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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA6EB3 it is the complementary color #25914C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA6EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA6EB3 shade: #DF6EAE, #F080C1, #FF92D4, #FFA4E7 and #FFB6FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA6EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA6EB3 shade: #DA6EB3, #C95CA0, #B84A8D, #A7387A and #962667

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA6EB3 shade: #D96DB2, #D96D95, #D96D78 and #D96D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA6EB3 shade: #D96DB2, #D96DCF, #C66DD9, #A96DD9 and #8C6DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA6EB3 shade matches the following richer shades: #D96DB2, #E85EB6 and #F74FBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA6EB3 shade: #D96DB2, #CB7CAE, #BC8BAA, #AD9AA6 and #9EA8A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA6EB3 shade: #C66DD9, #D96DD0, #D96DB3, #D96D97 and #D96D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA6EB3 shade: #C2328E, #D14CA1, #D96DB2, #E28EC3 and #EAAFD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA6EB3 shade: #DA6EB3, #D9A96D and #6DD9D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA6EB3 shade: #DA6EB3, #B3D96D and #6DB3D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA6EB3 shade: #DA6EB3, #D9A96D, #6DD993 and #6D9ED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA6EB3 shade: #DA6EB3, #D9C96D, #6DD993 and #6D7DD9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 18 / 15

HEX #DA6EB3

RGB 218 110 179

HSL 321.67, 0.59%, 0.64%

LAB 61.06, 50.58, -17.28

 

Complementary color

CMYK 74 / 0 / 48 / 43

HEX #25914C

RGB 37 145 76

HSL 141.67, 0.59%, 0.36%

LAB 53.13, -45.81, 28.12

 

CMYK 0 / 51 / 22 / 13

HEX #DF6EAE

RGB 223 110 174

HSL 326.02, 0.64%, 0.65%

LAB 61.56, 51.42, -13.59

 

CMYK 0 / 47 / 20 / 6

HEX #F080C1

RGB 240 128 193

HSL 325.18, 0.79%, 0.72%

LAB 67.88, 50.7, -14.6

 

CMYK 0 / 43 / 17 / 0

HEX #FF92D4

RGB 255 146 212

HSL 323.67, 1%, 0.79%

LAB 73.91, 49.31, -15.87

 

CMYK 0 / 36 / 9 / 0

HEX #FFA4E7

RGB 255 164 231

HSL 315.82, 1%, 0.82%

LAB 78.22, 43.14, -19.75

 

CMYK 0 / 29 / 2 / 0

HEX #FFB6FA

RGB 255 182 250

HSL 304.11, 1%, 0.86%

LAB 82.71, 37.02, -23.16

 

CMYK 0 / 50 / 18 / 15

HEX #DA6EB3

RGB 218 110 179

HSL 321.67, 0.59%, 0.64%

LAB 61.06, 50.58, -17.28

 

CMYK 0 / 54 / 20 / 21

HEX #C95CA0

RGB 201 92 160

HSL 322.57, 0.5%, 0.57%

LAB 54.67, 51.23, -16.22

 

CMYK 0 / 60 / 23 / 28

HEX #B84A8D

RGB 184 74 141

HSL 323.45, 0.44%, 0.51%

LAB 48.27, 51.74, -14.92

 

CMYK 0 / 66 / 27 / 35

HEX #A7387A

RGB 167 56 122

HSL 324.32, 0.5%, 0.44%

LAB 41.92, 51.96, -13.28

 

CMYK 0 / 75 / 31 / 41

HEX #962667

RGB 150 38 103

HSL 325.18, 0.6%, 0.37%

LAB 35.69, 51.64, -11.12

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB2

RGB 217 109 178

HSL 321.67, 0.59%, 0.64%

LAB 60.7, 50.61, -17.27

 

CMYK 0 / 50 / 31 / 15

HEX #D96D95

RGB 217 109 149

HSL 337.78, 0.59%, 0.64%

LAB 59.76, 46.6, -1.97

 

CMYK 0 / 50 / 45 / 15

HEX #D96D78

RGB 217 109 120

HSL 353.89, 0.59%, 0.64%

LAB 59.02, 43.29, 13.76

 

CMYK 0 / 50 / 50 / 15

HEX #D96D6D

RGB 217 109 109

HSL 0, 0.59%, 0.64%

LAB 58.78, 42.23, 19.79

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB2

RGB 217 109 178

HSL 321.67, 0.59%, 0.64%

LAB 60.7, 50.61, -17.27

 

CMYK 0 / 50 / 5 / 15

HEX #D96DCF

RGB 217 109 207

HSL 305.56, 0.59%, 0.64%

LAB 61.82, 55.26, -32.01

 

CMYK 9 / 50 / 0 / 15

HEX #C66DD9

RGB 198 109 217

HSL 289.44, 0.59%, 0.64%

LAB 59.85, 51.73, -40.91

 

CMYK 22 / 50 / 0 / 15

HEX #A96DD9

RGB 169 109 217

HSL 273.33, 0.59%, 0.64%

LAB 56.47, 43.8, -46.46

 

CMYK 35 / 50 / 0 / 15

HEX #8C6DD9

RGB 140 109 217

HSL 257.22, 0.59%, 0.64%

LAB 53.52, 36.22, -51.33

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB2

RGB 217 109 178

HSL 321.67, 0.59%, 0.64%

LAB 60.7, 50.61, -17.27

 

CMYK 0 / 59 / 22 / 9

HEX #E85EB6

RGB 232 94 182

HSL 321.74, 0.75%, 0.64%

LAB 60.37, 62.59, -19.85

 

CMYK 0 / 68 / 25 / 3

HEX #F74FBA

RGB 247 79 186

HSL 321.79, 0.91%, 0.64%

LAB 60.7, 73.05, -21.43

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB2

RGB 217 109 178

HSL 321.67, 0.59%, 0.64%

LAB 60.7, 50.61, -17.27

 

CMYK 0 / 39 / 14 / 20

HEX #CB7CAE

RGB 203 124 174

HSL 322.03, 0.43%, 0.64%

LAB 61.8, 37.71, -13.49

 

CMYK 0 / 26 / 10 / 26

HEX #BC8BAA

RGB 188 139 170

HSL 322.04, 0.27%, 0.64%

LAB 63.39, 23.62, -9

 

CMYK 0 / 11 / 4 / 32

HEX #AD9AA6

RGB 173 154 166

HSL 322.11, 0.1%, 0.64%

LAB 65.55, 9.14, -3.7

 

CMYK 6 / 0 / 4 / 34

HEX #9EA8A2

RGB 158 168 162

HSL 144, 0.05%, 0.64%

LAB 67.93, -4.69, 1.87

 

CMYK 9 / 50 / 0 / 15

HEX #C66DD9

RGB 198 109 217

HSL 289.44, 0.59%, 0.64%

LAB 59.85, 51.73, -40.91

 

CMYK 0 / 50 / 4 / 15

HEX #D96DD0

RGB 217 109 208

HSL 305, 0.59%, 0.64%

LAB 61.86, 55.43, -32.51

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB3

RGB 217 109 179

HSL 321.11, 0.59%, 0.64%

LAB 60.73, 50.76, -17.78

 

CMYK 0 / 50 / 30 / 15

HEX #D96D97

RGB 217 109 151

HSL 336.67, 0.59%, 0.64%

LAB 59.82, 46.85, -3.04

 

CMYK 0 / 50 / 44 / 15

HEX #D96D7A

RGB 217 109 122

HSL 352.78, 0.59%, 0.64%

LAB 59.06, 43.49, 12.66

 

CMYK 0 / 74 / 27 / 24

HEX #C2328E

RGB 194 50 142

HSL 321.67, 0.59%, 0.48%

LAB 46.58, 64.01, -17.95

 

CMYK 0 / 64 / 23 / 18

HEX #D14CA1

RGB 209 76 161

HSL 321.65, 0.59%, 0.56%

LAB 53.27, 60.85, -18.82

 

CMYK 0 / 50 / 18 / 15

HEX #D96DB2

RGB 217 109 178

HSL 321.67, 0.59%, 0.64%

LAB 60.7, 50.61, -17.27

 

CMYK 0 / 37 / 14 / 11

HEX #E28EC3

RGB 226 142 195

HSL 322.14, 0.59%, 0.72%

LAB 69.08, 39.28, -14.09

 

CMYK 0 / 25 / 9 / 8

HEX #EAAFD5

RGB 234 175 213

HSL 321.36, 0.58%, 0.8%

LAB 77.85, 27.4, -10.76

 

CMYK 0 / 50 / 18 / 15

HEX #DA6EB3

RGB 218 110 179

HSL 321.67, 0.59%, 0.64%

LAB 61.06, 50.58, -17.28

 

CMYK 0 / 22 / 50 / 15

HEX #D9A96D

RGB 217 169 109

HSL 33.33, 0.59%, 0.64%

LAB 72.38, 10.36, 37.56

 

CMYK 50 / 0 / 2 / 15

HEX #6DD9D4

RGB 109 217 212

HSL 177.22, 0.59%, 0.64%

LAB 80.53, -32.24, -7.11

 

CMYK 0 / 50 / 18 / 15

HEX #DA6EB3

RGB 218 110 179

HSL 321.67, 0.59%, 0.64%

LAB 61.06, 50.58, -17.28

 

CMYK 18 / 0 / 50 / 15

HEX #B3D96D

RGB 179 217 109

HSL 81.11, 0.59%, 0.64%

LAB 82.01, -29.42, 48.71

 

CMYK 50 / 18 / 0 / 15

HEX #6DB3D9

RGB 109 179 217

HSL 201.11, 0.59%, 0.64%

LAB 69.83, -11.72, -25.96

 

CMYK 0 / 50 / 18 / 15

HEX #DA6EB3

RGB 218 110 179

HSL 321.67, 0.59%, 0.64%

LAB 61.06, 50.58, -17.28

 

CMYK 0 / 22 / 50 / 15

HEX #D9A96D

RGB 217 169 109

HSL 33.33, 0.59%, 0.64%

LAB 72.38, 10.36, 37.56

 

CMYK 50 / 0 / 32 / 15

HEX #6DD993

RGB 109 217 147

HSL 141.11, 0.59%, 0.64%

LAB 79.03, -46.57, 25.17

 

CMYK 50 / 27 / 0 / 15

HEX #6D9ED9

RGB 109 158 217

HSL 212.78, 0.59%, 0.64%

LAB 63.93, -0.13, -35.07

 

CMYK 0 / 50 / 18 / 15

HEX #DA6EB3

RGB 218 110 179

HSL 321.67, 0.59%, 0.64%

LAB 61.06, 50.58, -17.28

 

CMYK 0 / 7 / 50 / 15

HEX #D9C96D

RGB 217 201 109

HSL 51.11, 0.59%, 0.64%

LAB 80.53, -6.46, 47.61

 

CMYK 50 / 0 / 32 / 15

HEX #6DD993

RGB 109 217 147

HSL 141.11, 0.59%, 0.64%

LAB 79.03, -46.57, 25.17

 

CMYK 50 / 42 / 0 / 15

HEX #6D7DD9

RGB 109 125 217

HSL 231.11, 0.59%, 0.64%

LAB 55, 19.23, -49.12

 

Description

Color code: HEX #DA6EB3 | qconv.com Color code: HEX #DA6EB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 110 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 110 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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