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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D9D042 it is the complementary color #262FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D9D042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D9D042: #DED03D, #EFE250, #FFF463, #FFFF76 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D9D042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D9D042: #D9D042, #C8BE2F, #B7AC1C, #A69A09 and #958800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

Complementary color

CMYK 80 / 75 / 0 / 26

HEX #262FBD

RGB 38 47 189

HSL 236.42, 0.67%, 0.45%

LAB 29.71, 46.64, -74.19

 

CMYK 0 / 6 / 73 / 13

HEX #DED03D

RGB 222 208 61

HSL 54.78, 0.71%, 0.55%

LAB 82.37, -11.1, 70.21

 

CMYK 0 / 5 / 67 / 6

HEX #EFE250

RGB 239 226 80

HSL 55.09, 0.83%, 0.63%

LAB 88.6, -12.07, 69.86

 

CMYK 0 / 4 / 61 / 0

HEX #FFF463

RGB 255 244 99

HSL 55.77, 1%, 0.69%

LAB 94.68, -13.31, 69.06

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 0 / 5 / 77 / 22

HEX #C8BE2F

RGB 200 190 47

HSL 56.08, 0.62%, 0.48%

LAB 75.64, -11.94, 67.91

 

CMYK 0 / 6 / 85 / 28

HEX #B7AC1C

RGB 183 172 28

HSL 55.74, 0.73%, 0.41%

LAB 69.22, -10.71, 67.07

 

CMYK 0 / 7 / 95 / 35

HEX #A69A09

RGB 166 154 9

HSL 55.41, 0.9%, 0.34%

LAB 62.71, -9.24, 64.82

 

CMYK 0 / 9 / 100 / 42

HEX #958800

RGB 149 136 0

HSL 54.77, 1%, 0.29%

LAB 56.09, -7.49, 60.6

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 7 / 0 / 71 / 15

HEX #C9D93F

RGB 201 217 63

HSL 66.23, 0.67%, 0.55%

LAB 83.13, -24.19, 69.67

 

CMYK 19 / 0 / 71 / 15

HEX #B0D93F

RGB 176 217 63

HSL 75.97, 0.67%, 0.55%

LAB 81.41, -34.21, 67.4

 

CMYK 31 / 0 / 71 / 15

HEX #96D93F

RGB 150 217 63

HSL 86.1, 0.67%, 0.55%

LAB 79.88, -44.01, 65.37

 

CMYK 43 / 0 / 71 / 15

HEX #7CD93F

RGB 124 217 63

HSL 96.23, 0.67%, 0.55%

LAB 78.62, -52.83, 63.69

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 0 / 8 / 69 / 95

HEX #0D0C04

RGB 13 12 4

HSL 53.33, 0.53%, 0.03%

LAB 3.23, -0.83, 3.18

 

CMYK 0 / 5 / 70 / 75

HEX #403D13

RGB 64 61 19

HSL 56, 0.54%, 0.16%

LAB 25.18, -5.04, 25.6

 

CMYK 0 / 4 / 70 / 55

HEX #736E23

RGB 115 110 35

HSL 56.25, 0.53%, 0.29%

LAB 45.52, -7.9, 40.79

 

CMYK 0 / 4 / 70 / 35

HEX #A69F32

RGB 166 159 50

HSL 56.38, 0.54%, 0.42%

LAB 64.27, -10.55, 54.98

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 71 / 0 / 62 / 15

HEX #3FD953

RGB 63 217 83

HSL 127.79, 0.67%, 0.55%

LAB 76.86, -65.91, 53.29

 

CMYK 33 / 71 / 0 / 15

HEX #913FD9

RGB 145 63 217

HSL 271.95, 0.67%, 0.55%

LAB 45.06, 61.3, -64.91

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 71 / 0 / 5 / 15

HEX #3FD9CE

RGB 63 217 206

HSL 175.71, 0.67%, 0.55%

LAB 79.12, -41.65, -6.14

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 71 / 0 / 62 / 15

HEX #3FD953

RGB 63 217 83

HSL 127.79, 0.67%, 0.55%

LAB 76.86, -65.91, 53.29

 

CMYK 71 / 66 / 0 / 15

HEX #3F49D9

RGB 63 73 217

HSL 236.1, 0.67%, 0.55%

LAB 39.3, 43.13, -74.64

 

CMYK 0 / 71 / 10 / 15

HEX #D93FC4

RGB 217 63 196

HSL 308.18, 0.67%, 0.55%

LAB 54.34, 72.63, -37.43

 

CMYK 0 / 4 / 70 / 15

HEX #D9D042

RGB 217 208 66

HSL 56.42, 0.67%, 0.55%

LAB 81.98, -12.97, 67.89

 

CMYK 71 / 0 / 41 / 15

HEX #3FD981

RGB 63 217 129

HSL 145.71, 0.67%, 0.55%

LAB 77.44, -59.24, 32.08

 

CMYK 71 / 66 / 0 / 15

HEX #3F49D9

RGB 63 73 217

HSL 236.1, 0.67%, 0.55%

LAB 39.3, 43.13, -74.64

 

CMYK 0 / 71 / 31 / 15

HEX #D93F96

RGB 217 63 150

HSL 326.1, 0.67%, 0.55%

LAB 52.41, 66.56, -13.52

 

Description

Color code: HEX #D9D042 | qconv.com Color code: HEX #D9D042 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 208 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 208 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 70 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 70% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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