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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5CE0 it is the complementary color #25A31F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5CE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5CE0 shade: #DF5CDB, #F06EEE, #FF80FF, #FF92FF and #FFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5CE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5CE0 shade: #DA5CE0, #C94ACD, #B838BA, #A726A7 and #961494

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5CE0 shade: #DA5CE0, #E05CC2, #E05C9F, #E05C7B and #E05C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5CE0 shade: #DA5CE0, #B65CE0, #935CE0, #6F5CE0 and #5C5CE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5CE0 shade matches the following richer shades: #DA5CE0 and #E84DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5CE0 shade: #DA5CE0, #CC6CD0, #BD7CC1, #AF8BB1 and #A19BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5CE0 shade: #935CE0, #B65CE0, #D95CE0, #E05CC3 and #E05CA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5CE0 shade: #BD25C4, #D23AD9, #DA5CE0, #E27FE7 and #EAA2ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5CE0 shade: #DA5CE0, #E0705C and #5CE0A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5CE0 shade: #DA5CE0, #E0D95C and #5CE0D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5CE0 shade: #DA5CE0, #E0705C, #63E05C and #5CCCE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5CE0 shade: #DA5CE0, #E0985C, #63E05C and #5CA5E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

Complementary color

CMYK 77 / 0 / 81 / 36

HEX #25A31F

RGB 37 163 31

HSL 117.27, 0.68%, 0.38%

LAB 58.68, -57.18, 53.93

 

CMYK 0 / 59 / 2 / 13

HEX #DF5CDB

RGB 223 92 219

HSL 301.83, 0.67%, 0.62%

LAB 60.3, 66.64, -41.09

 

CMYK 0 / 54 / 1 / 6

HEX #F06EEE

RGB 240 110 238

HSL 300.92, 0.81%, 0.69%

LAB 66.41, 66.31, -41.94

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FF

RGB 255 146 255

HSL 300, 1%, 0.79%

LAB 75.47, 56.32, -36.95

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 2 / 64 / 0 / 20

HEX #C94ACD

RGB 201 74 205

HSL 298.17, 0.57%, 0.55%

LAB 53.73, 66.33, -43.72

 

CMYK 1 / 70 / 0 / 27

HEX #B838BA

RGB 184 56 186

HSL 299.08, 0.54%, 0.47%

LAB 47.71, 66.01, -42.45

 

CMYK 0 / 77 / 0 / 35

HEX #A726A7

RGB 167 38 167

HSL 300, 0.63%, 0.4%

LAB 41.83, 65.01, -40.74

 

CMYK 0 / 87 / 1 / 41

HEX #961494

RGB 150 20 148

HSL 300.92, 0.76%, 0.33%

LAB 36.22, 62.97, -38.38

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 0 / 59 / 13 / 12

HEX #E05CC2

RGB 224 92 194

HSL 313.64, 0.68%, 0.62%

LAB 59.34, 62.94, -28.41

 

CMYK 0 / 59 / 29 / 12

HEX #E05C9F

RGB 224 92 159

HSL 329.55, 0.68%, 0.62%

LAB 58.04, 58.11, -10.21

 

CMYK 0 / 59 / 45 / 12

HEX #E05C7B

RGB 224 92 123

HSL 345.91, 0.68%, 0.62%

LAB 57.01, 54.11, 9.34

 

CMYK 0 / 59 / 59 / 12

HEX #E05C5C

RGB 224 92 92

HSL 0, 0.68%, 0.62%

LAB 56.36, 51.53, 26.57

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 19 / 59 / 0 / 12

HEX #B65CE0

RGB 182 92 224

HSL 280.91, 0.68%, 0.62%

LAB 55.05, 57.41, -52.56

 

CMYK 34 / 59 / 0 / 12

HEX #935CE0

RGB 147 92 224

HSL 265, 0.68%, 0.62%

LAB 50.97, 49.17, -59.34

 

CMYK 50 / 59 / 0 / 12

HEX #6F5CE0

RGB 111 92 224

HSL 248.64, 0.68%, 0.62%

LAB 47.52, 41.54, -65.08

 

CMYK 59 / 59 / 0 / 12

HEX #5C5CE0

RGB 92 92 224

HSL 240, 0.68%, 0.62%

LAB 46.06, 38.08, -67.51

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 3 / 68 / 0 / 6

HEX #E84DF0

RGB 232 77 240

HSL 297.06, 0.84%, 0.62%

LAB 60.56, 78.03, -52.34

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 2 / 48 / 0 / 18

HEX #CC6CD0

RGB 204 108 208

HSL 297.6, 0.52%, 0.62%

LAB 59.99, 52.22, -35.55

 

CMYK 2 / 36 / 0 / 24

HEX #BD7CC1

RGB 189 124 193

HSL 296.52, 0.36%, 0.62%

LAB 60.86, 36.48, -25.87

 

CMYK 1 / 21 / 0 / 31

HEX #AF8BB1

RGB 175 139 177

HSL 296.84, 0.2%, 0.62%

LAB 62.3, 20.37, -14.74

 

CMYK 0 / 4 / 0 / 37

HEX #A19BA1

RGB 161 155 161

HSL 300, 0.03%, 0.62%

LAB 64.64, 3.32, -2.36

 

CMYK 34 / 59 / 0 / 12

HEX #935CE0

RGB 147 92 224

HSL 265, 0.68%, 0.62%

LAB 50.97, 49.17, -59.34

 

CMYK 19 / 59 / 0 / 12

HEX #B65CE0

RGB 182 92 224

HSL 280.91, 0.68%, 0.62%

LAB 55.05, 57.41, -52.56

 

CMYK 3 / 59 / 0 / 12

HEX #D95CE0

RGB 217 92 224

HSL 296.82, 0.68%, 0.62%

LAB 59.7, 65.99, -44.91

 

CMYK 0 / 59 / 13 / 12

HEX #E05CC3

RGB 224 92 195

HSL 313.18, 0.68%, 0.62%

LAB 59.38, 63.09, -28.91

 

CMYK 0 / 59 / 29 / 12

HEX #E05CA0

RGB 224 92 160

HSL 329.09, 0.68%, 0.62%

LAB 58.07, 58.24, -10.74

 

CMYK 4 / 81 / 0 / 23

HEX #BD25C4

RGB 189 37 196

HSL 297.36, 0.68%, 0.46%

LAB 47.14, 74.26, -49.12

 

CMYK 3 / 73 / 0 / 15

HEX #D23AD9

RGB 210 58 217

HSL 297.36, 0.68%, 0.54%

LAB 53.75, 75.97, -50.45

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 2 / 45 / 0 / 9

HEX #E27FE7

RGB 226 127 231

HSL 297.12, 0.68%, 0.7%

LAB 67.36, 53.19, -36.7

 

CMYK 1 / 32 / 0 / 7

HEX #EAA2ED

RGB 234 162 237

HSL 297.6, 0.68%, 0.78%

LAB 75.73, 38.57, -27

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 0 / 50 / 59 / 12

HEX #E0705C

RGB 224 112 92

HSL 9.09, 0.68%, 0.62%

LAB 60.08, 41.93, 31.33

 

CMYK 59 / 0 / 26 / 12

HEX #5CE0A5

RGB 92 224 165

HSL 153.18, 0.68%, 0.62%

LAB 80.91, -49.81, 18.27

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 0 / 3 / 59 / 12

HEX #E0D95C

RGB 224 217 92

HSL 56.82, 0.68%, 0.62%

LAB 85.12, -13.03, 60.88

 

CMYK 59 / 0 / 3 / 12

HEX #5CE0D9

RGB 92 224 217

HSL 176.82, 0.68%, 0.62%

LAB 82.16, -37.51, -7.42

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 0 / 50 / 59 / 12

HEX #E0705C

RGB 224 112 92

HSL 9.09, 0.68%, 0.62%

LAB 60.08, 41.93, 31.33

 

CMYK 56 / 0 / 59 / 12

HEX #63E05C

RGB 99 224 92

HSL 116.82, 0.68%, 0.62%

LAB 80.03, -59.92, 53.23

 

CMYK 59 / 9 / 0 / 12

HEX #5CCCE0

RGB 92 204 224

HSL 189.09, 0.68%, 0.62%

LAB 76.58, -26.06, -19.52

 

CMYK 3 / 59 / 0 / 12

HEX #DA5CE0

RGB 218 92 224

HSL 297.27, 0.68%, 0.62%

LAB 59.84, 66.24, -44.68

 

CMYK 0 / 32 / 59 / 12

HEX #E0985C

RGB 224 152 92

HSL 27.27, 0.68%, 0.62%

LAB 68.81, 20.95, 42.12

 

CMYK 56 / 0 / 59 / 12

HEX #63E05C

RGB 99 224 92

HSL 116.82, 0.68%, 0.62%

LAB 80.03, -59.92, 53.23

 

CMYK 59 / 26 / 0 / 12

HEX #5CA5E0

RGB 92 165 224

HSL 206.82, 0.68%, 0.62%

LAB 65.41, -5.54, -36.69

 

Description

Color code: HEX #DA5CE0 | qconv.com Color code: HEX #DA5CE0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 59 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 59% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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