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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA12C0 it is the complementary color #25ED3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA12C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA12C0 shade: #DF12BB, #F024CE, #FF36E1, #FF48F4 and #FF5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA12C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA12C0 shade: #DA12C0, #C900AD, #B8009A, #A70087 and #960074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA12C0 shade: #D912BF, #D91289, #D91254, #D9121E and #D91212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA12C0 shade: #D912BF, #BD12D9, #8712D9, #5212D9 and #1C12D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA12C0 shade matches the following richer shades: #D912BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA12C0 shade: #D912BF, #C625B1, #B338A3, #A04B95 and #8D5E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA12C0 shade: #8612D9, #BB12D9, #D912C2, #D9128D and #D91257

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA12C0 shade: #8D0B7C, #B30F9D, #D912BF, #ED26D4 and #F14DDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA12C0 shade: #DA12C0, #D95112 and #12D9A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA12C0 shade: #DA12C0, #C2D912 and #12C2D9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA12C0 shade: #DA12C0, #D95112, #12D929 and #129AD9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA12C0 shade: #DA12C0, #D98D12, #12D929 and #125ED9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 12 / 15

HEX #DA12C0

RGB 218 18 192

HSL 307.8, 0.85%, 0.46%

LAB 50.86, 82.24, -40.59

 

Complementary color

CMYK 84 / 0 / 73 / 7

HEX #25ED3F

RGB 37 237 63

HSL 127.8, 0.85%, 0.54%

LAB 82.55, -77.15, 66.96

 

CMYK 0 / 92 / 16 / 13

HEX #DF12BB

RGB 223 18 187

HSL 310.54, 0.85%, 0.47%

LAB 51.51, 82.52, -36.59

 

CMYK 0 / 85 / 14 / 6

HEX #F024CE

RGB 240 36 206

HSL 310, 0.87%, 0.54%

LAB 56.33, 85.59, -39.77

 

CMYK 0 / 79 / 12 / 0

HEX #FF36E1

RGB 255 54 225

HSL 308.96, 1%, 0.61%

LAB 61.08, 87.32, -42.9

 

CMYK 0 / 72 / 4 / 0

HEX #FF48F4

RGB 255 72 244

HSL 303.61, 1%, 0.64%

LAB 63.69, 85.14, -49.38

 

CMYK 0 / 65 / 0 / 0

HEX #FF5AFF

RGB 255 90 255

HSL 300, 1%, 0.68%

LAB 66.36, 80.82, -51.23

 

CMYK 0 / 92 / 12 / 15

HEX #DA12C0

RGB 218 18 192

HSL 307.8, 0.85%, 0.46%

LAB 50.86, 82.24, -40.59

 

CMYK 0 / 100 / 14 / 21

HEX #C900AD

RGB 201 0 173

HSL 308.36, 1%, 0.39%

LAB 46.22, 78.28, -36.96

 

CMYK 0 / 100 / 16 / 28

HEX #B8009A

RGB 184 0 154

HSL 309.78, 1%, 0.36%

LAB 42.04, 72.75, -32.41

 

CMYK 0 / 100 / 19 / 35

HEX #A70087

RGB 167 0 135

HSL 311.5, 1%, 0.33%

LAB 37.78, 67.11, -27.71

 

CMYK 0 / 100 / 23 / 41

HEX #960074

RGB 150 0 116

HSL 313.6, 1%, 0.29%

LAB 33.45, 61.39, -22.84

 

CMYK 0 / 92 / 12 / 15

HEX #D912BF

RGB 217 18 191

HSL 307.84, 0.85%, 0.46%

LAB 50.62, 81.93, -40.38

 

CMYK 0 / 92 / 37 / 15

HEX #D91289

RGB 217 18 137

HSL 324.12, 0.85%, 0.46%

LAB 48.25, 75.72, -12

 

CMYK 0 / 92 / 61 / 15

HEX #D91254

RGB 217 18 84

HSL 340.1, 0.85%, 0.46%

LAB 46.74, 71.61, 18.43

 

CMYK 0 / 92 / 86 / 15

HEX #D9121E

RGB 217 18 30

HSL 356.38, 0.85%, 0.46%

LAB 46.01, 69.57, 48.99

 

CMYK 0 / 92 / 92 / 15

HEX #D91212

RGB 217 18 18

HSL 0, 0.85%, 0.46%

LAB 45.94, 69.37, 54.15

 

CMYK 0 / 92 / 12 / 15

HEX #D912BF

RGB 217 18 191

HSL 307.84, 0.85%, 0.46%

LAB 50.62, 81.93, -40.38

 

CMYK 13 / 92 / 0 / 15

HEX #BD12D9

RGB 189 18 217

HSL 291.56, 0.85%, 0.46%

LAB 47.32, 81.07, -60.95

 

CMYK 38 / 92 / 0 / 15

HEX #8712D9

RGB 135 18 217

HSL 275.28, 0.85%, 0.46%

LAB 38.89, 73.78, -75.05

 

CMYK 62 / 92 / 0 / 15

HEX #5212D9

RGB 82 18 217

HSL 259.3, 0.85%, 0.46%

LAB 32.34, 68.98, -86.08

 

CMYK 87 / 92 / 0 / 15

HEX #1C12D9

RGB 28 18 217

HSL 243.02, 0.85%, 0.46%

LAB 28.61, 66.75, -92.38

 

CMYK 0 / 92 / 12 / 15

HEX #D912BF

RGB 217 18 191

HSL 307.84, 0.85%, 0.46%

LAB 50.62, 81.93, -40.38

 

CMYK 0 / 92 / 12 / 15

HEX #D912BF

RGB 217 18 191

HSL 307.84, 0.85%, 0.46%

LAB 50.62, 81.93, -40.38

 

CMYK 0 / 81 / 11 / 22

HEX #C625B1

RGB 198 37 177

HSL 307.83, 0.69%, 0.46%

LAB 47.63, 73.16, -37.14

 

CMYK 0 / 69 / 9 / 30

HEX #B338A3

RGB 179 56 163

HSL 307.8, 0.52%, 0.46%

LAB 45.71, 61.12, -32.09

 

CMYK 0 / 53 / 7 / 37

HEX #A04B95

RGB 160 75 149

HSL 307.76, 0.36%, 0.46%

LAB 45.19, 45.28, -24.77

 

CMYK 0 / 33 / 4 / 45

HEX #8D5E87

RGB 141 94 135

HSL 307.66, 0.2%, 0.46%

LAB 46.2, 26.08, -15.02

 

CMYK 38 / 92 / 0 / 15

HEX #8612D9

RGB 134 18 217

HSL 274.97, 0.85%, 0.46%

LAB 38.74, 73.67, -75.29

 

CMYK 14 / 92 / 0 / 15

HEX #BB12D9

RGB 187 18 217

HSL 290.95, 0.85%, 0.46%

LAB 46.98, 80.77, -61.51

 

CMYK 0 / 92 / 11 / 15

HEX #D912C2

RGB 217 18 194

HSL 306.93, 0.85%, 0.46%

LAB 50.78, 82.33, -41.88

 

CMYK 0 / 92 / 35 / 15

HEX #D9128D

RGB 217 18 141

HSL 322.91, 0.85%, 0.46%

LAB 48.4, 76.11, -14.2

 

CMYK 0 / 92 / 60 / 15

HEX #D91257

RGB 217 18 87

HSL 339.2, 0.85%, 0.46%

LAB 46.81, 71.79, 16.66

 

CMYK 0 / 92 / 12 / 45

HEX #8D0B7C

RGB 141 11 124

HSL 307.85, 0.86%, 0.3%

LAB 32.61, 59.13, -29.34

 

CMYK 0 / 92 / 12 / 30

HEX #B30F9D

RGB 179 15 157

HSL 308.05, 0.85%, 0.38%

LAB 41.78, 70.64, -34.68

 

CMYK 0 / 92 / 12 / 15

HEX #D912BF

RGB 217 18 191

HSL 307.84, 0.85%, 0.46%

LAB 50.62, 81.93, -40.38

 

CMYK 0 / 84 / 11 / 7

HEX #ED26D4

RGB 237 38 212

HSL 307.54, 0.85%, 0.54%

LAB 56.23, 85.45, -43.38

 

CMYK 0 / 68 / 9 / 5

HEX #F14DDB

RGB 241 77 219

HSL 308.05, 0.85%, 0.62%

LAB 60.89, 76.77, -39.97

 

CMYK 0 / 92 / 12 / 15

HEX #DA12C0

RGB 218 18 192

HSL 307.8, 0.85%, 0.46%

LAB 50.86, 82.24, -40.59

 

CMYK 0 / 63 / 92 / 15

HEX #D95112

RGB 217 81 18

HSL 18.99, 0.85%, 0.46%

LAB 52.6, 50.94, 58.58

 

CMYK 92 / 0 / 26 / 15

HEX #12D9A1

RGB 18 217 161

HSL 163.12, 0.85%, 0.46%

LAB 77.48, -56.92, 15.39

 

CMYK 0 / 92 / 12 / 15

HEX #DA12C0

RGB 218 18 192

HSL 307.8, 0.85%, 0.46%

LAB 50.86, 82.24, -40.59

 

CMYK 11 / 0 / 92 / 15

HEX #C2D912

RGB 194 217 18

HSL 66.93, 0.85%, 0.46%

LAB 82.45, -28.5, 79.85

 

CMYK 92 / 11 / 0 / 15

HEX #12C2D9

RGB 18 194 217

HSL 186.93, 0.85%, 0.46%

LAB 72.04, -31.42, -22.76

 

CMYK 0 / 92 / 12 / 15

HEX #DA12C0

RGB 218 18 192

HSL 307.8, 0.85%, 0.46%

LAB 50.86, 82.24, -40.59

 

CMYK 0 / 63 / 92 / 15

HEX #D95112

RGB 217 81 18

HSL 18.99, 0.85%, 0.46%

LAB 52.6, 50.94, 58.58

 

CMYK 92 / 0 / 81 / 15

HEX #12D929

RGB 18 217 41

HSL 126.93, 0.85%, 0.46%

LAB 76.02, -74.3, 67.26

 

CMYK 92 / 29 / 0 / 15

HEX #129AD9

RGB 18 154 217

HSL 198.99, 0.85%, 0.46%

LAB 60.11, -10.61, -41.23

 

CMYK 0 / 92 / 12 / 15

HEX #DA12C0

RGB 218 18 192

HSL 307.8, 0.85%, 0.46%

LAB 50.86, 82.24, -40.59

 

CMYK 0 / 35 / 92 / 15

HEX #D98D12

RGB 217 141 18

HSL 37.09, 0.85%, 0.46%

LAB 64.84, 20.7, 67.34

 

CMYK 92 / 0 / 81 / 15

HEX #12D929

RGB 18 217 41

HSL 126.93, 0.85%, 0.46%

LAB 76.02, -74.3, 67.26

 

CMYK 92 / 57 / 0 / 15

HEX #125ED9

RGB 18 94 217

HSL 217.09, 0.85%, 0.46%

LAB 42.98, 26.25, -68.68

 

Description

Color code: HEX #DA12C0 | qconv.com Color code: HEX #DA12C0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 18 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 18 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 12 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 12% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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