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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4AB3 it is the complementary color #25B54C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4AB3 shade: #DF4AAE, #F05CC1, #FF6ED4, #FF80E7 and #FF92FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4AB3 shade: #DA4AB3, #C938A0, #B8268D, #A7147A and #960267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4AB3 shade: #DA49B3, #DA498B, #DA4964 and #DA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4AB3 shade: #DA49B3, #DA49DA, #B349DA, #8C49DA and #6549DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4AB3 shade matches the following richer shades: #DA49B3, #EB37BB and #FD25C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4AB3 shade: #DA49B3, #C85BAA, #B66CA2, #A47E9A and #939092

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4AB3 shade: #B349DA, #DA49DA, #DA49B3, #DA498D and #DA4966

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4AB3 shade: #AD2388, #CF2AA2, #DA49B3, #E16BC1 and #E88DCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4AB3 shade: #DA4AB3, #DA8D49 and #49DAC6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4AB3 shade: #DA4AB3, #B3DA49 and #49B3DA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4AB3 shade: #DA4AB3, #DA8D49, #49DA70 and #4996DA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4AB3 shade: #DA4AB3, #DAB849, #49DA70 and #496BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 18 / 15

HEX #DA4AB3

RGB 218 74 179

HSL 316.25, 0.66%, 0.57%

LAB 55.13, 66.52, -26.35

 

Complementary color

CMYK 80 / 0 / 58 / 29

HEX #25B54C

RGB 37 181 76

HSL 136.25, 0.66%, 0.43%

LAB 64.93, -58.61, 42.56

 

CMYK 0 / 67 / 22 / 13

HEX #DF4AAE

RGB 223 74 174

HSL 319.73, 0.7%, 0.58%

LAB 55.73, 67.14, -22.46

 

CMYK 0 / 62 / 20 / 6

HEX #F05CC1

RGB 240 92 193

HSL 319.05, 0.83%, 0.65%

LAB 61.68, 67.15, -24.03

 

CMYK 0 / 57 / 17 / 0

HEX #FF6ED4

RGB 255 110 212

HSL 317.79, 1%, 0.72%

LAB 67.4, 66.31, -25.78

 

CMYK 0 / 50 / 9 / 0

HEX #FF80E7

RGB 255 128 231

HSL 311.34, 1%, 0.75%

LAB 71.19, 61, -30.48

 

CMYK 0 / 43 / 2 / 0

HEX #FF92FA

RGB 255 146 250

HSL 302.75, 1%, 0.79%

LAB 75.28, 55.45, -34.55

 

CMYK 0 / 66 / 18 / 15

HEX #DA4AB3

RGB 218 74 179

HSL 316.25, 0.66%, 0.57%

LAB 55.13, 66.52, -26.35

 

CMYK 0 / 72 / 20 / 21

HEX #C938A0

RGB 201 56 160

HSL 316.97, 0.57%, 0.5%

LAB 49.23, 66.1, -24.55

 

CMYK 0 / 79 / 23 / 28

HEX #B8268D

RGB 184 38 141

HSL 317.67, 0.66%, 0.44%

LAB 43.51, 65.01, -22.23

 

CMYK 0 / 88 / 27 / 35

HEX #A7147A

RGB 167 20 122

HSL 318.37, 0.79%, 0.37%

LAB 38.06, 62.89, -19.2

 

CMYK 0 / 99 / 31 / 41

HEX #960267

RGB 150 2 103

HSL 319.05, 0.97%, 0.3%

LAB 32.93, 59.57, -15.33

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 67 / 36 / 15

HEX #DA498B

RGB 218 73 139

HSL 332.69, 0.66%, 0.57%

LAB 53.53, 61.92, -5.29

 

CMYK 0 / 67 / 54 / 15

HEX #DA4964

RGB 218 73 100

HSL 348.83, 0.66%, 0.57%

LAB 52.5, 58.27, 16.53

 

CMYK 0 / 67 / 67 / 15

HEX #DA4949

RGB 218 73 73

HSL 0, 0.66%, 0.57%

LAB 52.01, 56.49, 31.85

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 67 / 0 / 15

HEX #DA49DA

RGB 218 73 218

HSL 300, 0.66%, 0.57%

LAB 56.81, 72.79, -46.07

 

CMYK 18 / 67 / 0 / 15

HEX #B349DA

RGB 179 73 218

HSL 283.86, 0.66%, 0.57%

LAB 51.16, 64.13, -55.41

 

CMYK 36 / 67 / 0 / 15

HEX #8C49DA

RGB 140 73 218

HSL 267.72, 0.66%, 0.57%

LAB 46.18, 55.94, -63.7

 

CMYK 54 / 67 / 0 / 15

HEX #6549DA

RGB 101 73 218

HSL 251.59, 0.66%, 0.57%

LAB 42.14, 48.76, -70.44

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 77 / 20 / 8

HEX #EB37BB

RGB 235 55 187

HSL 316, 0.82%, 0.57%

LAB 56.07, 77.88, -29.31

 

CMYK 0 / 85 / 23 / 1

HEX #FD25C3

RGB 253 37 195

HSL 316.11, 0.98%, 0.57%

LAB 58.18, 86.63, -30.41

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 55 / 15 / 22

HEX #C85BAA

RGB 200 91 170

HSL 316.51, 0.5%, 0.57%

LAB 54.72, 52.91, -21.98

 

CMYK 0 / 41 / 11 / 29

HEX #B66CA2

RGB 182 108 162

HSL 316.22, 0.34%, 0.57%

LAB 55.36, 37.24, -16.57

 

CMYK 0 / 23 / 6 / 36

HEX #A47E9A

RGB 164 126 154

HSL 315.79, 0.17%, 0.57%

LAB 57.22, 19.47, -9.34

 

CMYK 0 / 2 / 1 / 42

HEX #939092

RGB 147 144 146

HSL 320, 0.01%, 0.57%

LAB 60.09, 1.49, -0.67

 

CMYK 18 / 67 / 0 / 15

HEX #B349DA

RGB 179 73 218

HSL 283.86, 0.66%, 0.57%

LAB 51.16, 64.13, -55.41

 

CMYK 0 / 67 / 0 / 15

HEX #DA49DA

RGB 218 73 218

HSL 300, 0.66%, 0.57%

LAB 56.81, 72.79, -46.07

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 67 / 35 / 15

HEX #DA498D

RGB 218 73 141

HSL 331.86, 0.66%, 0.57%

LAB 53.59, 62.14, -6.38

 

CMYK 0 / 67 / 53 / 15

HEX #DA4966

RGB 218 73 102

HSL 348, 0.66%, 0.57%

LAB 52.54, 58.43, 15.4

 

CMYK 0 / 80 / 21 / 32

HEX #AD2388

RGB 173 35 136

HSL 316.09, 0.66%, 0.41%

LAB 41, 62.6, -23.22

 

CMYK 0 / 80 / 22 / 19

HEX #CF2AA2

RGB 207 42 162

HSL 316.36, 0.66%, 0.49%

LAB 48.92, 71.88, -26.14

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 52 / 14 / 12

HEX #E16BC1

RGB 225 107 193

HSL 316.27, 0.66%, 0.65%

LAB 61.97, 56.28, -23.77

 

CMYK 0 / 39 / 11 / 9

HEX #E88DCF

RGB 232 141 207

HSL 316.48, 0.66%, 0.73%

LAB 69.97, 43.71, -19.34

 

CMYK 0 / 66 / 18 / 15

HEX #DA4AB3

RGB 218 74 179

HSL 316.25, 0.66%, 0.57%

LAB 55.13, 66.52, -26.35

 

CMYK 0 / 35 / 67 / 15

HEX #DA8D49

RGB 218 141 73

HSL 28.14, 0.66%, 0.57%

LAB 65.31, 23.11, 47.43

 

CMYK 67 / 0 / 9 / 15

HEX #49DAC6

RGB 73 218 198

HSL 171.72, 0.66%, 0.57%

LAB 79.41, -42.85, -1.42

 

CMYK 0 / 66 / 18 / 15

HEX #DA4AB3

RGB 218 74 179

HSL 316.25, 0.66%, 0.57%

LAB 55.13, 66.52, -26.35

 

CMYK 18 / 0 / 67 / 15

HEX #B3DA49

RGB 179 218 73

HSL 76.14, 0.66%, 0.57%

LAB 81.95, -32.9, 64.32

 

CMYK 67 / 18 / 0 / 15

HEX #49B3DA

RGB 73 179 218

HSL 196.14, 0.66%, 0.57%

LAB 68.55, -18.33, -28.59

 

CMYK 0 / 66 / 18 / 15

HEX #DA4AB3

RGB 218 74 179

HSL 316.25, 0.66%, 0.57%

LAB 55.13, 66.52, -26.35

 

CMYK 0 / 35 / 67 / 15

HEX #DA8D49

RGB 218 141 73

HSL 28.14, 0.66%, 0.57%

LAB 65.31, 23.11, 47.43

 

CMYK 67 / 0 / 49 / 15

HEX #49DA70

RGB 73 218 112

HSL 136.14, 0.66%, 0.57%

LAB 77.71, -60.72, 40.95

 

CMYK 67 / 31 / 0 / 15

HEX #4996DA

RGB 73 150 218

HSL 208.14, 0.66%, 0.57%

LAB 60.15, -2.38, -41.65

 

CMYK 0 / 66 / 18 / 15

HEX #DA4AB3

RGB 218 74 179

HSL 316.25, 0.66%, 0.57%

LAB 55.13, 66.52, -26.35

 

CMYK 0 / 16 / 67 / 15

HEX #DAB849

RGB 218 184 73

HSL 45.93, 0.66%, 0.57%

LAB 75.86, 0.14, 58.91

 

CMYK 67 / 0 / 49 / 15

HEX #49DA70

RGB 73 218 112

HSL 136.14, 0.66%, 0.57%

LAB 77.71, -60.72, 40.95

 

CMYK 67 / 51 / 0 / 15

HEX #496BDA

RGB 73 107 218

HSL 225.93, 0.66%, 0.57%

LAB 48.25, 23.68, -60.61

 

Description

Color code: HEX #DA4AB3 | qconv.com Color code: HEX #DA4AB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 74 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 74 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 18 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 18% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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