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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA3C33 it is the complementary color #25C3CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA3C33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DA3C33: #DF3C2E, #F04E41, #FF6054, #FF7267 and #FF847A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA3C33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DA3C33: #DA3C33, #C92A20, #B8180D, #A70600 and #960000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

Complementary color

CMYK 82 / 4 / 0 / 20

HEX #25C3CC

RGB 37 195 204

HSL 183.23, 0.69%, 0.47%

LAB 72.08, -34.84, -15.61

 

CMYK 0 / 73 / 79 / 13

HEX #DF3C2E

RGB 223 60 46

HSL 4.75, 0.73%, 0.53%

LAB 50.82, 61.75, 45.76

 

CMYK 0 / 68 / 73 / 6

HEX #F04E41

RGB 240 78 65

HSL 4.46, 0.85%, 0.6%

LAB 56.44, 61.23, 42.5

 

CMYK 0 / 62 / 67 / 0

HEX #FF6054

RGB 255 96 84

HSL 4.21, 1%, 0.66%

LAB 61.88, 59.75, 39.06

 

CMYK 0 / 55 / 60 / 0

HEX #FF7267

RGB 255 114 103

HSL 4.34, 1%, 0.7%

LAB 65.18, 52.92, 32.64

 

CMYK 0 / 48 / 52 / 0

HEX #FF847A

RGB 255 132 122

HSL 4.51, 1%, 0.74%

LAB 68.87, 45.72, 26.91

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 0 / 79 / 84 / 21

HEX #C92A20

RGB 201 42 32

HSL 3.55, 0.73%, 0.46%

LAB 44.49, 60.39, 45.42

 

CMYK 0 / 87 / 93 / 28

HEX #B8180D

RGB 184 24 13

HSL 3.86, 0.87%, 0.39%

LAB 39.37, 59.57, 48.42

 

CMYK 0 / 96 / 100 / 35

HEX #A70600

RGB 167 6 0

HSL 2.16, 1%, 0.33%

LAB 34.69, 57.58, 48.84

 

CMYK 0 / 100 / 100 / 41

HEX #960000

RGB 150 0 0

HSL 0, 1%, 0.29%

LAB 30.6, 53.92, 44.34

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 0 / 59 / 76 / 15

HEX #D95834

RGB 217 88 52

HSL 13.09, 0.68%, 0.53%

LAB 54, 48.7, 45.59

 

CMYK 0 / 47 / 76 / 15

HEX #D97334

RGB 217 115 52

HSL 22.91, 0.68%, 0.53%

LAB 59.22, 35.42, 50.93

 

CMYK 0 / 34 / 76 / 15

HEX #D98F34

RGB 217 143 52

HSL 33.09, 0.68%, 0.53%

LAB 65.47, 20.56, 57.13

 

CMYK 0 / 22 / 76 / 15

HEX #D9AA34

RGB 217 170 52

HSL 42.91, 0.68%, 0.53%

LAB 72.06, 6.07, 63.45

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 0 / 71 / 79 / 95

HEX #0E0403

RGB 14 4 3

HSL 5.45, 0.65%, 0.03%

LAB 1.69, 2.6, 1.34

 

CMYK 0 / 72 / 77 / 75

HEX #41120F

RGB 65 18 15

HSL 3.6, 0.63%, 0.16%

LAB 13.17, 22.6, 13.73

 

CMYK 0 / 72 / 77 / 55

HEX #74201B

RGB 116 32 27

HSL 3.37, 0.62%, 0.28%

LAB 26.23, 36.33, 24.33

 

CMYK 0 / 72 / 77 / 35

HEX #A72E27

RGB 167 46 39

HSL 3.28, 0.62%, 0.4%

LAB 38.4, 48.75, 33.39

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 19 / 0 / 76 / 15

HEX #B0D934

RGB 176 217 52

HSL 74.91, 0.68%, 0.53%

LAB 81.35, -34.77, 70.97

 

CMYK 76 / 49 / 0 / 15

HEX #346ED9

RGB 52 110 217

HSL 218.91, 0.68%, 0.53%

LAB 48.12, 18.59, -60.29

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 76 / 0 / 72 / 15

HEX #34D93C

RGB 52 217 60

HSL 122.91, 0.68%, 0.53%

LAB 76.49, -69.78, 61.91

 

CMYK 72 / 76 / 0 / 15

HEX #3C34D9

RGB 60 52 217

HSL 242.91, 0.68%, 0.53%

LAB 34.86, 54.64, -81.96

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 19 / 0 / 76 / 15

HEX #B0D934

RGB 176 217 52

HSL 74.91, 0.68%, 0.53%

LAB 81.35, -34.77, 70.97

 

CMYK 76 / 4 / 0 / 15

HEX #34D1D9

RGB 52 209 217

HSL 182.91, 0.68%, 0.53%

LAB 76.88, -36.14, -15.39

 

CMYK 57 / 76 / 0 / 15

HEX #5D34D9

RGB 93 52 217

HSL 254.91, 0.68%, 0.53%

LAB 37.47, 58.08, -77.56

 

CMYK 0 / 72 / 77 / 15

HEX #DA3C33

RGB 218 60 51

HSL 3.23, 0.69%, 0.53%

LAB 49.95, 60.38, 41.9

 

CMYK 42 / 0 / 76 / 15

HEX #7ED934

RGB 126 217 52

HSL 93.09, 0.68%, 0.53%

LAB 78.64, -52.87, 67.45

 

CMYK 76 / 4 / 0 / 15

HEX #34D1D9

RGB 52 209 217

HSL 182.91, 0.68%, 0.53%

LAB 76.88, -36.14, -15.39

 

CMYK 34 / 76 / 0 / 15

HEX #8F34D9

RGB 143 52 217

HSL 273.09, 0.68%, 0.53%

LAB 43.22, 65.44, -67.92

 

Description

Color code: HEX #DA3C33 | qconv.com Color code: HEX #DA3C33 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 60 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 60 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 77 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 77% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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