0.77%

LAB 74.36, 25.62, -0.69

 

CMYK 0 / 17 / 11 / 7

HEX #EDC5D2

RGB 237 197 210

HSL 340.5, 0.53%, 0.85%

LAB 83.23, 16.23, -1.16

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 5 / 39 / 15

HEX #DAD086

RGB 218 208 134

HSL 52.86, 0.53%, 0.69%

LAB 82.77, -7.15, 37.98

 

CMYK 39 / 11 / 0 / 15

HEX #86C2DA

RGB 134 194 218

HSL 197.14, 0.53%, 0.69%

LAB 75.27, -13.25, -18.1

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 26 / 0 / 39 / 15

HEX #A1DA86

RGB 161 218 134

HSL 100.71, 0.53%, 0.69%

LAB 81.53, -33.4, 35.6

 

CMYK 39 / 26 / 0 / 15

HEX #86A1DA

RGB 134 161 218

HSL 220.71, 0.53%, 0.69%

LAB 66.23, 4.74, -31.94

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 0 / 5 / 39 / 15

HEX #DAD086

RGB 218 208 134

HSL 52.86, 0.53%, 0.69%

LAB 82.77, -7.15, 37.98

 

CMYK 39 / 0 / 12 / 15

HEX #86DABF

RGB 134 218 191

HSL 160.71, 0.53%, 0.69%

LAB 81.28, -31.61, 5.28

 

CMYK 39 / 34 / 0 / 15

HEX #8690DA

RGB 134 144 218

HSL 232.86, 0.53%, 0.69%

LAB 61.72, 14.49, -38.96

 

CMYK 0 / 39 / 27 / 15

HEX #DA86A0

RGB 218 134 160

HSL 341.43, 0.53%, 0.69%

LAB 65.35, 35.5, -0.06

 

CMYK 7 / 0 / 39 / 15

HEX #CADA86

RGB 202 218 134

HSL 71.43, 0.53%, 0.69%

LAB 84.18, -18.4, 39.54

 

CMYK 39 / 0 / 12 / 15

HEX #86DABF

RGB 134 218 191

HSL 160.71, 0.53%, 0.69%

LAB 81.28, -31.61, 5.28

 

CMYK 32 / 39 / 0 / 15

HEX #9586DA

RGB 149 134 218

HSL 250.71, 0.53%, 0.69%

LAB 60.34, 24.4, -41.04

 

Description

Color code: HEX #DA86A0 | qconv.com Color code: HEX #DA86A0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 134 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 134 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 27 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 27% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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